cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Herna Hirza
Contact Email
hirzaherna0@gmail.com
Phone
+6281397728339
Journal Mail Official
grenek@unimed.ac.id
Editorial Address
JL. Willem Iskandar Pasar v Medan Estate
Location
Kota medan,
Sumatera utara
INDONESIA
Grenek: Jurnal Seni Musik
Published by Universitas Negeri Medan
ISSN : 23015349     EISSN : 25798200     DOI : https://doi.org/10.24114/grenek.v10i1
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Computer Science & IT Education Social Sciences
Grenek : Jurnal Seni Musik merupakan jurnal yang dikelola oleh prodi pendidikan musik jurusan sendratasik FBS Unimed. Grenek: Jurnal Seni Musik menyajikan persoalan dan isu-isu terkini tentang musik di Indonesia terkhusus di Sumatera utara. Grenek : Jurnal Seni Musik secara khusus membahas tentang pendidikan musik, penyajian musik, pengelolaan musik, penciptaan musik, serta pengkajian musik.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 7 Documents
 1 
Search results for , issue "Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik" : 7 Documents clear
MAKNA DAN NILAI LAGU YANG TERKANDUNG DALAM SYAIR LAGU HAHOLONGI MA SIDOLI KARYA DOMPAK SINAGA SERTA PROSES PENCIPTAANNYA Nasriani Siregar
Grenek: Jurnal Seni Musik Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v6i2.10968

Abstract

This study aims to determine the meaning of the valuecontained in the song lyrics haholongi ma Sidoli worksDompak sinaga. The theory used is the meaning, value, Songand Poetry. The meaning is the meaning or intent of a wordthat summed. Values mean something that has a quality angle,song is a composition of the tone or voice. The researchmethod used is descriptive qualitative. This research wasconducted in Humbang Hasundutan and research was startedin December 2015 to February 2016. The study populationwas not there. While the sample is Haholongi Song Ma SidoliDompak Sinaga work as much as one song and DompakSinaga. The results of this study indicate that the meaning ofthe song lyric Haholongi Ma Sidoli were lovers who are notdestined for a brotherly relationship (match). The values onthe song lyric Haholongi Ma Sidoli is: enjoyment value, thevalue of patience, the value of love, psychiatric tilapia, thevalue of life.
BENTUK PENYAJIAN DAN BENTUK MUSIK RAPA’I PASEÉ PADA MASYARAKAT ACEH DI GAMPONG AWE KECAMATAN SYAMTALIRA KABUPATEN ACEH UTARA Desi Fitriani
Grenek: Jurnal Seni Musik Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v6i2.10964

Abstract

This research have purpose ti investigate the existence and the instruments used inRapa’i Pasee art at Gampong Awe Syamtalira subdistrict Nort Aceh regency. Thetheory used in this research including the explanation of the existence, the presentationfrom, explanation meaning of music, music elements, and the organology of musicinstruments.The population in thi research is music group of Rapa’i Pasee that consistof 16 players, they are 2 was called Syekh (leader), and 14 are music players. Thesample in this research is all population that consist 13 persons. The methods used inthis research is observation, interviewed, and documentation. The data processing andanalysis technic used quality deseriptive research type. The interview result showedRapa’i Pasee at Gampong Awe Syamtalira subdistrict North Aceh regency now was sointerested by people. The Rapa’i Pasee was showed as entertainment in some events,usually like independence day or in prophrt Muhammad Saw birthday or to wecome thecountry guests. The instruments used is Rapa’i Pasee (like rebana but in big size). Thepresentation from showed in Rapa’i Pasee played consist 4 chapter (scene), that isSaleum Aneuk Syahi/Cahi, Saleum Aneuk Rakan, Kisah (story) and closing scene.Rapa’i Pasee have own harmony, Rapa’i Pasee have music from one part, two partsnad three parts. Music from one part was sel up in Saleum Rakan and closing scene,two parts in Saleum Aneuk Syahi/Cahi, and three part was set up in Kisah scene
PELATIHAN ANGKLUNG BAGI KAUM IBU LANSIA DI YAYASAN SOKA GAKKAI MEDAN Rema Yuni Deswita
Grenek: Jurnal Seni Musik Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v6i2.10969

Abstract

Angklung Training ForElderly Mother in Soka Gakkai Foundation Medan. Essay. Faculty of Language andArts, State University of Medan. Supervisor: (1) Esra PT Siburian, M. Sn, (2) AdinaSastra Sembiring,M.Pd.This study aims to determine how the role of mother angklung for the elderly in thefoundation Soka Gakkai field through the angklung training process. The approach usedin this research is descriptive and qualitative. Descriptive approach is used to focus onthe actual problem as they are at the time of research training at the foundation SokaGakkai angklung underway.Qualitative approach used to describe the problem in training activities angklungin foundation Soka Gakkai. The object of research, namely mothers angklung, SokaGakkai members, especially in the field of 20 people and 1 coach. This research datacollected by direct observation field where research, interviews to several elderly momsand coaches as well as chairman of the association of mothers in the foundation of theSoka Gakkai.Angklung chosen by the mother Elderly Foundation Soka Gakkai Indonesia on thegrounds of Angklung is a musical instrument that is a heritage native Indonesia. Simplemusical instrument made of bamboo which was originally a musical instrument played towar but thanks to the cold hands of the father Angklung Daeng Soetigna transformed intoa musical instrument that has a diatonic tones world standard that can be used in all thesong's accompaniment.Practicing music is also useful for the health of the elderly, taken from the title of thispaper researchers believe that playing angklung useful to stimulate the motion system ofthe elderly who have fallen and psychology useful for the elderly. By having groups thatperform activities together would be very useful for the Elderlypsychologyinordernottofeellonely.
PEMBELAJARAN PERKUSI PADA EKSRAKURIKULER MARCHING BAND DI MAN 1 MEDAN MUHAMMAD RIZKI HABIBI
Grenek: Jurnal Seni Musik Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v6i2.10965

Abstract

In Extracurricular Learning Percussion Marching Band in MAN 1Medan. Faculty of Language and Arts University of Medan in 2015.This study aims to determine the learning percussion in extracurricularMarching Band in MAN 1 Medan, Iskandar Wlliam road no. 7BMedan. The experiment was conducted in February and March 2015.The method used in this research is descriptive qualitative method.Samples in this study are all members of the percussion players andcoaches totaled 14 people, amounting to one person percussion. Datacollection was conducted by literature study and field observations areinterviews and documentation. Once all the data collected, the data isanalyzed to answer all questions researchers. Analysis of the datapresented in the form of descriptive gradually in writing, thenclassified according to content or material concerned shall. After theanalysis conducted found that the learning outcomes percussionapplied by coaches in extracurricular Marching Band MAN 1 Theterrain is very nice and helpful for students. The students can readmusic well, signs of musical expression, know tempo. Courage anddiscipline of the students are also well embedded, so that the targetwhich is expected by the coach and the school can achieve its fullpotential.
PERTUNJUKAN SENDRATARI BAHOELA DAN KINI DALAM ACARA HORAS SAMOSIR FIESTA DI KABUPATEN SAMOSIR TRI MEYANI MALAU
Grenek: Jurnal Seni Musik Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v6i2.10970

Abstract

The Bahoela and Today Sendratari Show at Horas Samosir Fiesta Event inSamosir Regency. Faculty of Arts and Languages. State University of Medan.2015. This research is aimed to know how the Bahoela and Today SendratariShow that will be held and the way of the event management from the beginninguntil the end is. In the discussion of this research, the researcher used relatedtheory to the topic of writing, such as theory of show, theory of sendratari andtheory of management. The research methodology used in this research wasdescriptive qualitative. To complete the data in this research, the researcherconducted a field observation, videos, interviewing and documentation. Thepopulation in this research was the whole involved committee, the performers andthe audiences. After all the data were collected, they were analysed then toanswer all the researcher’s questions. The data analysis was done by usingqualitative data technique which was described in phases in writing form. Afterthe analysis was done, it was found that the event management in order to makethe event run well, it was started form planning, determining the structure,preparing, conducting, making a responsibility report, evaluating the result,effects, redeveloping/replanning and the show presented music, drama and dancewhich told about occurrences in Bahoela Era and Today.
BENTUK PENYAJIAN DAN FUNGSI MUSIK DALAM UPACARA THAU CHIT PADA AGAMA KHONGHUCU DI YAYASAN BUDI MULIA KECAMATAN LUBUK PAKAM KABUPATEN DELI SERDANG KRISTIAN SINAGA
Grenek: Jurnal Seni Musik Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v6i2.10966

Abstract

Presentation Form And Function In Ceremony Thau Music Chit On Confucian Religion inYayasan Budi Mulia Lubuk Pakam District of Deli Serdang. Faculty of Language and Art. StateUniversity of Medan. This study aims to determine rites Chit Thau, the usefulness of theinstrument, the form of presentation and function of music in Chit Thau ceremony at the Confucianreligion in Yayasan Budi Mulia Lubuk Pakam District of Deli Serdang. This study is based on atheoretical foundation that explains the sense of form, sense of presentation, understanding thefunction, understanding music, understanding, Thau ceremony Chit, and understanding ofConfucianism. This research was conducted at Yayasan Budi Mulia Lubuk pakam District of DeliSerdang in June to August 2015. The method in this research use descriptive qualitative researchmethods. The population in this study is saikong (prayer leaders), community, and musicians atthe ceremony Thau Chit Confucian Religion in Yayasan Budi Mulia Lubuk Pakam District of DeliSerdang, while samples totaling 28 people. Data collected through observation, interviews,documentation, and strudi literature. These results indicate that the rites Thau Chit divided intoeight parts, namely Huat Piau is cleaning the altar and sending letters to the god of hell. WangPai is a tribute to the gods of heaven. Old Phou is the process invites the god of the earth. TiauHun is the process of summoning spirits. Mong Ek is the process of bathing spirit. Iok Pai Wang isa tribute to the god of medicine. Sio Ui house burning spirit. And Koei Kio is the return of thespirit of the gods .. Uses istrument music at the ceremony Thau Confucianism is Choei Chit Khinand Er Hu as a carrier melody, as rithem drums, bells and la Bua carrier tempo. Form ofpresentation of the music at the ceremony Thau Chit Confucianism is divided into three parts,namely musical homage to the gods, notification to the spirit, and the spirit returns to music.There are three functions of the music at the ceremony Thau Chit Confucianism, which is afunction of aesthetic pleasure and emotional expression, communication function and endorsementof religious rituals and functions contributes to the continuity and stability of culture.
PEMANFAATAN LAGU-LAGU ANAK DALAM PEMBELAJARAN TEMATIK DI TK IPAC CHANDRA KUSUMA SCHOOL MEDAN Eko Suheri
Grenek: Jurnal Seni Musik Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v6i2.10967

Abstract

The world’s children are playing anywhere and any time, children always foundtime to play. The aim of this study, 1) to know learning thematic. 2) to know themethods used. 3) to know the results of thematic learning children’s songs. 4) todetermine the constraints faced by teachers. The study describes the theoryutilization of instructional media, Theory of children’s songs, thematic theorywhich explains the thematic is a complex model by combining multiple subjects ina single theme. The method used in this research is qualitative descriptivemethods. Data collected by literature study method, observation and observations,interviews, documentation and data analysis techniques. This study took place inIPAC Chandra Kusuma School Medan. Results utilization of thematic learning inearly childood. Thematic is a complex model by combining multiple subjects in asingle theme. Thematic learning outcomes that help the child to come forward andtheir expression in terms of singing and speech. Learning methods are usedlecture and demonstration methods. Constraints faced by teaching the differencein intelligence levels between children with one another. And the lack of effectivelearning time because the only available half an hour of learning.

Page 1 of 1 | Total Record : 7

 1 

Filter by Year

2017 2017


Reset
Filter By Issues
All Issue Vol 12, No 1 (2023): Grenek: Jurnal Seni Musik Vol 11, No 2 (2022): Grenek: Jurnal Seni Musik Vol 11, No 1 (2022): Grenek: Jurnal Seni Musik Vol 10, No 2 (2021): Grenek: Jurnal Seni Musik Vol 10, No 1 (2021): Grenek: Jurnal Seni Musik Vol 9, No 2 (2020): Grenek: Jurnal Seni Musik Vol 9, No 1 (2020): Grenek: Jurnal Seni Musik Vol 8, No 2 (2019): Grenek : Jurnal Seni Musik Vol 8, No 1 (2019): Grenek : Jurnal Seni Musik Vol 7, No 2 (2018): Grenek : Jurnal Seni Musik Vol 7, No 1 (2018): Grenek : Jurnal Seni Musik Vol 6, No 2 (2017): Grenek : Jurnal Seni Musik Vol 6, No 1 (2017): Grenek : Jurnal Seni Musik Vol 2, No 3 (2013): Grenek Music Journal Vol 2, No 2 (2013): Grenek Music Journal Vol 2, No 1 (2013): Grenek Music Journal Vol 1, No 3 (2012): Grenek E-Jurnal Vol 1, No 2 (2012): Grenek E-Jurnal Vol 1, No 1 (2012): Grenek E-Jurnal More Issue