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All Journal MIMBAR PENDIDIKAN Jurnal Lensa Budaya
Wasith, Muhammad
Departemen Sejarah , Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia
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The Visual Culture of Tolerance in Three Bali’s Artworks of Balinese Artist: Putu Sutawijaya, 1998-2010 Albar, Muhammad Wasith
MIMBAR PENDIDIKAN Vol 5, No 2 (2020)
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/mimbardik.v5i2.28872

Abstract

ABSTRACT: The contemporary life in the era of globalization marked by the fast forward of the tremendous IT (Information Technology). The information discharge excessively needs to have filter to separate the information visually and verbally. This paper studies the culture of tolerance in Balinese artist Putu Sutawijaya, on his three creations, to showed how the spirituality of Hindu’s religion promulgate and develop the tolerance figure of his idea as form, which is an assertive spiritual attitude in the name of tolerance in plurality. Every society from a country, including Indonesia, must have a variety of differences, both culture, religion, race, value system, customs, habits, and history. While the spirituality was defined in descriptive analysis, historical anthropologist, and using the Wilhem Dilthey (2010)’s Hermeneutics Theory. The study of cultural tolerance in Putu Sutawijaya case can be found in his three contemporary works: “Fire Sleep for a Moment” in 1998; “In Between” in 2000; and “Solidarity” in 2004. The novelty of this research is an effort to show how the Indonesia’s visual culture has a culture and religion tolerance as its main topics.KEY WORD: Visual Culture; Tolerance; Contemporary Artworks; Putu Sutawijaya. ABSTRAKSI: “Budaya Visual tentang Toleransi dalam Tiga Karya Seni Seniman Bali: Putu Sutawijaya, 1998-2010”. Kehidupan kontemporer di era globalisasi ditandai dengan pesatnya kemajuan IT (Informasi Teknologi). Pembuangan informasi secara berlebihan perlu adanya filter untuk memisahkan informasi secara visual dan verbal. Makalah ini mengkaji budaya toleransi dari seniman Bali Putu Sutawijaya, pada tiga karyanya, untuk menunjukkan bagaimana spiritualitas agama Hindu menyebarluaskan dan mengembangkan sosok toleransi dari gagasannya sebagai wujud, yaitu sikap spiritual yang tegas atas nama toleransi dalam pluralitas. Setiap masyarakat dari suatu negara, termasuk Indonesia, pasti memiliki perbedaan yang beragam, baik budaya, agama, ras, sistem nilai, adat-istiadat, kebiasaan, dan sejarah. Manakala, spiritualitas didefinisikan dalam analisis deskriptif, antropologi sejarah, dan menggunakan Teori Hermeneutika dari Wilhem Dilthey (2010). Kajian tentang toleransi budaya dalam kasus Putu Sutawijaya dapat ditemukan dalam tiga karya seni kontemporernya: “Fire Sleep for a Moment” [Matikan Api Sejenak] pada tahun 1998; “In Between” [Diantara] pada tahun 2000; dan “Solidarity” [Solidaritas] pada tahun 2004. Kebaruan penelitian ini merupakan upaya untuk menunjukkan bagaimana budaya visual Indonesia memiliki budaya dan toleransi beragama sebagai topik utamanya.KATA KUNCI: Budaya Visual; Toleransi; Karya Seni Kontemporer; Putu Sutawijaya.About the Author: Muhammad Wasith Albar, M.Hum. is a Lecturer of Art History at the Department of History, Faculty of Humanities UI (University of Indonesia), Depok UI Campus, Depok 16424, West Java, Indonesia. For academic interests, the Author is able to be contacted via e-mail address at: muhammadwasithalbar2000@gmail.comSuggested Citation: Albar, Muhammad Wasith. (2020). “The Visual Culture of Tolerance in Three Bali’s Artworks of Balinese Artist: Putu Sutawijaya, 1998-2010” in MIMBAR PENDIDIKAN: Jurnal Indonesia untuk Kajian Pendidikan, Volume 5(2), September, pp.143-160. Bandung, Indonesia: UPI [Indonesia University of Education] Press, ISSN 2527-3868 (print) and 2503-457X (online). Article Timeline: Accepted (July 17, 2020); Revised (August 17, 2020); and Published (September 30, 2020).
REPRESENTASI BUDAYA VISUAL KARYA SENI RUPA KONTEMPORER PUTU SUTAWIJAYA, 1998 - 2010 Muhammad Wasith Albar
Lensa Budaya: Jurnal Ilmiah Ilmu-Ilmu Budaya Vol. 12 No. 2 (2017): Jurnal Lensa Budaya
Publisher : Fakultas Ilmu Budaya universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jlb.v12i2.3053

Abstract

This paper is a study of the representation of multiculturalism and globalization in seven contemporary art works of Putu Sutawijaya between 1998 an d0201 as a creative journey and process of the contemporary artist through his visual cultural ideas from his exhibition at the National Galery in Jakarta (Legacy of Sagacity, 20—30 November 2008) and one sculpture (Merasa Bebas) in the Art Apreciation Park in the Faculty of Culture at Universitas Indonesia in Depok (2010). Through preliminary study visual culture of the seven contemporary works which are diverse and dynamics can be discovered that Putu Sutawijay always maintain a consistent concept and full authority in his creative process where “Idea is Form” in passing his message. This paper is expected will be able to recognize various multicutural interpretation and globalization through the seven contemporary art works by Putu Sutawijaya as an artis who resides in two cultural regions—Bali and Yogyakart, as ide of his participation in residency programs in Switzerland and Malaysia.
ANALISIS SEMIOTIK CHARLES SANDER PIERCE TENTANG TAKTIK KEHIDUPAN MANUSIA: DUA KARYA KONTEMPORER PUTU SUTAWIJAYA Muhammad Wasith Albar
Lensa Budaya: Jurnal Ilmiah Ilmu-Ilmu Budaya Vol. 13 No. 2 (2018): Lensa Budaya:Jurnal Ilmiah Ilmu-Ilmu Budaya
Publisher : Fakultas Ilmu Budaya universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jlb.v13i2.5447

Abstract

This paper studies the representation of Man’s life-tactics in two works of contemporary fine arts by Putu Sutawijaya (2017) as a process of creative journey by a contemporary artist through his flashes of visual cultural ideas in curatorial Betwixt and Between. Life-tactics in here mean the ways in which an artist can swiftly execute society’s life’s problematics as representations of his succesful family’s strategy in the long run. The findings are obtained through triadic semiotic readings of Charles Sanders Pierce (Hoed 2007, Piliang 2018) and combined with historical method for contextualizing the creative processes of the artist.In two contemporary art works of Putu Sutawijaya, it is discovered that he always has consistent concept with full authority in his creative process based on his experiences which allow him to impose discourse and sublimation in the contemporary art in Indonesia. Then, following structurist analysis of Christopher Llyod (1993), it is discovered that Putu Sutawijaya’s sense of agency always implements silence attitude (Hindu concept of niharamkarah) in everyday human realities in sustaining and forming harmonious life. This statement can be recognized as represented in Survive 1, 2 and Pohon Kehidupan (Tree of Life).
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