Kurnia, Lilawati
pengajar Program Studi Jerman Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia

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Transisi Budaya di Bali dalam Novel Jerman: Wayan zwischen Drogen und Dämonen Kurnia, Lilawati
Wacana Vol 8, No 1 (2006): Keanekaragaman Budaya Regional
Publisher : Faculty of Humanities, University of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (185.648 KB) | DOI: 10.17510/wjhi.v8i1.243

Abstract

Europe has been interested in Indonesia for many centuries ago. The DutchGovernment and the East-Indies Company (VOC), for example, already established theconnection between Indonesian and German along with the colonization when the VOCbrought the German Regiment to the islands of Indonesia. Nevertheless, this relationship wasnot in a friendly way but was the power one. German also adopted the domination of the colonyby the Dutch. Bali as the foremost attraction for the Europe since the 19th century has becomea place of destination to the western tourists in the 20th century. The transition of Balineseculture and people can be seen in every aspect. The novel Wayan zwischen Drogen undDämonen shows how the Balinese in mid 20th century is influenced by the western cultureand how they survive during the transition from tradition to modernity.
Seni Kulinari, Kekuasaan, dan Multikulturalisme dalam Master Cooking Boy/ The Real Master Cooking Boy Karya Etsushi Ogawa Kurnia, Lilawati
Wacana Vol 8, No 2 (2006): Multikultural Internasional
Publisher : Faculty of Humanities, University of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1447.098 KB) | DOI: 10.17510/wjhi.v8i2.236

Abstract

This essay examines manga, the japanese comic „Master Cooking Boy“ and inquires what the manga offers to the reader beside being a popular reading. This essay reviews the history of manga and its function in the Japanese culture. The paper unravels the theories of cultural studies such as hegemony and multiculturalism in the analyse of this manga. This paper discusses the wider horizon of manga as a field of hegemony discourse and multiculturalism. It opens the possibilities to analyse manga in a different perspective and shows how ideology can operates in the popular literature.