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All Journal E-Journal Home Economic and Tourism Gorga : Jurnal Seni Rupa Jurnal Pendidikan dan Keluarga
Yuliarma, Yuliarma
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 1 
Studi Tentang Desain Pakaian Pengantin Suku Talang Mamak dikecamatan Rakit Kulim Kabupaten Indragiri Hulu Provinsi Riau Jubaedah, Siti; Efi, Agusti; Yuliarma, Yuliarma
Journal of Home Economics and Tourism Vol 6, No 2 (2014): Periode Juni 2014
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

This study aimed to documentation , analyze and describe data about wedding apparel designs Talang Mamak tribe as seen from the Bride Outfits design philosophy and meaning. This research is descriptive qualitative. The location of this study in the district of Kulim Raft Indragiri Hulu in Riau Province.  Data collection techniques using three techniques are observation, interview and documentation. The results of the study Talang Mamak tribe clothing Bridal bride and groom men wearing form perempuanya shirts, pants, and cap Salempang . Material shirts of cotton, wool, Salempang, cotton and velvet . Kundur florals and diamonds. Colors used red and black color hiasanya using woven hangings . Bride of using the short form of Kebaya , gloves , and tools Salempang andam, songket woven material , meaning the philosophy of the wedding dress is courage, sanctity became the bride dared to enter the gates of the household and cheerfulness lost all cocky arrogant, originated from the household life flows along to the grave . Keywords : Bridal Apparel Design Talang Mamak Tribe
STUDI TENTANG BUSANA PENGANTIN MELAYU JAMBI DI KECEMATAN KOTA BARU KOTA JAMBI Sari, Desy Permata; Ramainas, Ramainas; Yuliarma, Yuliarma
Journal of Home Economics and Tourism Vol 8, No 1 (2015): Periode Maret 2015
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

This study aimed to describe the Jambi Malay wedding dress at New TownDistrict of the city of Jambi, which include 1) Fashion Design and 2) Proceduresfor usage. The method used in this research is descriptive qualitative method. Thetechnique of collecting document through observation, interviews anddocumentation. Instruments in which the researcher's own research. The results ofthe study include the Malay wedding dress design wedding dress Track Menwear, under wear sleeveless shirt, vest and pants made of satin, or velvet santungred, blue or yellow. Gloves made from songket songket red, belt / belt made ofcopper gilt and gold, Keris, slippers. Clothing bride wearing braces satin shirt red,blue or yellow, Songket made songket and red, made from pandanus folding bunhair and pandanus, Flower Flower cempako and shake made from copper gilt goldcolored, flower bunch of white fabric, flower potpourri made from white paper,green, yellow and red, chiffon scarf cinde green and yellow, red satin made Lotus,necklace Tread Jayo and necklace chain, Pending / belt, bracelet canoe, jaggedBracelet, Earrings and Bracelet flat tembago made from gold gilt, Slippers.Decoration on clothing to wear gold thread embroideries, sequins and beads. Theprocedure for starting the use of wear songket, wearing braces, wearing a lotus,papyrus and folding bun wearing a headdress (folding bun pandanus, pesangkon,and puncture bun), wear earrings, wear a necklace, wear pending and scarves,wear bracelets hand, wearing slippers and the men wear trousers, wear depth,songket wear gloves, wear peding and dagger, vest, wear gloves and daggersongket, wear track, wearing slippers.Keywords: Jambi Malay Wedding Dress
STUDI TENTANG BUSANA PENGANTIN TRADISIONAL KURAI BUKITTINGGI Yunus, Rona Rahayu; Efi, Agusti; Yuliarma, Yuliarma
Journal of Home Economics and Tourism Vol 6, No 2 (2014): Periode Juni 2014
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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This research is motivated by socio-cultural developments that occurred among the society and modernization in fashion design which includes models, materials, colors, and embellishments. These cause the changes intraditional fashion that should be conserved by the society who use it, one whichoccurred insociety at Kurai, Bukittinggi. The purpose of this research is to describe the design of traditional wedding dress of Kurai Bukittinggi in terms of models, materials, colors, embellishments and also describe the meaning of the philosophy contained in that traditional wedding dress of Kurai Bukittinggi. The method used in this research is descriptive qualitative method. This research was held in Kurai, Bukittinggi. Data which are collected in this research were taken from the observations, interviews, and documentations. This research also used the techniques of data analysis namely data reduction, data presentation and taking conclusion. To obtain valid data by doing an extension ofobservation, perseverance of observation, triangulation and auditing. The results of the research of traditional wedding dress in Kurai, Bukittinggi consists of the bridal clothes for the bride and bridegroom. The clothes of bridegroom consists of a suit, sarawa lambuak, sisampiang, cawek (waist belt), saluak, tie, karih (dagger), tungkek (stick), kampierokok, and tarompasapik (footwear). The clothes of the bride consists of a dress called bajukuruangbatabua, kodekbalapak, salendangbalapak, tokoksanggua, jewellery, tarompasaruang (footwear), and uncang (purse). The philosophy's meaning from traditional wedding dress generally contain the culture messages and the basic values of Islam teaching as stated in a proverb in Minang“Adaik Basandi Syarak, Syarak Basandi Kitabullah” and one of the wedding dress which is has a philosophy meaning is only the traditional wedding dress in Minang. Meanwhile the suit, shirt, and tie have no philosophy meaning because there is not  in Minang culture traditionally, however Western culture adopted into Minangkabau culture and used as a part of the wedding dress of Kurai, Bukittinggi.   Kata Kunci: Busana pengantin tradisional, desain, makna filosofi, Kurai Bukittingi
STUDI TENTANG DISAIN RAGAM HIAS PAKAIAN PENGANTIN TRADISIONAL LUBUK BEGALUNG PADANG Desmaleni, Rahayu; Efi, Agusti; Yuliarma, Yuliarma
Journal of Home Economics and Tourism Vol 6, No 2 (2014): Periode Juni 2014
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

The problem in this study is about decorative design of traditional bridal costumein Lubuk Begalung Padang which is undergoing changes. It happens because of the traditional bridal costume is now used as a fashion service industry,   so that many people in Padang, especially the younger generation do not know the bridal costume ranging from traditional bridal costume of brideuntil traditional bridal costume ofbridegroom. This study aims to describe the decorative design of a traditional bridal costumein Padang. The method that used in this study is a qualitative case study method . The type of data is primary that are data from management and employees of businesses and secondary data obtained from the documentation. The technique of collecting data through observation, interview and documentation. The analysis technique is inductive based on the facts that already found and it can be constructedthen into a hypothesis or theory . In order to obtain the valid data, the researchers tested the validity of the data by means of an extension of the observation, diligence research, triangulation and auditing . The results of the study are: the decorative design of a traditional bridal costumein Lubuk Begalung Padang,for the bridal costume ofbridegroom is baju rokiusing a star, a butterfly and a tabua roti motif with taburan loyanglatching, on celana roki and waistcoatusing lace gold thread latching. Motives are used by sisamping: itik pulang patang, bada Mudiak, batang pinang, bungo sikakau, salapah, balah kacang, pucuk rabuang, and salauak laka.Sisamping derived from pandai sikekwoven red base color . The bridal costume ofbride isBaju kurung,known as "baju kurung bajaik". It is using florals located on the front/chest and the surface of baju kurung, phoenix on the surface using gold thread embroidery and suji kapalo samek, decorative patterns found on the baju kurungaresowing pattern, the fringe standspattern, dependent peripherypattern, the periphery runspattern, and decorative patterns fill the triangular fields.Kodekorsarong is red base color of songket came frompandai sikek woven using itik pulang patangmotif, bada mudiakmotif, batang pinangmotif, bungo cukia kaluakmotif, salapahmotif, balah kacangmotif, pucuk rabuangmotif, and salauak lakamotif.   Kata Kunci: Pakaianpengantin tradisional, disain ragam hias, motif, kombinasi warna, teknik hias, pola hias Lubuk Begalung Padang
Co-Authors Agusti Efi Cindi Harmelia Desmaleni, Rahayu Nabila Aprimania Ramainas Ramainas Sari, Desy Permata Siti Jubaedah, Siti Yunus, Rona Rahayu