Garuda - Garba Rujukan Digital

p-Index From 2018 - 2023

2.386

P-Index

This Author published in this journals

All Journal Humaniora IZUMI Journal of English Language Studies Journal of Language and Literature Jurnal Ilmiah Lingua Idea JENTERA: Jurnal Kajian Sastra SULUK: Jurnal Bahasa, Sastra, dan Budaya J-Lalite: Journal of English Studies Jurnal Pengabdian kepada Masyarakat Bina Darma

Utami, Shofi Mahmudah Budi

Universitas Jenderal Soedirman

Author-ID : 1306121

Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Other

Published : 14 Documents Claim Missing Document

Claim Missing Document

Articles

1 2

Unsettling Identity: Reading That Deadman Dance Novel by Kim Scott Shofi Mahmudah Budi Utami
Journal of English Language Studies Vol 6, No 1 (2021): Available Online in March 2021
Publisher : English Department - University of Sultan Ageng Tirtayasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/jels.v6i1.9646

The reviving of the presence, existence, and eugenics of the Aborigines become pivotal issue to be brought up in the literature. Since the coming of the settlers, the Aborigines have seemed to experience shifting identity; living as a nominal population over the settlers; and later on becoming the ones who are attached with the ‘exotic’ due to their uniqueness and scarcity in number compared to the majority. This condition, from being the natives who own the land into those who become the ‘rare’ in their own land, provokes crucial issues related to the Aboriginal identity, which is challenging to be further discussed. Through That Deadman Dance, Scott tries to resurrect the Aborigine’s identity, especially Noongar, in the midst of disappearing Aboriginal communities. This article is aimed at revealing the identity of Noongar people by selecting and grouping the textual data in the novel which portray the Aborigines cultural experience and their indigenity. Later on, the data were investigated based on Muecke’s concept of connectedness to approach the problem. Accordingly, the narrative presented by Scott indicates that he has offered an alternative to view Aborigine’s identity which is potentially unsettling; thus, this finding seems to challenge the prescribed identity of Noongar corresponded by the major society.

Locality in Humor Show entitled “Bocah Ngapa(K) Ya” Shofi Mahmudah Budi Utami; Muammar Kadafi
Journal of Language and Literature Vol 21, No 1 (2021): April
Publisher : Universitas Sanata Dharma

This article discusses a humor show which was initially aired on YouTube channel entitled “Bocah Ngapa(K) Ya”. This show particularly brings out humorous content with local dialects and exhibits local nuances of the Ngapak-speaking community. This phenomenological quality expressed by the Ngapak-speaking community as ‘self’ is understood as locality through which it connects the identity of the Ngapak-speaking community with a wider audience (global society). However, the locality displayed through such kind of shows can potentially perpetuate stereotyped identity. Thus, this article examines locality displayed in a particular humor show namely “Bocah Ngapa(K) Ya” which offers an alternative identity of the Ngapak-speaking community. Central to the analysis is an argumentation that the depiction of Ngapak people in “Bocah Ngapa(K) Ya” subverts their stereotyped identity. The purpose of this study is to reveal hierarchical identities and to present an alternative to view this local identity based on the local context and humor delivery in the humor show. The method employed is cultural studies approach in order to view this cultural phenomenon. Through this study, it is found that the locality performed in this humor indicates a contemporary identity for the Ngapak people in the current era, which posits Ngapak people beyond their prevailing identity.

Pelatihan English Speaking Skill Untuk Siswa-Siswi MTS N 8 Kebumen: Merawat Kreativitas Selama Pandemi Covid Dian Bayu Firmansyah; Shofi Mahmudah Budi Utami; Ambhita Dhyaningrum; Hanifa Pascarina; Imam Subuhi
Jurnal Pengabdian kepada Masyarakat Bina Darma Vol 1 No 2 (2021): Jurnal Pengabdian kepada Masyarakat Universitas Bina Darma
Publisher : DRPM-UBD

Tujuan kegiatan pengabdian kepada masyarakat ini adalah untuk memberikan alternatif kegiatan pembelajaran bahasa Inggris dalam masa pandemi COVID-19, dikarenakan pembelajaran melalui buku saja dapat membuat peserta didik merasa jenuh. Kegiatan pengabdian kepada masyarakat dilaksanakan di MTS Negeri 8 Kebumen, dengan jumlah peserta kegiatan sebanyak kurang lebih 30 orang. Metode pelaksanaan kegiatan pengabdian ini yang dipilih yaitu melalui pelatihan peningkatan kemampuan berbicara bahasa Inggris, melalui latihan-latihan seperti diskusi, story telling, wawancara dan lain-lain. Dari kegiatan pengabdian yang telah dilaksanakan diketahui bahwa, pelajaran bahasa Inggris yang hanya menekankan pada teori tata bahasa dan pengenalan kosakata kurang efektif untuk melatih kemampuan berbicara. Selain itu, melalui kegiatan pelatihan kemampuan bahasa Inggris ini peserta dapat merasakan kegembiraan dalam belajar bahasa Inggris dikarenakan ada metode baru yang dapat diterapkan, ketika mempelajari bahasa Inggris di luar mata pelajaran bahasa Inggris yang dilakukan di sekolah.

Contestation of Discourse on Alcoholism among Native Americans in Joy Harjo’s The Reckoning (2002) Shofi Mahmudah Budi Utami
J-Lalite: Journal of English Studies Vol 1 No 2 (2020): December
Publisher : Program Studi Sastra Inggris Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jes.2020.1.2.3456

This study aims at revealing how the discursive practices and the discourse on alcoholism in the Native Americans is produced and contested in a short story entitled The Reckoning by Joy Harjo. The problem in this study is approached by Foucauldian concept of discourse production procedure. The method applied here is the Foucauldian discourse analysis by examining the problem through the process of formation including external and internal exclusion. Central to the analysis is that alcoholism is produced as taboo through the mother character which limits the general understanding about alcoholism; hence this discourse is possible to produce by the subject whose credentials can validate the truth. This discourse is also affirmed by the contextual prohibition which authoritatively can state the truth about alcoholism. This is further contested in the current society of how being an alcoholic would be considered as a non-native American way of life. The result indicates that alcoholism among Native American society becomes the discourse within which constraints produce considerable barriers to expose or address to this topic

Ellen’s Anorexia in To the Bone Movie (2017) elsa lubianti; Mia Fitria Agustina; Shofi Mahmudah Budi Utami
J-Lalite: Journal of English Studies Vol 1 No 1 (2020): June
Publisher : Program Studi Sastra Inggris Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jes.2020.1.1.2559

The research aims to figure out factors causing Ellen, the main character of Noxon’s movie entitled To the Bone, experiences anorexia. The qualitative method is used to collect, interpret, and analyze data. Reading, rereading, collecting, sorting, grouping, interpreting, and analyzing are steps conducted to get the primary data taken from the movie. In addition, the researcher applied Psychology of Literature Theory, Anorexia Nervosa Theory, and Cinematography Theory to answer the research question. The result of this research shows that Ellen’s anorexia is caused by two factors. The first is internal factors (being stress, feeling lonely, and experiencing depression). This factor cannot be seen from other’s viewpoints, but it can be felt by Ellen only. The second is external factors because of her parents’ divorce. The divorce makes Ellen lack of affection and attention. This divorce also causes poor communication between Ellen and her parents. Thus, those two internal factors lead Ellen feels isolated and also makes Ellen’s self-esteem suffered which finally render Ellen experiences anorexia.

Female Monsters: Figuring Female Transgression in Jennifer's Body (2009) and The Witch (2013) Aidatul Chusna; Shofi Mahmudah
Humaniora Vol 30, No 1 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This paper aimed to examine the depiction of the monstrous feminine in two horror flms, 2009’s Jennifer’s Bodyand 2015’s The Witch, by investigating how horror flms confront transgression through the construction of woman as a monstrous fgure in the story. The theory of abjection proposed by Julia Kristeva and of the monstrous feminine by Barbara Creed were used in the analysis. The main data were taken from these two flms, focusing on the characterization and narrative aspects. It was found that the depiction of the monstrous feminine in both flms was through the use of monstrous acts and images. The way in which these flms constructed monstrosity indicates female transgression of patriarchal boundaries, specifcally on the issue of gender identity and religiosity. The transgression emphasizes that there is no absolute identity, and thus boundaries are disrupted due to this ﬂuid identity

Locality in Makoto Shinkai’s Kimi no Na wa: Negotiating Japanese Youth Identity Muammar Kadafi; Shofi Mahmudah Budi Utami
IZUMI Vol 10, No 1 (2021)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.10.1.21-31

Japan becomes one of the countries that has been producing worldwide popular culture, namely through anime. Besides its popularity which attracts wider audiences, anime cultivates cultural content as it is also found in popular anime entitled “Kimi no Na wa”. Aside from its popular culture, Japan has undoubtedly been known for its ‘high culture’ products such as haiku or Zen, to which Japanese identity is attached. Then, the content of Japanese locality performed in the anime highlights some crucial issues related to Japanese identity, including the problematic relationship between traditionality and modernity, generations, and genders. Thus, the local content in the anime is interesting to scrutinize how traditional values are depicted and negotiated concerning Japanese identity. Since this study is descriptive-qualitative research, it answers the problem by describing the phenomenon and employing the interpretative method by Hall’s concept of identity. The selected data related to locality and identity obtained from the movie and poster are grouped and approached by Hall’s semiotic representation to see the relation to its significations. Finally, this brings out the interpretation of the data indicating that the anime portrays the ‘return’ to local culture. It is referred to as ‘nihonjinron’, which is particularly emphasized in youth life. Through this film, the identity is negotiated. The characters (Taki and Mitsuha) perform post-modern subjects; a case in point accepts the changes as they develop their identity in the current era.

Conversational Implicature Of Women’s Language By Shin Tanokura In Drama Series Of Oshin Eko Kurniawan; Shofi Mahmudah Budi Utami
IZUMI Vol 10, No 1 (2021)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.10.1.184-192

This study aims to describe the conversational implicature of women’s language by Shin Tanokura in the drama series of Oshin. Research-based on a theory of Azuma (2009) for implicature as women’s language and Yule (2006) for conversational implicature. It is a kind of qualitative research. The data collection technique used is the observing method. The method used in this research is the descriptive analysis with Connect and Compare Equation Technique and Connect and Distinguishing Technique. The result showed that the conversational implicature of women’s language by Shin Tanokura in the drama series of Oshin is generalized conversational implicature, particularized conversational implicature, and scalar implicature. These three implicatures present markers that confirm the utterances belong to the variety of women’s language. In conclusion, the use of the implicature with high intensity is a marker of the utterance that belongs to the variety of women’s language. The variety of women’s language with the use of implicature gives an impression and an image about the characteristic of women and the variety of women’s language.

PERSPEKTIF BOURDIEU PADA POLA INTERRELASI PADA EKSISTENSI LENGGER LANANG LANGGENG SARI DALAM PERTUNJUKAN SENI DI BANYUMAS lynda susana widya ayu fatmawaty; NILA MEGA MARAHAYU; SHOFI MAHMUDAH BUDI UTAMI; IMAM SUHARDI
JENTERA: Jurnal Kajian Sastra Vol 7, No 2 (2018): Jurnal Jentera
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Penelitian ini berjudul Perspektif Bourdieu pada Pola Interrelasi pada eksistensi Lengger Lanang Langgeng Sari dalam Pertunjukan Seni di Banyumas bertujuan untuk mengungkap pola interrelasi mendukung eksistensi Lengger Lanang di Banyumas. Penelitian ini adalah penelitian kualitatif deskriptif yang menggunakan teori Bourdieu untuk menganalisis fenomena ini. Hasil dari penelitian ini menunjukkan bahwa arena, modal, habitus, dan lintasan adalah unsur-unsur yang saling terkait yang mendukung eksistensi lengger lanang hingga saat ini. Namun, bidang ini menunjukkan sebagai pemantik munculnya kembali Komunitas Lengger Lanang Langgeng Sari dalam seni pertunjukan Banyumas. Lebih jauh, modal diakui sebagai modal budaya dan simbolik di mana mereka dikelilingi oleh seniman tradisional dan pemerintah yang mendukung mereka. Modal simbolis juga mengarah pada penerimaan masyarakat untuk keunikan. Sementara, habitus adalah keterampilan lengkap setiap anggota di masyarakat yang mengikat mereka dalam harmoni. Akhirnya, lintasan ini didefinisikan sebagai penerimaan lengger sepenuhnya karena Lengger dikaitkan dengan Banyumas pada pekerja seni lainnya di Banyumas ini.Penelitian ini berjudul Perspektif Bourdieu pada Pola Interrelasi pada eksistensi Lengger Lanang Langgeng Sari dalam Pertunjukan Seni di Banyumas bertujuan untuk mengungkap pola interrelasi mendukung eksistensi Lengger Lanang di Banyumas. Penelitian ini adalah penelitian kualitatif deskriptif yang menggunakan teori Bourdieu untuk menganalisis fenomena ini. Hasil dari penelitian ini menunjukkan bahwa arena, modal, habitus, dan lintasan adalah unsur-unsur yang saling terkait yang mendukung eksistensi lengger lanang hingga saat ini. Namun, bidang ini menunjukkan sebagai pemantik munculnya kembali Komunitas Lengger Lanang Langgeng Sari dalam seni pertunjukan Banyumas. Lebih jauh, modal diakui sebagai modal budaya dan simbolik di mana mereka dikelilingi oleh seniman tradisional dan pemerintah yang mendukung mereka. Modal simbolis juga mengarah pada penerimaan masyarakat untuk keunikan. Sementara, habitus adalah keterampilan lengkap setiap anggota di masyarakat yang mengikat mereka dalam harmoni. Akhirnya, lintasan ini didefinisikan sebagai penerimaan lengger sepenuhnya karena Lengger dikaitkan dengan Banyumas pada pekerja seni lainnya di Banyumas ini.

The World through the Eyes of Travel Writers: Agustinus Wibowo’s Selimut Debu and Jihan Davincka’s Memoar of Jeddah Shofi Mahmudah Budi Utami; Muammar Kadafi; Ambhita Dhyaningrum; Muhammad Hary Rusli
Jurnal Lingua Idea Vol 13 No 1 (2022): June 2022
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jli.2022.13.1.4886

This paper investigates depictions of the world in two travel stories by Agustinus Wibowo in Selimut Debu (2010) and Jihan Davincka in Memoar of Jeddah (2013). The dissimilarity of both stories particularly in projecting the view of the world does not only accentuate different nuances but also the propensity of authors’ observations towards the objects they encounter such as places, people, and culture. Therefore, this study focuses on how travel writings own distinct ways in narrating the story of the author’s journey. In accordance with the problem, this study employed theoretical concepts proposed by Thompson specifically about reporting the world; that travel writers have certain tendency in their descriptions of the objects they see and involvement of the ‘self’ during the journey. This study then explores these two works to seek the data indicating the subjectivity to be sequentially selected and analysed. Eventually, it is found that Selimut Debu performs alteration in the involvement of the ‘self’; while Memoar of Jeddah emphasises more on personal involvement.

Co-Authors Aidatul Chusna Ambhita Dhyaningrum Bivit Anggoro Prasetyo Dian Bayu Firmansyah Eko Kurniawan elsa lubianti Hanifa Pascarina Imam Subuhi Lynda Susana Widya Ayu Fatmawaty Mia Fitria Agustina Muammar Kadafi Muhammad Hary Rusli Nila Mega Marahayu NILA MEGA MARAHAYU Octaria Putri Nurharyani Suhardi, Imam Widya Putri Ryolita

Title

Found 14 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 14 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 14 Documents
Search