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All Journal ATAVISME JURNAL ILMIAH KAJIAN SASTRA Jurnal Pena Indonesia Makara Human Behavior Studies in Asia Paradigma: Jurnal Kajian Budaya
Adji, Alberta Natasia
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Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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NEGOSIASI ANTARA HOMOEROTIKA DAN BUDAYA MACHISMO DALAM NOVEL ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE Adji, Alberta Natasia
ATAVISME Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (727.916 KB) | DOI: 10.24257/atavisme.v19i2.226.148-161

Abstract

Artikel ini bertujuan mengungkap negosiasi antara homoerotika dan prinsip machismo yang dijunjung tinggi dalam budaya Meksiko serta pengaruh faktor kelas sosial dan pendidikan keluarga terhadap hubungan tersebut dalam sastra Amerika Latin kontemporer berjudul Aristotle and Dante Discover the Secrets of the Universe karya Benjamin Alire Sáenz. Masalah yang menjadi fokus penelitian adalah bagaimana negosiasi antara homoerotika dan prinsip machismo serta bagaimanakah faktor kelas sosial dan pendidikan keluarga memberikan pengaruh terhadapnya dalam novel tersebut. Dengan perspektif teori queer yang dicetuskan Annamarie Jagose dan metode pembacaan cermat, penelitian ini menghasilkan temuan bahwa machismo yang masih kuat dalam masyarakat Meksiko melahirkan perasaan homofobia, bahkan dalam diri kaum homoseksual sendiri. Kare-nanya, para gay cenderung menjadi rendah diri dengan orientasi seksualnya. Latar belakang pendidikan keluarga dan perbedaan kelas sosial memengaruhi persepsi tentangmachismo pada kaum lelaki. Keduanya merupakan faktor penting yang mendasari perilaku seseorang dalam me-nentukan orientasi seksualnya di lingkungan sekitar. The article strives to reveal the negotiation between homoeroticism and machismo norms highly valued in Mexican culture, as well as the impact of social class and academic background, toward such relationship in a contemporary Latin American literary work, Benjamin Alire Sáenz?s Aristotle and Dante Discover the Secrets of the Universe. The focus of the study is how the negotiation between homoeroticism and machismo values, as well as social class and academic background, affect that relationship. Using Annamarie Jagose?s queer theory and close reading technique, the study results in the fact that machismo, still strongly held in Mexican communities, begets a homophobic feeling even for the homosexuals themselves. Therefore, the gays tend to feel inferior with their sexual orientation. The family?s academic background and social class difference influence the perception about machismo in men. Both prove to be crucial factors in determining one?s sexual orientation toward his social surroundings.
DECONSTRUCTING CULTURAL IDENTITY IN RISHI REDDI’S KARMA AND OTHER STORIES Adji, Alberta Natasia; Karnanta, Kukuh Yudha; Putra, Gesang Manggala Nugraha
ATAVISME Vol 21, No 1 (2018): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (494.894 KB) | DOI: 10.24257/atavisme.v21i1.443.1-16

Abstract

This article strives to deconstruct the main characters? cultural identity in Rishi Reddi?s short stories collection, entitled Karma and Other Stories, as the characters deal with their lives as Indian diaspora in the United States. The applied method is the close-reading technique. This article employs Jacques Derrida?s deconstruction by tracing the binary opposition found within the seven short stories; later they are to be disseminated so that the true meanign can be revealed. The article finds that (1) the emerging conflicts in the stories are caused by the strong ties of the protagonists toward Hinduism and Indian family tradition, with (2) their cultural identity has managed to align with modernity in the US, but (3) their ties to the core Hinduism and Indian principles will remain strong.
SERI FANTASTEEN GHOST DORMITORY: PRODUKSI KOMERSIAL SASTRA DI INDONESIA Adji, Alberta Natasia
Jurnal Pena Indonesia Vol 2, No 2 (2016)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jpi.v2n2.p102-118

Abstract

The trend of horror genre has spread towards Indonesian literature, marked by the emergence of light noves for teenagers aged 13-18 under the label of Fantasteen, an imprint of DAR! Mizan starting in 2011, a division of PT Mizan Pustaka, one of the biggest publishing companies in Indonesia. Among various printed Fantasteen light novels, the Ghost Dormitory series became the most prominent work as each story is set in one foreign city such as Tanzania, Den Haag, etc. The study reveals the interconnecting phenomenon between literary works and commercial ways through the perspective of Pierre Bourdieu?s the field of cultural production and Tzvetan Todorov?s Fantastic theory. Using a qualitative method, this article proves that DAR! Mizan has successfully achieved popular legitimation owing to the rising horror-themed light novels which are presented through Fantasteen brand, written by teenagers and also targeted for young readers. With the rise of the special series Ghost Dormitory among other Fantasteen works, the result of the study shows that as one of the major publishers, DAR! Mizan has successfully conducted a strategy to influnce the face of the Indonesian teenage literary world which is presenting a horror genre as its main theme. 
MULTICULTURALISM IN ALMINO SITUMORANG'S NOVEL SPRING Adji, Alberta Natasia
ATAVISME Vol 20, No 1 (2017): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v20i1.290.53-67

Abstract

[Judul: Multikulturalisme dalam Novel Spring Karya Almino Situmorang]. Penelitian ini bertujuan mengeksplorasi relasi multikultural dalam novel Spring (2010) karya Almino Situmorang, yang dibagi menjadi dua bagian cerita yang menjadi inti fokus diskusi. Masalah yang dibahas ialah representasi relasi dan negosiasi antara empat tokoh utama yang berbeda suku, ras, agama, dan bangsa. Teori yang digunakan adalah teori multikulturalisme yang digagas oleh Will Kymlicka. Metode yang digunakan ialah teknik pembacaan cermat. Hasil penelitian ini menunjukkan bahwa (1) relasi multikultural yang direpresentasikan dalam novel tersebut mencakup keberagaman yang sangat luas dan kompleks dengan berbagai macam perbedaan, (2) perihal perbedaan latar belakang kultural dan agama dapat dinegosiasikan dalam praktik kesehariannya, terutama dalam relasi pertemanan, dan (3) untuk soal pernikahan, mereka masih terikat pada standar-standar tradisi dan adat-istiadat yang kuat. Simpulan penelitian ini adalah multikulturalisme di Indonesia masih cenderung terbatas pada praktik-praktik dalam ruang lingkup pertemanan dan belum sepenuhnya membaur karena tradisi kultural yang masih bersifat kaku dan monolitis. The research explores multicultural relation in Almino Situmorang?s Spring (2010), which is divided into two parts of story that become the main focus of the dicussion. The main issues to discuss are representations of relation and negotiation among the four main characters who come from different ethnic, racial, religious, and national backgrounds. The  theory used is Will Kymlicka?s multiculturalism perspective. The method is the close-reading technique. The result of the study shows that (1) multicultural relation represented in the novel encompasses a broad and complex diversity with various differences, (2) issues concerning cultural and religious backgrounds are still negotiated in daily practices, specifically in friendship, and (3) for marrital aspects, they are hardly free from standard norms and customs that are still strongly upheld. The conclusion of the research is that multiculturalism in Indonesia tends to be limited to social practices in the surface sphere. Therefore, it has not completely blended because of  rigid and monolithic cultural traditions. 
SERI FANTASTEEN GHOST DORMITORY: PRODUKSI KOMERSIAL SASTRA DI INDONESIA Adji, Alberta Natasia
Jurnal Pena Indonesia Vol 2, No 2 (2016)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jpi.v2n2.p102-118

Abstract

The trend of horror genre has spread towards Indonesian literature, marked by the emergence of light noves for teenagers aged 13-18 under the label of Fantasteen, an imprint of DAR! Mizan starting in 2011, a division of PT Mizan Pustaka, one of the biggest publishing companies in Indonesia. Among various printed Fantasteen light novels, the Ghost Dormitory series became the most prominent work as each story is set in one foreign city such as Tanzania, Den Haag, etc. The study reveals the interconnecting phenomenon between literary works and commercial ways through the perspective of Pierre Bourdieu’s the field of cultural production and Tzvetan Todorov’s Fantastic theory. Using a qualitative method, this article proves that DAR! Mizan has successfully achieved popular legitimation owing to the rising horror-themed light novels which are presented through Fantasteen brand, written by teenagers and also targeted for young readers. With the rise of the special series Ghost Dormitory among other Fantasteen works, the result of the study shows that as one of the major publishers, DAR! Mizan has successfully conducted a strategy to influnce the face of the Indonesian teenage literary world which is presenting a horror genre as its main theme. 
Assalamualaikum Bejing Repackaged: Habitus, Symbolic Power and Indonesian Cultural Production Adji, Alberta Natasia
Makara Human Behavior Studies in Asia Vol. 23, No. 2
Publisher : UI Scholars Hub

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Abstract

This article explores the adaptation of Asma Nadia’s Assalamualaikum Beijing from novel to film to comic book as the reproduction of symbolic cultural goods. According to Bourdieu’s concept of habitus, people are conditioned to perform repetitive acts devoid of any preceeding consideration or deliberation, while symbolic power represents the tacit modes of social/cultural domination ingrained and preserved through everyday social practices. Taking a sociology of literature approach, this study discovers that the habitus of the Indonesian canon literary tradition has hindered contemporary literary works from achieving the same level of legitimacy through the boundary work performed by literary awards. Contemporary pop authors, who rarely win these awards, have set up a new standard through which they can gain influential status over the Indonesian field of cultural production through the repeated “repackaging” of their literary works. In addition, the study finds that Asma Nadia’s use of Beijing as the setting for her work is represents her desire to introduce the existence of Islam in China, while implicitly hinting at “a solution” to the problematic existence of Chinese Indonesians who can only be “fixed” through religious conversion.
Revealing the Re-transformation of 9 Summers 10 Autumns Adji, Alberta Natasia
Paradigma: Jurnal Kajian Budaya Vol. 8, No. 1
Publisher : UI Scholars Hub

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Abstract

9 Summers 10 Autumns (2011) is an autobiographical novel about a young man from a small city of Batu who later succeeds in pursuing his dream by working in the United States. The novel was written based on Iwan Setyawan’s life story and it was made into a movie by the same title in 2013. Two years later, the movie was adapted into an augmented motion picture hinted illustrative book which combines novel, comic, app, and movie together. This phenomenon of re-transformation of a literary work is said to be the first of its kind in Indonesia and has somewhat contributed to the rising trend of movies adapted into books or comics in Indonesia, such as Assalamualaikum Beijing (2015) and Ada Apa dengan Cinta? (What’s Up with Love?) (2016). This study examines Iwan Setyawan’s strategy for achieving legitimacy in the arena of Indonesian literature through his motivational rags-to-riches ideals which are depicted in the book. The discussion is carried out by applying Pierre Bourdieu’s field of cultural production theory, as well as the sociology of literature approach, in order to highlight the phenomenon of transformation from novel into movie and eventually into an augmented motion picture hinted illustrative book. Later, this study discovered that the phenomenon has changed the image of Indonesian art and literary world. It proves that such prestigious legitimacy can now be achieved through commercial strategies, making it seem dynamic, but at the same time questionable in its most authentic sense.
Co-Authors Gesang Manggala Nugraha Putra Kukuh Yudha Karnanta