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All Journal Journal of Music Science, Technology, and Industry (JOMSTI)
Putra, I Putu Lukita Wiweka Nugraha
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KEARIFAN LOKAL MUSIKAL DALAM LAGU-LAGU ALBUM BALI KUMARA Putra, I Putu Lukita Wiweka Nugraha
Journal of Music Science, Technology, and Industry Vol 1 No 1 (2018)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (568.263 KB)

Abstract

  The topic of this article covers local wisdom in the songs of Bali Kumara first album. The purpose of writing this article is to describe the local wisdom in the songs of the Bali Kumara first album. The method used in this study is descriptive-qualitative. I Komang Darmayuda as a composer of Bali Kumara first Album songs is an informant in this research. The data is audio recording of songs in Bali Kumara first album. The Balinese local wisdom in the songs of Bali Kumara first album lies in the use of tone named titi laras pelog and slendro, as well as the use of the Balinese language such as singgih and sor. Pelog and slendro tones are implemented in the main melodies, either by keyboard instruments, gamelan or vocals. In some songs, there are also other scales, such as diatonic and chromatic, which do not diminish the pelog and slendro colors. Seen from the point of view basa singgih (levels in the Balinese language), most of the songs in the album Bali Kumara uses basa singgih, and some basa sor. Balinese pop songs as one of the profane art that grow and develop in Bali should contain elements of the Baliense local wisdom. The local wisdom contained in the songs of Bali Kumara album can be a foothold for the performers of Balinese pop songs especially composers in creating works, so that the identity of the Balinese pop songs is maintained.
HISTORICAL ASPECTS OF KETUT SUMERJANA’S “YOGYAKARTA NYAMAN” (FROM ENTERTAINMENT TO PRE-THERAPY MEDIA) Putra, I Putu Lukita Wiweka Nugraha
Journal of Music Science, Technology, and Industry Vol 2 No 1 (2019)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (854.189 KB) | DOI: 10.31091/jomsti.v2i1.609

Abstract

Dalam komposisi musik, sejarah seringkali terlupakan padahal setiap musik pasti didahului dengan peristiwa sejarah yang melatarbelakanginya. Terkait hal tersebut, salah satu musik yang cukup menarik perhatian bagi penulis adalah ?Yogyakarta Nyaman? (2011) yang merupakan salah satu musik karya musisi sekaligus akademisi Ketut Sumerjana. Ini merupakan sebuah komposisi MIDI yang kemudian fungsinya sebagai media pra-terapi. Berdasarkan hal tersebut, maka fokus penelitian ini adalah mengenai aspek sejarah atau latar belakang musik ?Yogyakarta Nyaman? baik dalam proses penciptaannya dan pergeseran fungsinya dari profan (hiburan) menuju pra-terapi. Penelitian ini menggunakan metode kualitatif naratif dengan teknik pengumpulan data berupa wawancara terhadap narasumber primer. Hasil penelitian menunjukkan bahwa musik ?Yogyakarta Nyaman? secara aspek sejarah atau latar belakang proses penciptaannya merupakan deskripsi interpretasi mengenai perubahan sosio-kultur Yogyakarta tahun 1990-an menuju 2000-an sedangkan komponen frekuensi subsonik dan ultrasonik yang menjadi latar belakang karya ini mengalami transformasi fungsi menjadi media pra-terapi.
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