Alvianto, Wibi Ardi
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Thong Thong Klek Art in Structural Functionalism Studies Alvianto, Wibi Ardi; Florentinus, Totok Sumaryanto; Hartono, Hartono
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28436

Abstract

Traditional Thong thong klek art is one of the traditional arts in Rembang regency. One team of Thong Thong Klek art is Gema Irama, which has an organizational structure that functions to regulate the organizational process of the team. Thong thong klek showis able torun well when all parts do their part well. The purpose of this study is to analyze and describe the structure of the organization and its function. Theoretically, this study uses a qualitative method with a monodisciplinary approach, namely sociology of art using structural functionalism theory. Data collection techniques were carried out by observation, interviews, and document studies. Checking the data validity were carried out by using source triangulation, followed by analyzing the data by reducing data, presenting data and drawing conclusions. The results of the study show that each part in the system of the arts organization can perform its functions properly and be mutually functional from one another. The Chairman has carried out his function well, but it turns out that there are also latent functions that are detrimental to the Gema Irama Thong Thong Klek Art. Other divisions encounter dysfunctions that hinder the development of the Gema Irama Thong Thong Klek art. Suggestions for Thong Thong Klek Gema Irama team is to be active in creating inovations according to the era development and always be consistent in prioritizing the values ​​of simplicity and kinship as the identity of the people of Rembang Regency.
EKSISTENSI GRUP MUSIK KERONCONG GEMA IRAMA DI DESA GEDONGMULYA KECAMATAN LASEM Alvianto, Wibi Ardi; Joseph, Wagiman
Jurnal Seni Musik Vol 1 No 1 (2012): June 2012
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v1i1.1797

Abstract

Perkembangan musik keroncong di desa Gedongmulya, kecamatan Lasem, Kabupaten Rembang mengalami pasang surut, karena struktur masyarakat pinggir Pantai Utara Jawa yang kebanyakan menyukai musik dangdut. Kemudian muncul grup musik Gema Irama dengan warna musik keroncong mampu menarik antusias masyarakat desa Gedongmulya kecamatan Lasem, mengapa grup Gema Irama memilih warna musik keroncong ditengah masyarakat pinggir Pantai Utara Jawa yang notabene menyukai musik dangdut dan kenapa akhirnya grup Gema Irama dapat eksis dengan membawakan musik keroncong. Faktor-faktor yang mendukung ke eksistensian grup musik keroncong Gema Irama di desa Gedongmulya kecamatan Lasem terdiri dari managemen grup musik keroncong Gema Irama,  struktur organisasi, bentuk pertunjukan dan keberadaan grup musik keroncong Gema Irama. Bentuk penyajian meliputi urutan pertunjukan mulai dari persiapan, pembukaan, pertunjukan inti dan penutup. Tempat pentas dan panggung meliputi tata suara dan tata rias.   Abstract ___________________________________________________________________ Developments in the village Gedongmulya keroncong music, Lasem district, District Apex have ups and downs, because the structure of the edge of the North Coast of Java are most like dangdut music. Then came the rhythm of the music group echoes the color of keroncong music is able to attract enthusiastic villagers Gedongmulya Lasem district, why the group chose the color echo rhythm keroncong music in the community side of the North Coast of Java which is actually like dangdut music and why eventually Gema group can exist with the rhythm of the music bring keroncong . The factors that support to the group eksistensian keroncong music echoes in the village Rhythm Gedongmulya Lasem district consists of the management group Gema rhythm keroncong music, organizational structure, shape the show and the existence of keroncong music group Gema rhythm. Forms of presentation includes performances starting from the preparation sequence, opening, and closing performances core. Place and stage performances include sound and cosmetology.
Thong Thong Klek Art in Structural Functionalism Studies Alvianto, Wibi Ardi; Florentinus, Totok Sumaryanto; Hartono, Hartono
Catharsis Vol 8 No 1 (2019)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.28436

Abstract

Traditional Thong thong klek art is one of the traditional arts in Rembang regency. One team of Thong Thong Klek art is Gema Irama, which has an organizational structure that functions to regulate the organizational process of the team. Thong thong klek showis able torun well when all parts do their part well. The purpose of this study is to analyze and describe the structure of the organization and its function. Theoretically, this study uses a qualitative method with a monodisciplinary approach, namely sociology of art using structural functionalism theory. Data collection techniques were carried out by observation, interviews, and document studies. Checking the data validity were carried out by using source triangulation, followed by analyzing the data by reducing data, presenting data and drawing conclusions. The results of the study show that each part in the system of the arts organization can perform its functions properly and be mutually functional from one another. The Chairman has carried out his function well, but it turns out that there are also latent functions that are detrimental to the Gema Irama Thong Thong Klek Art. Other divisions encounter dysfunctions that hinder the development of the Gema Irama Thong Thong Klek art. Suggestions for Thong Thong Klek Gema Irama team is to be active in creating inovations according to the era development and always be consistent in prioritizing the values ​​of simplicity and kinship as the identity of the people of Rembang Regency.