Enrico Alamo
Prodi Seni Teater, Fakultas Seni Pertunjukan Institut Seni Indonesia (ISI) Padangpanjang

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TOKOH PAULINA DALAM LAKON MAUT DAN SANG DARA KARYA ARIEL DORFMAN TERJEMAHAN MIMI NOTOKUSUMO Suisno, Edi; Alamo, Enrico; Novia, Ega
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 20, No 1 (2018): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (789.025 KB) | DOI: 10.26887/ekse.v20i1.388

Abstract

Maut dan Sang Dara karya Ariel Dorfman merupakan salah satu lakon realisme psikologis. Dengan mengusung genre tragedi, lakon yang mengangkat tema trauma dan dendam masa lalu ini, bercerita tentang konflik psikologis wanita korban penyiksaan dan pelecehan seksual yang secara tidak sengaja dipertemukan kembali dengan salah satu tersangka kasusnya, yakni seorang dokter. Lakon Maut dan Sang Dara menjadi sumber inspirasi untuk dapat memerankan tokoh Paulina Salas menggunakan pendekatan akting presentasi dan metode akting Stanilavsky. Bentuk dan pencarian karakter yang dilakukan selama proses latihan bertujuan agar maksud dan pesan moral pengarang dapat tersampaikan dengan baik.
SAMPURAGA: PENCIPTAAN OPERA BATAK Alamo, Enrico
Ekspresi Seni Vol 16, No 1 (2014): Ekspresi Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (834.792 KB) | DOI: 10.26887/ekse.v16i1.1

Abstract

Opera Batak Sampuraga is a play that began from the experience of seeing the site Sampuraga Hot Spring, located in the area Sirambas Mandailing-Natal, and stories  are  told  from  mouth to  mouth  (oral  literature).  Then  rearrangement  is done regarding characterization and the occuring event by using some structures of  Indonesian  modern  theater.  As  Batak  Opera  has  some  similarities  with  the structure of Indonesian modern theater, Opera Batak Sampuraga as an object of art  creation,  experiences  a  touch  of  creativity  with  the  presence  of  various elements of art from other regions; one of them is gundala-gundala, a traditional theater  of  Karo  region.  Sampuraga  play  is  a  human  obsession  and  ambition  in reaching  their  goals,  which  requires  sacrifice,  although  it  eventually  leads  a curse.  Opera  This  play  is  presented  through  a  realism  approach  with representation  style.  The  form  of  tragedy  is  chosen  because  of  the  incident happening  to  two  human  beings;  mother  and  child.  This  creation  is  important because  Opera  Batak  Sampuraga  is  similar  to  the  pattern  and  characterization of plays in Indonesian modern theater.
OPERA BATAK SISINGAMANGARAJA XII: MENGGALI SENI DAN TEATER TRADISI sulaiman, sulaiman; Minawati, Rosta; Alamo, Enrico; Novalinda, Sherli
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 3 (2018): Seni, Teknologi, dan Masyarakat #3
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Batak Opera is a traditional performing art comes from Batak area and its surroundings. The existence of this art is increasingly lost due to the shift and the lack of activists who faithfully maintain this ancestral art. In fact, Batak Opera in the past represented triumphed arts among Batak people. Technological advances which later formed a new paradigm in society made this traditional of art increasingly abandoned and even forgotten by its supporters. The creation (revitalization) of Batak Opera was constructed by a heroiccaritoSisingamangaraja XII. This Batak Opera show is packed by combining several elements of the Batak tradition arts. Data is obtained by interview about Batak Opera, both to the descendants of Sisingamangaraja XII as well as Batak people. Sisingamangaraja XII represents a hero who succeeded in unifyingTapanuli and conquering the Dutch company. SisingamangajaBatak Opera is about heroism, compassion and sacrifice. It is a Dramatic story for the daughter of Lopian, his favorite child died on his huge penetrated by Dutch bullets. The heroic story of TanoBatak experienced rearrangement, both characterization and events using several structures of tradi-tional and modern Indonesian theater. SisingamangarajaBatak Opera becomes a field of revitalization of art. Batak operas are cultivated in order torevive the Batak Opera performances and raising the story of Sisimangaraja XII.
Opera Batak Sampuraga: Penciptaan Seni Opera Batak Alamo, Enrico
MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Vol 12, No 1 (2014): Medan Makna
Publisher : Balai Bahasa Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/mm.v12i1.1023

Abstract

Opera Batak Sampuraga is a play that began from the experience of seeing a site Sampuraga Hot Water Pond, located in the area Sirambas Mandailing. and stories are told from the mouth to mouth (oral literatur). Then do the rearrangement of both characterizations and events that happen by using some structures of modern theater of Indonesia, because Batak Opera has some similarities with the structure of modern theater plays Indonesia. Opera Batak Sampuraga as the field of art creation, experiencing a touch of creativity include the presence of various elements of art from other regions. Sampuraga play is a human obsession and ambition in reaching goals, which requires sacrifice, although eventually a curse that will befall. Opera Batak similar expression pattern play in the play-the play is too modern Indonesian theater-style realism with representation approach is realized with the flowing fabric of conflict.