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KAJIAN BUDAYA DALAM PERSPEKTIF FILOSOFI Arybowo, Sutamat
Jurnal Masyarakat dan Budaya Vol 12, No 2 (2010)
Publisher : P2KK LIPI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (92.673 KB) | DOI: 10.14203/jmb.v12i2.110

Abstract

This paper is part of desk research on the analytical reflection on daily lives. Writer tries to explain the importance of cultural studies from philosophical perspective. The aim of the approach of this writing is to put culture in its proper context, in order to give better recommendation for cultural policy reform. Recent years has witnessed the vast and dynamic development of cultural studies. One of the approaches is by using philosophical perspectives and methods. Differs with other methods, this research tries to prove that scientific truth can be reached through philosophical reasoning, which includes three main components, namely ontology, epistemology and axiology. With this method, culture has found a new meaning as “a process of understanding”, and no longer it is seen as something that is already “given”. This “process” is continuously negotiated through the whole social interaction, which depend on the characters of power relation and other relations in the society that changes from time to time. Keywords: cultural studies, philosophical perspective
PANGGUNG BANGSAWAN STUDI POLITIK KEBUDAYAAN DI DAERAH RIAU LINGGA: PERSPEKTIF KAJIAN BUDAYA Arybowo, Sutamat; Ardika, M.A., Prof. Dr. I Wayan; MPSS, M.A., Dr. Pudentia; Suastika, M.A., Prof. Dr. I Made
E-Journal of Cultural Studies Vol. 2, No. 1 Mei 2008
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Penelitian ini membahas “Panggung Bangsawan Studi Politik Kebudayaan di Daerah Riau Lingga: Perspektif Kajian Budaya”. Panggung Bangsawan adalah teater rakyat yang pada masa Orde Lama memiliki kekuatan ritual, lalu zaman Orde Baru hampir punah. Pemerintah Orde Baru merevitalisasi teater tersebut sebagai identitas budaya Melayu tetapi bukannya berkembang, melainkan malah surut. Tujuan penelitian ini: mendeskripsikan proses munculnya Panggung Bangsawan, menjelaskan peran negara terhadap Panggung Bangsawan, dan menganalisis makna politik kebudayaan dalam kaitannya dengan identitas budaya Melayu yang baru.Penelitian ini dilaksanakan dengan metode kualitatif. Peneliti menggali budaya dalam konteksnya dengan dunia nyata dan perspektif pelaku masyarakat seni. Tahap pertama, dilakukan pengumpulan data primer dan sekunder. Tahap kedua, memilih teori untuk mengkaji data. Tahap ketiga, menganalisis dan menginterpretasikan data yang telah diseleksi. Tahap keempat, melakukan penulisan dan konstruksi hasil penelitian. Teori yang digunakan: estetika, hegemoni, semiotika, dan dekonstruksi.Hasil penelitian: Pertama, proses munculnya Panggung Bangsawan, realitasnya meliputi prapentas, peristiwa pentas, dan pascapentas. Pada masa prapentas dan pascapentas ini, muncul pertarungan wacana dengan berbagai kepentingan perorangan atau kelompok. Kedua, peran negara terhadap Panggung Bangsawan, menumbuhkan hegemonisasi. Hegemoni tersebut berdampak pada pergeseran isi cerita tentang kekuasaan. Pada zaman Orde Lama, sistem politik yang berlaku mengikuti pola mechanics of power, sedangkan zaman Orde Baru mengikuti pola poetics of power. Ketiga, makna politik kebudayaan dalam kaitannya dengan identitas budaya Melayu, bahwa setelah dilaksanakan Revitalisasi Budaya Melayu 2004, pemahaman alam Melayu bergeser, mulanya memiliki batasan yang mengeras, sekarang batasan itu mencair. Identitas budaya Melayu yang baru bukan berdasarkan pada konvensi agama tertentu, melainkan lebih pluralistik.
The performance of Panggung Bangsawan in Riau Lingga A reconstruction of a theatrical process Arybowo, Sutamat
Wacana, Journal of the Humanities of Indonesia Vol. 12, No. 1
Publisher : UI Scholars Hub

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Abstract

Panggung Bangsawan is a popular folk theatre in Riau Lingga. The ups and downs in its performance are atributed to changes in social, political, and cultural conditions. This article is a reconstruction of a near extinct Panggung Bangsawan group in the Teluk village in the islands of Riau Lingga. First, I have attempted to describe the staging process; second, to endeavour to understand the phenomenon of change which occurs when a folk tale is transformed from written work into a performance; and third, to expose the transformation of a script (text) divided into scenes into a performance. This is an attempt to explain the relation between the audience's response to a text when it is staged. This article is expected to give a more profound understanding on how the society supporting Panggung Bangsawan remember their past and their ideal views while comprehending how the shift in life values emerges in a staged folk tale.