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Gender Role in Rural Life: An Audience Reception Analysis on Banyumas Films in Reformation Era Chusna, Aidatul; Taufiqurrohman, M.; Suzanna, Lynda
Lingua Cultura Vol 11, No 2 (2017): Lingua Cultura Vol. 11 No. 2
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v11i2.1818

Abstract

This qualitative research was aimed at investigating audience’s responses on gender role in rural life represented in Banyumas films. The data were taken from library research, questionnaire, and group discussion with Banyumas natives. The audience consisted of female and male university students as well as Banyumas film community. Media viewing was conducted before the discussion. The study findings show that the audiences, both males and females, tend to be receptive to the shifting role of wife as the breadwinner of the family since factories in Banyumas give more work opportunities to women than men. In addition, the respondents are appreciative to the role of Banyumas women who are actively involved in the cultural preservation. However, they think that it rarely happens as Banyumas people prefer working in factories to preserve the tradition.
The Reconstruction of Korean Wave in Indonesian Fan Fiction Dyah Raina Purwaningsih; Aidatul Chusna
Tell : Teaching of English Language and Literature Journal Vol 1 No 1 (2013): April
Publisher : English Department FKIP Universitas Muhammadiyah Surabaya Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1602.744 KB) | DOI: 10.30651/tell.v1i1.517

Abstract

AbstractRecently, literary world is enriched by the emergence of a new form of fiction called fan fiction, which refers to a fictional writing produced by fan writers as an expression of love towards their idolized stars. The emergence of fan fiction in Indonesia recently is in line with the attack of Korean wave or Hallyu to Indonesian showbiz. This article is talking about Indonesian Korean fan fiction reconstruction based on several approaches proposed by Jenkins (1992). The approaches, which cover recontextualization, expanding the series timeline, refocalization, moral alignment, genre shifting, cross-over, character dislocation, personalization, emotional intensification, and eroticization, are used as the ways to guide fan writers in reconstruct a story about an idol that cannot be found in real life. Using those approaches, a fan writer can freely express their adoration toward the figures they idolize. This article aimed at specifically cutting open some Indonesian fan fictions entitled “Tormented”, “Wonder Boy”, and “Way Back into Love”, based on Jenkin’s approaches, using descriptive qualitative research method. The analysis shows that there are   six approaches used by the writers in reconstructing the stories; refocalization, moral alignment cross-over, character dislocation, personalization, and eroticization. Keywords:   character dislocation , cross-over, eroticization, fan fiction, Korean wave, moral alignment, , personalization, refocalization. 
Revisiting Coffee Shops as Public Space in Purwokerto Aidatul Chusna; Arizal Mutahir; Muhammad Taufiqurrohman
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 23, No 2 (2021): (December)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jantro.v23.n2.p157-164.2021

Abstract

The increasing number of coffee shops identifies the dynamics of urban life in Purwokerto. However, how does the existence of these coffee shops influence the socio-cultural life of the society?  The research aims to examine the socio-cultural functions of coffee shops in Purwokerto in accordance to the role of public sphere. The concept of public sphere by Jurgen Habermas is used the theoretical foundation of the analysis. Using descriptive qualitative method, the study analyses data taken from the observation and interview process. Due to the large number of coffee shops in Purwokerto, the researchers select six coffee shops with different characteristics. The research finds that coffee shops in Purwokerto tend to be a place to meet up after school or work and spend their leisure time, as the coffee shop offers a good atmosphere to be more focused and productive on their work. Thus, the function of public sphere is hardly found. Instead, coffee shop becomes a private place for individuals to engage with their own individuality and communities
THE HUNGER GAMES: REPRESENTING THE NEW IMAGE OF AMERICAN POPULAR HEROES Aidatul Chusna; Lynda Susana W.A.F.
Celt: A Journal of Culture, English Language Teaching & Literature Vol 15, No 2: December 2015, Nationally Accredited
Publisher : Soegijapranata Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2083.432 KB) | DOI: 10.24167/celt.v15i2.468

Abstract

This research is aimed at revealing the new image of American popular heroes as depicted in the novel adaptation film of The Hunger Games which is created as a trilogy, which consists of two more novels: Catching Fire and Mockingjay. This film is one of the most phenomenal films in 2013-2104, which grossed out up to $407,999,255. This research used textual approach, which focused on the text as the object, that is The Hunger Games film. The result shows that The Hunger Games essentially brings the issue of slavery back into scrutiny. However, the creation of the heroin in the film is granted as the reconstruction of popular heroes in America. She is an inspiring female hero which is exemplified as the appreciation of womens values. Yet, the heroin is broadly defined with the qualities of rouge heroes as the characteristics are the representation of the belief and values associated with freedom to wash away the oppression restore the rights of the minority. In addition to the issue of slavery , the symbols of new hope and new spirit are implicitly emerged in the story. This attempt was proficiently done by the heroin, which was eventually created as the new image of the American heroes.
Female Monsters: Figuring Female Transgression in Jennifer's Body (2009) and The Witch (2013) Aidatul Chusna; Shofi Mahmudah
Humaniora Vol 30, No 1 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (413.786 KB) | DOI: 10.22146/jh.31499

Abstract

This paper aimed to examine the depiction of the monstrous feminine in two horror flms, 2009’s Jennifer’s Bodyand 2015’s The Witch, by investigating how horror flms confront transgression through the construction of woman as a monstrous fgure in the story. The theory of abjection proposed by Julia Kristeva and of the monstrous feminine by Barbara Creed were used in the analysis. The main data were taken from these two flms, focusing on the characterization and narrative aspects. It was found that the depiction of the monstrous feminine in both flms was through the use of monstrous acts and images. The way in which these flms constructed monstrosity indicates female transgression of patriarchal boundaries, specifcally on the issue of gender identity and religiosity. The transgression emphasizes that there is no absolute identity, and thus boundaries are disrupted due to this fluid identity
Gender Role in Rural Life: An Audience Reception Analysis on Banyumas Films in Reformation Era Aidatul Chusna; M. Taufiqurrohman; Lynda Suzanna
Lingua Cultura Vol. 11 No. 2 (2017): Lingua Cultura Vol. 11 No. 2
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v11i2.1818

Abstract

This qualitative research was aimed at investigating audience’s responses on gender role in rural life represented in Banyumas films. The data were taken from library research, questionnaire, and group discussion with Banyumas natives. The audience consisted of female and male university students as well as Banyumas film community. Media viewing was conducted before the discussion. The study findings show that the audiences, both males and females, tend to be receptive to the shifting role of wife as the breadwinner of the family since factories in Banyumas give more work opportunities to women than men. In addition, the respondents are appreciative to the role of Banyumas women who are actively involved in the cultural preservation. However, they think that it rarely happens as Banyumas people prefer working in factories to preserve the tradition.
Poverty and Gender Relation: Developmentalism in 'Penderes dan Pengidep' Aidatul Chusna; Muhammad Taufiqurrohman; Arizal Mutahir
MIMBAR (Jurnal Sosial dan Pembangunan) Volume 36, No. 1, Year 2020 [Accredited Sinta 2] No 10/E/KPT/2019]
Publisher : Universitas Islam Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (591.831 KB) | DOI: 10.29313/mimbar.v36i1.5696

Abstract

Developmentalism emphasizes economic progress as an essential factor in improving social and political life. It has been implemented in Indonesia since New Order government and continued by Joko Widodo administration. However, is this ideology really able to improve the welfare of people equally? This paper aims to reveal the impact of developmentalism on rural communities through the documentary film ‘Penderes dan Pengidep’. It presents the life of peasant families in Purbalingga. Textual analysis method is done by taking data from dialogues between characters, daily activities, and spaces in the house depicted in the film. Furthermore, contextual analysis was carried out by conducting in-depth interviews with peasant and employees of nira cooperative in Purbalingga. This study shows that developmentalism does not reach the poor, as represented by the characters of this film. Due to poverty, women must play a dual role in the family, as a housewife and the second income earners. This study is expected to contribute to studies that focus on the micro-level of social issues, as found in the daily life of a family. In addition, it also augments to studies of anti-developmentalism films that are still rarely conducted.
PRAKTIK KERUANGAN DAN KETERASINGAN: STUDI WARUNG KOPI DI KOTA PURWOKERTO, BANYUMAS JAWA TENGAH Arizal Mutahir; Aidatul Chusna; Muhammad Taufiqurrohman; Joko Santoso
Jurnal Pengembangan Kota Vol 9, No 2: Desember 2021
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1319.855 KB) | DOI: 10.14710/jpk.9.2.214-230

Abstract

Keberadaan warung kopi di Kota Purwokerto telah begitu marak. Fenomena tersebut dapat menjadi penanda perubahan ruang kota. Warung kopi menjadi ruang sosial baru bagi masyarakat Kota Purwokerto. Dalam warung kopi terkandung berbagai lapisan makna. Dalam warung kopi terjadi interaksi individu maupun kelompok yang membentuk makna berupa wacana, simbol, maupun citra untuk merepresentasikan diri, relasi yang dijalin, dan juga ruang atau situs terjadinya interaksi. Dalam warung kopi terjadi proses produksi ruang. Tujuan tulisan ini adalah berusaha menggali lapisan makna dalam praktik keruangan di warung kopi. Menggunakan metode kualitatif, tulisan ini mengambil data melalui cara observasi dan wawancara mendalam. Tulisan ini berdasarkan pemahaman bahwa warung kopi merupakan wujud perubahan dari pengembangan ruang kota di Kota Purwokerto. Dalam warung kopi terjadi dialektika beragam gerak, interkoneksi, interaksi uang, orang dan komoditas. Tulisan ini berpendapat bahwa warung kopi merupakan ruang persepsual hasil dari proses pengembangan ruang kota yang dikonstruksi beragam elemen dan kepentingan. Alih-alih menjadikan manusia yang menghidupi ruang hidup mereka, pertumbuhan warung kopi menghasilkan manusia yang teralienasi. 
Gerakan #dirumahaja sebagai Aktivisme Digital pada Akun Media Sosial Najwa Shihab Aidatul Chusna
KAMBOTI: Jurnal Sosial dan Humaniora Vol. 1 No. 2 (2021): KAMBOTI April 2021
Publisher : LLDIKTI WIlayah XII Ambon

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (468.574 KB) | DOI: 10.51135/kambotivol1iss2pp124-132

Abstract

This paper discusses how the #dirumahaja movement initiated by Najwa Shihab in her various social media accounts becomes a form of digital activism in a network society. With a qualitative descriptive method, this study will look at how the phenomenon of the #dirumahaja movement is carried out and the extent of the impact of this digital activism. Therefore, posts in the form of information or videos uploaded to Najwa Shihab's social media accounts are the primary data in this analysis. The result of the discussion shows that through various social media platforms that she holds, Najwa Shihab carried out various forms of campaigns that invite people to do activities at home in various forms, such as sharing informative videos about the dangers of covid-19 and the importance of reducing activities outside the home and inviting public figures in various video content, as well as organizing charity music concerts.
Persona in Social Media: A Case Study on Baim Paula Youtube Channel Aidatul Chusna
Journal of Language and Literature Vol 21, No 2 (2021): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (717.828 KB) | DOI: 10.24071/joll.v21i2.3009

Abstract

Social media enables its users to participate in creating and sharing media contents through their accounts; thus, it gives opportunity to gain popularity for anyone, including celebrity.  This paper is aimed at revealing celebrities’ strategy to increase and maintain their popularity by constructing self-image through social media. Videos from Baim Paula youtube channel are selected as the main data of the analysis, considering Baim Wong’s success as celebrity and content creator. Using textual approach, the vidoes created and shared are analized as a cultural text which demonstrates celebrities’ self-representation in social media. The result shows that Baim Wong performs various self- images through his videos contents. His prank videos indirectly indicate authenticity and honesty entitled to Baim Wong’s image, as a strategy to create closeness to his fans. He also construcs an altruistic persona by giving presents and/or money to his pranked targets. Another self-representation is seen in videos about his daily activities with family and friends. Through these videos, Baim Wong constructs his image as a family man. The persona performed in social media has successfully attracted more fans/ subscribers and enhanced his fame. Subsequently, it generates profit not only from his YouTube channel, but also from advertising agencies and TV stations that hire him.