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All Journal English Teaching Journal : A Journal of English Literature, Language, and Education Tell : Teaching of English Language and Literature Journal
Ari Setyorini
Muhammadiyah University of Surabaya
Arts Humanities Education Languange, Linguistic, Communication & Media Other

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The Symbols of Gender-Stereotype in Hans Christian Andersen’s the Little Mermaid Jepri Ali Saiful; Ari Setyorini
Tell : Teaching of English Language and Literature Journal Vol 3 No 1 (2015): April
Publisher : English Department FKIP Universitas Muhammadiyah Surabaya Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (475.255 KB) | DOI: 10.30651/tell.v3i1.312

Abstract

It is seen that there is an existence of gender-stereotype that unwittingly occurred in children's literature. The gender-stereotype of how man and woman should be and behave considering on his/her proper activities in a real life might be portrayed throughout the symbolizations in which numerous readers do not understand what they are about, whereas those symbols of gender-stereotype are teaching the children the concept of masculinity and femininity. This study thus scrutinizes the symbols of gender-stereotype in Hans Christian Andersen‟s The Little Mermaid. The data analysis is in the form of symbols which have the issues of gender-stereotype taken from the original fairy tale of The Little Mermaid in 1836. The aims of this study are to find out the symbols of gender-stereotype and describe the meaning of each symbol. Utilizing descriptive qualitative method, the results of this study are the symbols which have the gender-stereotype of masculinity are “King” related to non-emotional and intellectuality in authority of a man. “Knife” is found allied to the masculinity trait of a strong man and “Sword” is an analogue of a brave, adventurous and intellectual man. Moreover, the symbols of femininity found are the “Mermaid or Siren” is interwoven to such the embodiment of a flirtatious woman. “Long Hair” is germane to a loyal and submissive woman. The last, “Oyster” is represented as a nurturing woman. Keywords: Symbol, Gender-Stereotype, The Little Mermaid
Ecowarriors Bring Back Kumandra: An Ecofeminism Study Depicted in Raya and the Last Dragon Irma Imroatina; Ari Setyorini; Pramudana Ihsan
English Teaching Journal : A Journal of English Literature, Language and Education Vol 10, No 1 (2022)
Publisher : Universitas PGRI Madiun

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25273/etj.v10i1.12659

Abstract

This research discusses the study of ecofeminism found in the Raya and the Last Dragon movie. This research's objective was to reveal how the ecofeminist figures (Raya, Sisu, and Namaari) save their homeland called Kumandra. The ability of women to take care of nature is considered an important role. The attitude of mothering spirit, nurturing, and caring qualities are essential to keeping nature safe. Women have the energy to do the protest against environmental damage. The attitude of raising and caring for nature can also be brought in literary works with the study of ecofeminism. This research uses a descriptive qualitative method. The research data took from the storylines and dialogue in Raya and the Last Dragon movie. As a result, the ecowarriors have a meeting point by flocking and working together to achieve the same vision and mission to save Kumandra from Druun by uniting and trusting each other.This research discusses the study of ecofeminism found in the Raya and the Last Dragon movie. This research's objective was to reveal how the ecofeminist figures (Raya, Sisu, and Namaari) save their homeland called Kumandra. The ability of women to take care of nature is considered an important role. The attitude of mothering spirit, nurturing, and caring qualities are essential to keeping nature safe. Women have the energy to do the protest against environmental damage. The attitude of raising and caring for nature can also be brought in literary works with the study of ecofeminism. This research uses a descriptive qualitative method. The research data took from the storylines and dialogue in Raya and the Last Dragon movie. As a result, the ecowarriors have a meeting point by flocking and working together to achieve the same vision and mission to save Kumandra from Druun by uniting and trusting each other. 
Co-Authors Irma Imroatina Pramudana Ihsan, Pramudana Saiful, Jepri Ali