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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi The Indonesian Journal of Communication Studies Jurnal Bahasa Rupa
Novan Jemmi Andrea
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media

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Estetika Fotografi Jurnalistik dalam Kaitan Nilai Kebaikan Dan Kebenaran, Olah Rasa, dan Sinestesia Novan Jemmi Andrea
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 11, No 2 (2015): Oktober 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v11i2.1296

Abstract

Fotografi jurnalistik  menjadi salah satu cabang dari pengelompokan besar di bidang fotografi, selain fotografi seni dan fotografi komersial. Sebagai salah satu bidang seni, fotografi jurnalistik tentunya memiliki konsep estetika tersendiri, bahkan konsep estetikanya sangat berkaitan dengan “rasa”, sebuah konsep abstrak mengenai proses peresapan sesuatu dalam diri manusia yang bahkan tidak dapat sepenuhnya dideskripsikan. Pemahaman konsep estetika merupakan proses dialektis berkaitan dengan persoalan lain seperti filsafat, sosial, politik, budaya, dan ekonomi sehingga nilai-nilai kebaikan dan kebenaran sering muncul dalam ragam diskusi estetika. Perkembangan pendekatan konsep proses penciptaan yang melibatkan penonton dan berupaya menyajikan berbagai rangsangan bagi pancaindera menuntut kemampuan dalam olah rasa lainnya, yaitu mengoneksikan pancaindera. Konsep yang berkaitan dengan hal tersebut dikenal dengan istilah synaesthesia (sinestesia), sebuah konsep di mana pancaindera bekerja bersama sekaligus saat merespons sebuah rangsangan sehingga akan menimbulkan sensasi yang melebihi ungkapan satu pancaindera saja. Pemahaman estetika dengan berbagai pendekatan tersebut merupakan proses apresiasi aktif yang bertujuan untuk mengungkap kemungkinan-kemungkinan pewacanaan baru dalam perkembangan fotografi jurnalistik. Photojournalism Aesthetic in Regards to the Value of Goodness and Truth, Feeling , and Synaesthesia. Photojournalism becomes one of the branches of a large group in the field of photography in addition to art photography and commercial photography. Great photojournalism is a strange sort of art. Photojournalism allows people to get close to events on the ground, so that people may better understand them as they unfold. This is an abstract concept about the impregnation which cannot be fully described. Understanding the concept of aesthetics is a dialectical process associated with other problems such as philosophy, social, political, cultural, and economic so that the values of goodness and truth often comes in a variety of aesthetic discussion. Developments in the approach to the concept and creation process that involves the audience and trying to present a wide range of stimuli for the senses require proficiency in another sense though, that connected the all senses. Concepts related to the case known as synaesthesia, a neurological phenomenon in which one or more sensory modalities are linked. Aesthetic understanding of the various approaches is an active appreciation process that aims to uncover the possibilities of a new discourse on development of photojournalism.
Karantina Wilayah sebagai Ide Penciptaan Foto Seri Tentang Topical Trends Covid-19 Pamungkas Wahyu Setiyanto; Novan Jemmi Andrea; Agus Triyana
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 17, No 1 (2021): April 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v17i1.4485

Abstract

Quarantine Areas as an Idea The Creation of A Series of Topical Trends of Covid-19. Research called quarantine areas as an idea the creation of a photograph series about topical trends covid-19 is a study based the creation of artistic, with the result of a photograph series describing the atmosphere quarantine areas due to pandemics covid-19 in Pedukuhan Pelem Sewu , RT 08 and RT 09 , Panggungharjo, Sewon, Bantul , Yogyakarta. Photo series made is activity the creation of a guide making a photograph produce a series of photos containing descriptions based on the theme or a particular subject same, that is the situation quarantine areas. Through the observation, design concept, to recording equipment, produced a series of photographs quarantine areas described the situation, the closure enter and leave in a region in which there were people infected covid-19. Methods used in this study began of observation, the design of the concept of, until shooting. The result of the creation of this series are photographs that describe scenes of residents and the activities of that lasts for quarantine areas to come into effect. Conclusions obtained from the research with the approach the work of art it produces an understanding of the circumstances and the residents habit covid-19 due to new pandemic. A new habit of them is online learning activity, aware of their health and clean environment, and of their fellow citizens for mutual support and through the quarantine.
SANTA CLAUS SOLIDARITY FOR PALESTINE: A SEMIOTIC ANALYSIS OF THE MOHAMMAD TOROKMAN’S PHOTOJOURNALISM Novan Jemmi Andrea
The Indonesian Journal of Communication Studies Vol 13, No 1 (2020): The Indonesian Journal of Communication Studies
Publisher : Department of Communication Studies, Faculty of Social and Political Sciences Universitas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/ijcs.v13i1.3853

Abstract

Mohammad Torokman is a photojournalist with the Reuters News Agency. Torokman's photojournalism is chosen as "Picture of the Month: December" Reuters in 2017. The photo shows a picture of protesters dressed as Santa Claus throwing stones at the Israeli army when Palestinian protest against unilateral claims by the United States to make Jerusalem the capital of Israel. Torokman's photojournalism not only just evidence of a mere protest, but it has a message and a deeper meaning. This research discusses the denotation and connotation meaning of Torokman’s photojournalism using the semiotics theory of Roland Barthes. This research is descriptive qualitative. This research concludes that Torokman's photojournalism has two meanings: solidarity and resistance. In the first level of analysis, Torokman's photojournalism shows the protestor's opposition to the Israeli army. On the second level of analysis shows the meaning of solidarity, which is shown through joint struggle without regard to religion and belief to maintain its territory in Jerusalem.
NARASI LIRIS FOTOGRAFI JURNALISTIK PADA MASA PANDEMI COVID-19: STUDI KASUS PROYEK FOTOGRAFI “STILL LIVES” OLEH THE NEW YORK TIMES Aji Susanto Anom Purnomo; Novan Jemmi Andrea; Monica Revias Purwa Kusuma
Jurnal Bahasa Rupa Vol. 4 No. 2 (2021): Jurnal Bahasa Rupa April 2021
Publisher : LPPM Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v4i2.714

Abstract

2020 is the year when the world is faced with a health crisis, namely the Covid-19 pandemic or also known as the Corona Virus. All aspects of life are affected by this crisis, the joints of humanity are faced with limitations. The mass media are intensively reporting various incidents regarding the Covid-19 pandemic. The stories are often accompanied by journalistic photos. One of the functions of photojournalism is to strengthen the story of what the media wants to convey. Journalistic photos during this pandemic usually feature scenes from medical activities, government policies and large narratives that are cold on empathetic human relations. However, different from most photojournalism in most mass media, The New York Times publishes "Still Lives" photography projects that are done by its photographers. The project presents a different narrative from this time of the pandemic. The “Still Lives” photography project is important because it presents journalistic photos that tell a domestic narrative that is close to the sides of universal humanity, namely the stories of the photographers' homes and families. This study aims to describe and interpret the “Still Lives” photography project as an alternative in creating a different narrative from photojournalism during the pandemic. This study used a descriptive qualitative research method based on phenomenology with Roland Barthes' main theory of semiotics and supported by journalistic photography theory and representation theory. The research results obtained a complete explanation and meaning of the “Still Lives” Project from The New York Times. The project according to the theory of photo journalistic is photo story based on personal experiences. From the analysis through the theory of semiotics from Roland Barthes and representation theory successfully obtained a result that basically projects “Still Lives” can be understood as a representation of the universal experience and feeling by mankind. Project “Still Lives” provides the representation of covid-19 pandemic through the mass media journalistic that show an alternative offer to journalistic practice to use lyrical narratives and personal experience in the story and more empathy in the mass publication of pandemic covid-19.
Perancangan Studio Keliling Fotografi Analog sebagai Sarana Pendidikan dan Hiburan Irwandi Irwandi; Novan Jemmi Andrea; Michael Steve Joshua Sinurat; Riki Maulana
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 18, No 2 (2022): Oktober 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v18i2.6121

Abstract

Saat ini fotografi analog mulai hidup kembali di kalangan komunitas pecinta fotografi. Praktik fotografi analog melibatkan manusia secara langsung, sehingga dipandang sesuai dengan kesadaran bahwa manusia tidak boleh sepenuhnya bergantung pada mesin. Berdasarkan kondisi-kondisi tersebut, penelitian ini mengajukan sebuah rancangan studio foto keliling berbasis fotografi analog. Tahapan penelitian dilakukan secara berurutan mulai dari pencarian dan pengumpulan referensi hingga pelaksanaan tahapan desain mulai dari desain dua dimensi pada tahap pertama, hingga desain tiga dimensi. Secara konkret, perancangan studio fotografi analog didesain di atas sebuah bus berukuran panjang 12 meter dan lebar 2,5 meter  yang dimodifikasi. Ruang dalam bus dirancang agar dapat menjadi sebuah gerai foto yang digunakan untuk memproses foto (pemfotoan, pemrosesan, dan pencetakan), serta dijadikan sarana pendidikan, hiburan rakyat, dan layanan fotografi analog yang unik. Hasil rancangan memperlihatkan ruang di dalam bus dibagi menjadi tiga bagian, yaitu ruang pengemudi dan penumpang atau kru, lalu ruang rapat atau kantor mungil, dan terakhir adalah studio fotografi analog yang di dalamnya disediakan fasilitas cuci dan cetak foto analog. Harapannya, rancangan ini dapat diwujudkan dan dapat menumbuhkembangkan kreativitas dan jiwa kewirausahaan generasi muda di bidang fotografi.
Co-Authors Agus Triyana Aji Susanto Anom Purnomo Irwandi Irwandi Kusuma, Monica Revias Purwa Michael Steve Joshua Sinurat Pamungkas Wahyu Setiyanto Riki Maulana