Christian Budiman
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Retorik dan Makna Ideologis Karya Instalasi dalam Film Opera Jawa Garin Nugroho Christian Budiman
Resital:Jurnal Seni Pertunjukan Vol 14, No 1 (2013): Juni 2013
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v14i1.390

Abstract

ABSTRAK Film Opera Jawa karya Garin Nugroho mencoba memadukan berbagai bidang dan genre seni di dalamnya. Melalui kolaborasi dengan sejumlah maestro seni, mulai dari seni vokal dan musik Jawa, seni kostum, seni tari, sampai dengan seni instalasi yang digarap oleh para perupa seperti Entang Wiharso, Nindityo Adipurnomo, dan kawan-kawan, boleh dikatakan bahwa Opera Jawa merupakan sebuah fi lm yang sangat peduli akan visualitas. Berdasarkan pada pembacaan semiotis atas karya-karya instalasi ini di dalam konteks adegan-adegan yang terkait, dapat diketahui bahwa signifi kasi karya-karya instalasi ini pada tataran pesan simbolik telah mengedepankan konotator-konotator utama yang berupa fi gur-fi gur retorik seperti metafora, metonimi, simbol, dan personifi kasi; sementara pada dimensi ideologisnya pun tersingkap beberapa petanda konotatif utama yang sangat signifikan perannya bagi proses pemahaman atas film ini.   Kata kunci: seni instalasi, signifi kasi, retorik, ideologi. ABSTRACT The rhetorical and ideological meaning of the installation works in Opera Jawa Film by Garin Nugroho. Opera Jawa fi lm by Garin Nugroho tries to combine many kinds of art fi eld and its genre. The collaborative project carried out by some arts maestros - from the singing art and Javanese music, fashion, and the dancing art, to the installation art which was carried out by some artists, such as Entang Wiharso, Nindito Adipurnomo, and friends – could give the most signifi cant effect to Opera Jawa which pays more attention to visualization. Based on the semiotic reading to the installation works in the contexts of interrelated scenes, it can be known that the signifi cance of the installation works on the symbolic of the message level has emphasized the main connotations which consist of the rhetorical fi gures such as: metaphor, metonymy, symbol, and personifi cation. On the other hand, based on the ideological dimension, the main connotative signs which are regarded very signifi cant for the understanding process on this fi lm can be clearly exposed. Keywords: Installation art, rhetoric, Javanese opera.
Penelitian Feminis dalam Kajian Budaya:Titik-Temu dan Kontribusi Christian Budiman; Christian Budiman
Jurnal Kawistara Vol 11, No 1 (2021)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.62913

Abstract

Gender studies have generated a perspective called feminist research that is not merely research on women, but also research for women. Driven by a will to prioritize women’s experiences and, therefore, the aim to emphasize the importance of their subjective experiences, feminist researchers tend to apply qualitative research methods by placing great emphasis on women as subjects of knowledge. The differences in disciplinary backgrounds and the methodological and epistemological positions of feminist are also increasingly blurred by the mutual borrowing of concepts and thoughts across disciplines, especially from literary theory, history, and cultural studies. In cultural studies, with its recent development recently, feminist research tends to be more oriented towards the basic assumptions of poststructuralism and/or postmodernism. They reject the perspective of a monolithic woman so that, therefore, there is no single and unitary truth about the story of woman’s reality. In this regard, culture is an important issue on the academic and political agenda of feminists. Not only is culture inseparable from gender and power factors, but it can also produce a better understanding of subjectivity. By understanding gender specifically as discourse, they do not deny the possibility of female subjectivity that is multiple, fragmented, and open up opportunities for differences and variations. Compared to the other feminist research positions, feminist cultural studies seem more hybrid, radical, and subversive.