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All Journal HUMANIS Jurnal Ekonomi Kuantitatif Terapan E-Journal of Linguistics E-Journal of Tourism E-Journal Of Cultural Studies Linguistika Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Sosial dan Humaniora Jurnal Kajian Bali Jurnal Master Pariwisata (JUMPA) ATAVISME JURNAL ILMIAH KAJIAN SASTRA MUDRA Jurnal Seni Budaya Panggung Aksara International Journal of Applied Sciences in Tourism and Events SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] GERAM (GERAKAN AKTIF MENULIS) International Journal of Educational Review, Law And Social Sciences (IJERLAS) Humantech : Jurnal Ilmiah Multidisiplin Indonesia East Asian Journal of Multidisciplinary Research (EAJMR) Stilistika: Journal of Indonesian Language and Literature Jumantara: Jurnal Manuskrip Nusantara

I Nyoman Darma Putra

Fakultas Ilmu Budaya, Universitas Udayana

Author-ID : 249802

Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

Published : 82 Documents Claim Missing Document

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EKSISTENSI PUISI INDONESIA DI BALI PADA ERA KOLONIAL Putra, I Nyoman Darma
Aksara Vol 29, No 2 (2017): Aksara, Edisi Desember 2017
Publisher : Balai Bahasa Bali

Kontribusi Bali pada masa-masa awal perkembangan sastra Indonesia dikenal sebatas karya-karya Panji Tisna. Hal ini tidak mengherankan karena tahun 1930-an Panji Tisna sudah menulis beberapa novel seperti Sukreni Gadis Bali (1936) yang diterbitkan Balai Pustaka dan menjadi karya klasik yang masih mengalami cetak ulang sampai sekarang. Sebetulnya, di luar karya Panji Tisna ada banyak puisi yang dipublikasikan penulis Bali di media massa seperti Surya Kanta, Bali Adnyana, dan Djatajoe, terbit di Singaraja pada era kolonial, 1920-an hingga awal 1940-an. Makalah ini mengidentifikasi puisi Indonesia penyair Bali yang terbit pada zaman kolonial dan menganalisis tema-temanya dikaitkan secara intertekstual dengan wacana sosial yang berkembang saat itu. Makalah ini menyimpulkan tiga hal. Pertama, puisi penyair Bali ikut memperkaya khasanah sastra Indonesia pada masa awal pertumbuhannya. Kedua, kehadiran puisi penyair Bali di media massa lokal ikut memperkenalkan sastra nasional di daerah Bali. Ketiga, puisi penyair Bali dijadikan media bagi penulisnya untuk mengartikulasikan kepedulian sosial, misalnya masalah pentingnya pendidikan bagi kaum perempuan dan kekhawatiran masyarakat Bali yang tidak siap menghadapi dampak pariwisata.Â Â

KONFLIK DAN KOMPROMI DALAM CERPEN-CERPEN BERLATAR KELUARGA DARI ASIA TENGGARA Putra, I Nyoman Darma
Aksara Vol 28, No 1 (2016): Aksara: Edisi Juni 2016
Publisher : Balai Bahasa Bali

Selain isu-isu makro tentang bangsa, masalah-masalah mikro dalam kehidupan keluarga jugabanyak diangkat menjadi latar sekaligus tema cerita oleh kalangan cerpenis negeri serumpunAsia Tenggara, yaitu Singapura, Malaysia, Brunei, dan Indonesia. Penelitian ini bertujuanuntuk menganalisis konflik dan kompromi antaranggota keluarga dalam karya cerpenisnegeri serumpun. Data diambil dari cerpen karya penulis negeri serumpun yang terkumpuldalam antologi Matahari di Nusantara (2010) yang diterbitkan oleh Majelis Sastera AsiaTenggara (Mastera). Pengumpulan data menggunakan metode pustaka dan teknik catat,sedangkan metode analisis data menggunakan metode analisis kritis interpretatif denganteori intertekstualitas. Hasil pembahasaan menunjukkan bahwa tema yang sama dalamantologi cerpen Matahari di Nusantara memberikan gambaran tentang pentingnya kedudukankeluarga sebagai institusi pendidikan anak, penanaman adat, dan tradisi pengembangan diri dimasyarakat. Konflik dan kompromi dalam keluarga yang disuguhkan dalam cerpen tersebutdibiarkan menggantung sehingga pembaca tertantang untuk menemukan maknanya.

OTORITAS TUBUH ANTARA SAKRAL DAN PROFAN DALAM PUISI KARYA PENYAIR BALI TAHUN 1970â2016 Hardiningtyas, Puji Retno; Putra, I Nyoman Darma; Kusuma, I Nyoman Weda; Triadnyani, I Gusti Ayu Agung Mas
Aksara Vol 30, No 1 (2018): Aksara, Edisi Juni 2018
Publisher : Balai Bahasa Bali

Persoalan tubuh dan jiwa perempuan dijadikan subjek inferior dan eksploitasi atas tubuhnya sendiri menjadi ruang yang paradoksal muncul dalam karya-karya puisi Indonesia sejak tahun 1960--2016. Rumusan masalah penelitian ini adalah wacana otoritas tubuh, baik sakral maupun profan sebagai representasi citra ruang manusia; konsep ruang dan konstruksi tubuh dalam pertarungan kehidupan dalam puisi-puisi penyair di Bali. Metode pengumpulan data penelitian ini adalah studi pustaka dengan teknik baca catat. Analisis data menggunakan metode analitik deskriptif dengan teknik hermeneutika dan interpretatif. Teori penelitian ini adalah poskolonial Sara Upstone dengan mempraktikkan ruang tubuh dan konstruksi keberadaan eksistensi manusia itu sendiri. Hasil dan pembahasan penelitian ini membuktikan bahwa otoritas tubuh mengalami ironi dengan peristiwa yang dialami manusia, yaitu tubuh sebagai jasmaniah, tubuh sebagai simbol agama, dan tubuh sebagai kekuatan perempuan dalam menghadapi pertarungan kehidupan. Konstruksi yang terjadi dalam tubuh pada akhirnya menjadi diri yang dibongkar/dibalikkan oleh penyair yang secara ontologis dikuliti sendiri. Tubuh dihancurkan dalam kebudayaan, kefaanaan, sedangkan jiwa sebagai Tuhan yang diidealkan dalam keutuhan. Dengan demikian, konstruksi dan ruang tubuh antara profan dan sakral adalah ruang paradoksal antara jasmani dan rohani yang didekonstruksi oleh penyairnya menjadi sebuah ironi semata.

PATRIARCHAL IDEOLOGY IN WORKS OF VISUAL ART OF BALINESE CONTEMPORARY WOMEN ARTISTS Hardiman, Hardiman; Putra, I Nyoman Darma; Atmadja, Nengah Bawa; Mudana, I Gede
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Human problems are faced faced by Indonesian contemporary visual artists. However, the most typical are the problems faced by contemporary women visual artists, including those faced by Balinese contemporary women visual artists. Other than social problems, their personal problems also arise as women visual artists amidst patriarchal cultural construction. Balinese contemporary women visual artists, like Indonesian contemporary visual artists, are facing social problems and their personal problems as women. But, Balinese contemporary women visual artists also face very strong patriarchal (purusa) cultural ideology. This study aimed at revealing and describing the form of the subject matter of woman’s body as an expression of opposition in the works of visual art of the Balinese contemporary women visual artists; revealing and describing ideologies that operate behind the sexual representation of the Balinese contemporary women visual artists and revealing and describing the contestation of meaning in the ideological sexual representation of Balinese contemporary women visual artists. This study using interpretive qualitative method produced, first, works of Balinese contemporary women artists which have traditional visual elements comprising contour, repetition, rythm, dialect. The works of Balinese contemporary women visual artists also have modern visual elements comprising spatial awareness,distortion, stylization, material character, unity, and personal identity. In addition, the works of Balinese contemporary women artists also have post-modern visual elements of trans-aesthetics, dialogism, and disorder. Secondly, the ideologies that operate behind the works of Balinese contemporary visual artists can be classified into three ideologies based on the forms and contents of the works of art. The ideologies are patriarchal ideology that is related to the theme of superiority,phallus symbol, and weak group; feminism ideology that is related to the theme of subordination, equality, and subjectivity construction, and aesthetical ideology concerning with style, which is related to the classification of styles based on time, place, form, technique, and subjject matter. Third, meanings which can be developed from Balinese contemporary women visual artists are the meaning of domestic body and the meaning of open body in the sexual representation of Balinese contemporary women artists. The meaning of domestic body is found in the works of Cok Mas Asiti, Ni Nyoman Sani, and Sutrisni. Sani while the meaning of open body in the works of IGK Murniasih and Nia Kurniati Andika.

REVITALISASI TEMBANG TEKS SASTRA BALI TRADISIONAL DALAM RANAH RITUAL DAN DIGITAL Putra, I Nyoman Darma; Sari, Ida Ayu Laksmita
ATAVISME Vol 22, No 1 (2019): ATAVISME
Publisher : Balai Bahasa Jawa Timur

There has been a concern that textual singing tradition (kidung) may disappear along with the advancement of information and communication technology. This paper aims to examine the metamorphosis of kidung from the ritual realm to the digital domain which is the basis of today's electronic mass media. Data were collected with ethnographic method and interviews with enthusiasts and audiences of kidung as well as with managing of electronic mass media. Recording method was used to record the interactive kidung programme in Radio and TV. The data were examined by transformation media and globalization theory. The study began with a description of the metamorphosis of kidung from the ritual realm to digital, enthusiasts and audiences, as well as the future of the kidung cultural heritage in the digital era. The result shows that the transformation of kidung from the ritual to the digital domain is a revitalization process that makes this tradition increasingly lively, not vanishing as it has been feared. In addition, the tradition of the kidung which was originally dominated by the older generation, has also been able to attract younger generation who present it through digital-based social media such as Facebook and YouTube so that it can be enjoyed by Balinese diaspora.

THE STRUGGLE OF SYMBOLIC CAPITAL IN RUSSIAN TOURIST MARKET OF BALI TOURISM Ginaya, Gede; Kumbara, A.A. Ngr. Anom; Putra, I Nyoman Darma; Sukiada, I Nyoman
E-Journal of Cultural Studies Volume 13, Number 1, February 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

A professional tour guide is regarded as a front-liner of the tourism and the ambassador of his/her country. Therefore, the performace of a tour guide is very important as a quality assurance of services in order to fulfill the tourists’ satisfaction. One of the important things to satisfy the tourists is through mastering the language, because if the tour guide speaks the language fluently and accurately, the commucation will be well maintained and all information can be successfully delivered. In this case, mastering Russian language, which is categorized into one of the latest foreign languages in the tourism business of Bali, is deemly needed by the Russian tourists in order to get sufficient information about the culture of the indigenous community. This study aimes at investigating the mastery level of the tour guide’s Russian language related to the struggle of symbolic capital between foreign representatives and local tour guides. By applying a descriptive qualitative research, the data was collected through observation, interview, and document review. The theory used to undertake this study is Bourdieu’s social practice theory which involves capital, habitus, and field. The data that has been classified is analyzed by qualitative descriptive method with an inductive-metodological paradigm which is seting up the discussion from particular principles to the general in order to obtain a conclusion. The result of data analys is presented by formal and informal method. The study reveals that the mastery of Russian language for a professional tour guide has been proven to compete with foreign tour guides in preserving the Balinese culture and empowering local community in tourism participation. Keywords: Russian language, professional tour guide, capital symbolic.

THE CHANGE IN PERCEPTION OF SUBMITTING CHILDREN TO CHILD WELFARE INSTITUTIONS IN DENPASAR CITY IN THE PERIOD 2006-2014 Westerlaken, Rodney; Ardika, I Wayan; Ardhana, I Ketut; Darma Putra, I Nyoman
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Terroristic events, like the Bali bombings in 2002 and 2005, have major effects on a society. Prior research towards those effects have focused on the financial, economic and social economic effects, however this study focuses on the social cultural effect in the aftermath of the terroristic effects. The changed social cultural perception of submitting children to a Child Welfare Institution in the period 2006 to 2014 in Denpasar city, Bali. Sub questions to this problem statement what the reasons are that children are living in Child Welfare Institutions in Denpasar city recently and whether it is possible to connect social cultural perceptions of submitting children to Child Welfare Institutions in Denpasar city to coping mechanisms of the society after the terroristic attacks in 2002 and 2005. This research has used a quantitative approach, interviewing 50 children and 23 parents / familial caretakers. The outcomes have been analysed with help of the computer assisted qualitative data analysis software NVIVO. Research indicates that the trend of submitting children to Child Welfare Institutions, as a coping mechanism, in the first years after the second Bali bombing instigated a change in the social cultural system on Bali. The Balinese kinship system partly fell apart as a result of the Bali bombings, the keluarga besar is less considered to be asked for help and submitting a child to a Child Welfare Institution became an easy solution that currently continues to exist. It is concluded that the ethos, the moral formation as described by Foucault, is victimized by the failing system of aletheia and politeia, but that also ethos itself is victimized by contemporary forms of normalization. Keywords: social cultural change, terroristic attack, coping mechanism, Child Welfare Institutions.

POLITICS OF IDENTITY AND THE CASE OF AHOK’S RELIGION BLASPHEMY IN THE 2017 DKI JAKARTA ELECTION Dalimunthe, Syairal Fahmy; Ardika, I Wayan; Putra, I Nyoman Darma; Suka Arjawa, I Gst. Bagus
E-Journal of Cultural Studies Volume 13, Number 1, February 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Identity politics are often used in political contestation. Primordialism in similar religious and ethnic contexts creates the division and color of whose groups and supports whom. The purpose of this study is to understand and explain the politicization of religion and ethnicity in the DKI Jakarta 2017 elections. This study uses a cultural study approach with interpretive analysis techniques. The case of blasphemy by Ahok triggered the politicization of religion and ethnicity in the 2017 DKI Jakarta elections. Mass mobilization in the form of boycotts and the use of holy verses in choosing leaders was very massive carried out during the campaign period to increase the electoral effect. Identity is no longer purely a social movement to fight for a positive change, but rather a tool for the political elite to compartmentalize the masses in an effort to achieve their group goals. The identity politics that was triggered by the case of blasphemy by Ahok created a process of group exclusivity towards other groups on the basis of religion and ethnicity in winning a political battle. Keywords: Identity politics, blasphemy of religion, Ahok, primordialism

RECLAIMING KARONESE IDENTITY THROUGH ERPANGIR KU LAU RITUAL Sebayang, Vanesia Amelia; Darma Putra, I Nyoman; Suka Arjawa, I Gusti Putu Bagus; Pujaastawa, Ida Bagus Gde
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p01

Dutch colonialism in Tanah Karo has long ended but not with the construction of the discourse. The unilateral evaluation of the Dutch towards the spirituality of the Karo people caused the Karo people to split into groups and live with social pathology. The colonial discourse is now experiencing challenges as the erpangir ku lau ritual was established as a national intangible cultural heritage and was made as one of the routine cultural tourism attractions in Karo District. This research uses a descriptive qualitative research method because it uses theory as a platform. The data source of this research consists of primary data obtained through observation and in-depth interviews, and secondary data obtained through books, scientific papers, documents, and online sources. The results of the study revealed that despite being rejected by one of the community groups, support for efforts to reclaim Karo's identity through the implementation of the erpangir ku lau ritual was still activated. This is because the effort to reclaim identity is expected to bring back the Karo community following the identity of the ancestral heritage, namely mehamat (polite), metami (persuading), melias (loving), perkuah (generous), and perkeleng (merciful) towards fellow humans and ancestors, The Creator, and the universe. Keywords: Reclaiming Identity, Erpangir Ku Lau, Colonial Discourse, and Karo Society

CONSUMERISM PRACTICES OF KOREAN POP FANS COMMUNITY ANNISA WIDOWATI SUNDARI DANCERS IN JAKARTA Apria, Diana Rosca; Kumbara, A.A. Anom; Darma Putra, I Nyoman
E-Journal of Cultural Studies Volume 13, Number 4, November 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i04.p03

Globalization facilitates the spread of culture from one country to another. From globalization, K-Pop has finally begun to be enjoyed by Indonesian society. One of the effects of the Korean culture fever in Indonesia is the consumptive behavior or lifestyle among teenagers who are K-Pop fans. Annisa Widowati Sundari Dancers Community or what is commonly called as AWS Dancers community is one of them. The reason why this community has been chosen as the object of this research is because AWS Dancers community is popular among K-Pop fans in Jakarta. This study used a cultural study approach that is analyzed qualitatively. Data collection is carried out by the method of observation, interviews, and document studies related to K-pop culture in Indonesia. Data were analyzed with hegemony theory and culture industry theory. The results of this study show that the emergence of the K-Pop culture industry ultimately inspired K-Pop fans to form a community, namely AWS Dancers who performed dance cover activities. In addition, K-Pop culture industries such as music, drama, food, cosmetics and electronic goods made teenagers who are members of the AWS Dancers community was hegemonied to buy and consume these things. As a result, various implications arise, such as dissipation among the members of AWS Dancers, hyperreality towards South Korea, the increasingly eroded Indonesian culture and celebritization among members of the AWS Dancers community. Keywords : consumerism practices, korean pop, AWS community, hegemony, culture industry

Co-Authors Agus Putra Mahendra Alicia Agustina Ginting Anak Agung Ngurah Anom Kumbara Anak Agung Putu Agung Suryawan Wiranatha Apria, Diana Rosca Aron Meko Mbete Asmyta Surbakti Bertova Simanihuruk Bertova Simanihuruk Bestari, Ni Made Prasiwi Desi Dwi Prianti Dyah Maheswari, I Gusti Agung Eddy Setia Eva Lailatur Riska Gede Ginaya Gede Pasek Putra Adnyana Yasa Gede Suardana Hardiman Hardiman Hardiman Hardiman Husen Hendriyana I B Gde Pujaastawa I B Gde Pujaastawa I Gde Nala Antara I Gde Pitana, I Gde I Gede Adi Sudi Anggara I Gede Made Sukariyanto I Gede Mudana I Gst. Pt. Bagus Suka Arjawa I Gusti Ayu Agung Mas Triadnyani I Gusti Ayu Andani Pertiwi I Gusti Ayu Oka Suryawardani I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Sudewa I Komang Gde Bendesa I Made Agus Asta Panca I Made Marthana Yusa I Made Suyasa I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Larry Julianto I Nyoman Larry Julianto I Nyoman Suarka I NYOMAN SUKIADA I Nyoman Sunarta I Nyoman Wahyu Angga Budi Santosa I Nyoman Weda Kusuma I Wayan Ardika I Wayan Artika I Wayan Resen I Wayan Restu Suarmana I Wayan Suardana I Wayan Suardiana I Wayan Suyadnya I Wayan Tagel Eddy I.A. Etsa Pracintya Ida Ayu Etsa Pracintya Ida Ayu Laksmita Sari Ida Ayu Laksmita Sari Ida Bagus Gde Puja Astawa Ida Bagus Gde Pujaastawa Ida Bagus Gde Pujaastawa Ida Bagus Jelantik Sutanegara Pidada Ida Bagus Rai Putra Indra Bhaskara, Gde Iola Astried Karisma Isvari Ayu Pitanatri Kanto, Sanggar Komang Adi Sastra Wijaya Koondoko, Yovanca Yully Feniaty Made Heny Urmila Dewi Made Hery Santosa Margaretta Andini Nugroho Michael Hitchcock Nengah Bawa Atmadja Nengah Bawa Atmadja Nengah Bawa Atmaja Ngakan Putu Darma Yasa Ni Kadek Dea Adelia Putri Ni Luh Gede Eni Laksmi Ni Luh Kade Yuliani Giri Ni Luh Ramaswati Purnawan Ni Made Eka Mahadewi Ni Made Sri Purnami NI MADE WIASTI Ni Nyoman Arini Ni Putu Evi Wijayanti Ni Putu Rika Sukmadewi Nyoman Kutha Ratna Pujaastawa, Ida Bagus Gde Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Putu Ayu Mira Maharani Putu Sucita Yanthy Putu Sucita Yathy Rimalinda Lukitasari Sanjaya, I Wayan Kiki Saroha Manulang Sebayang, Vanesia Amelia Sri Jumadiah Sunaryo, Nonny Aji Sutanegara Pidada Ida Bagus Jelantik Sutarwiyasa, I Ketut Syairal Fahmy Dalimunthe Syamsul Alam Paturusi Tjok Istri Priti Mahendradevi Tyas Rinestu Westerlaken, Rodney Widiastuti . Yan Yan Sunarya Yohanis Umbu Roru Yosep Kupertino Ilang

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