Article Per Year (5 Year)
p-Index From 2019 - 2024
0.659
P-Index
This Author published in this journals
All Journal Lingua Cultura LEKSIKA JENTERA: Jurnal Kajian Sastra J-Lalite: Journal of English Studies ALLURE JOURNAL
Lynda Susana Widya Ayu Fatmawaty
Universitas Jenderal Soedirman
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 6 Documents
Search

 1 
Ethnography Study about Fanaticism of “Figure Purwokerto” Community's Members Rizki Setyo Nugroho; Muhammad Taufiqurrohman; Lynda Susana Widya Ayu Fatmawaty
J-Lalite: Journal of English Studies Vol 2 No 1 (2021): June
Publisher : Program Studi Sastra Inggris Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jes.2021.2.1.4196

Abstract

This research is aimed to figuring out the fanaticism from the members of an action figure community in Purwokerto called “Figure Purwokerto”. “Figure Purwokerto” community is an action figure community located in Purwokerto, Central Java, Indonesia. The total of the member is about 241 people from different age and culture. The researchers use focus group discussion and interview as the method to gain the information that the researcher needed for research purposes. The researchers applies some theories in order to obtain further analysis related to the issue. Fanaticism theory is used to figure out the fanaticism of “Figure Purwokerto” community’s members. Another theory, the Cultural Studies: Cultural Consumption Research, is added to make a deeper analysis about the consumption of culture from the members of the community. The scope of this research is cultural studies under the umbrella of English Studies which relates to American culture and supremacy with action figure as the media. Furthermore, the disscussion of this study is divided into two main parts which correspondent with the fanaticism happened in Figure Purwokerto community. The first part explains the portrayal of the fanaticism from the members of the community. The characteristics of a person can be said as a fanatics are included in this part. The second part explains the cultural relation between the members and the action figure as a culture. The result of this research concludes that the members are fanatic based on several aspects and characteristics of a fanatic. This research was also conducted to make another prespective of fanaticism which is seen as a bad term due to it’s relation to religion fanaticism.
Virtual Sphere: A Site to Negotiate the Image of Lengger Banyumas Lynda Susana Widya Ayu Fatmawaty; Condro Nur Alim
Lingua Cultura Vol. 14 No. 2 (2020): Lingua Cultura
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v14i2.6837

Abstract

The research aimed at investigating how Lengger used the virtual sphere to negotiate their image to society. LenggerBanyumas was always stereotyped with the discourse of Queer, Gay, Bisexual, and Transgender (QGBT). Therefore, it ledto gender discrimination, not only on the stage but also in their daily life. Consequently, in this 4.0 era, Lengger neededto use social media in order to create a different image as an alternative way to negotiate the dancer’s gender identity.The method applied was Hine’s virtual ethnography method by applying Habermas theory. Respondents were interviewed virtually through video conference. Meanwhile, the data were collected through their Instagram. The results  show that Lengger constructs their image on social media to produce an image by performing double-identity; they are  feminine on the stage and masculine in real life. The first identity is a feminine dancer to reveal the image of a  professional drag dancer from Banyumas. However, Lengger elaborates the masculine identity in their dance performance by wearing the attribute of female dancers. Meanwhile, Lengger also reveals masculine identity in their real life. As identity is fluid, it indicates that the image will also never be fixed. Thus, this image is reproduced constantly in the virtual sphere as a negotiation towards society’s stereotyping.
DENOTING THE CHARACTERS OF ORWELL’S ANIMAL FARM THROUGH SEMIOTICS Lynda Susana Widya Ayu Fatmawaty
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 5, No 2 (2011)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v5i2.2209

Abstract

Orwell’s animal farm is called so as political fairy tale. This novel tried to elucidate the language abuse on how the ruling class controls the lower class. They impose an ideology to the lower class that they live better under the spirit of animalism. However, the intrigue and strategy are always used to linger the tyranny of the autocrat. The entire condition is well-designed so that the lower class believes everything. Therefore, none of them dares to question everything seems anomalous. The characters in Animal farm are twisted resemble to the qualities of human characters. In a certain way, they symbolize the characters of politicians, aristocrats, or even government officers. Therefore, this novel teaches the reader about hidden agenda of political systems instead of its function to give pleasure. The story goes under the aim of criticizing the universe about the intrigue in accomplishing ambitions and sustaining the profession. However, this paper focuses on denoting the characters through semiotics to reveal better understanding about this novel.
PESSMISM IN THOMAS HARDY’S THE DARLING THRUSH Lynda Susana Widya Ayu Fatmawaty
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 2, No 1 (2008)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v2i1.2253

Abstract

Puisi dikatakan sebagai karya sastra yang palimng unik karena tercipta dari kontemplasi terdalam penyairnya. Namun, dalam memahami maknanya, kita mesti mangaitkan puisi dengan riwayat pengarang serta kondisi yang menjadi konteks pencipa karya.                                        Thomas Hardy adalah salah satu penyair terbaik dalam sejarah. Ia dikenal karena gayanya yang fatalis dan pesimis. Salah satu karyanya yang kental dengan warna itu adalah The Darkling Thursh, yang merupakan salah satu master piece. Puisi tersebut ditulis pada akhir abad ke-18 dan masa awal abad baru. Tradisi ini membawa banyak perubahan. Hardy mancoba melukiskan keraguannya dihadapkan dengan zaman baru itu. Segala nad yang hadir dalam puisinya membawa kita pada pandangannya yang begitu pesimis. Tulisan ini bertujuan menggambarkan nada pesimisme yang dilukiskan melalui karya itu.
PERSPEKTIF BOURDIEU PADA POLA INTERRELASI PADA EKSISTENSI LENGGER LANANG LANGGENG SARI DALAM PERTUNJUKAN SENI DI BANYUMAS lynda susana widya ayu fatmawaty; NILA MEGA MARAHAYU; SHOFI MAHMUDAH BUDI UTAMI; IMAM SUHARDI
JENTERA: Jurnal Kajian Sastra Vol 7, No 2 (2018): Jurnal Jentera
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (554.74 KB) | DOI: 10.26499/jentera.v7i2.916

Abstract

Penelitian ini berjudul Perspektif Bourdieu pada Pola Interrelasi pada eksistensi Lengger Lanang Langgeng Sari dalam Pertunjukan Seni di Banyumas bertujuan untuk mengungkap pola interrelasi mendukung eksistensi Lengger Lanang di Banyumas. Penelitian ini adalah penelitian kualitatif deskriptif yang menggunakan teori Bourdieu untuk menganalisis fenomena ini. Hasil dari penelitian ini menunjukkan bahwa arena, modal, habitus, dan lintasan adalah unsur-unsur yang saling terkait yang mendukung eksistensi lengger lanang hingga saat ini. Namun, bidang ini menunjukkan sebagai pemantik munculnya kembali Komunitas Lengger Lanang Langgeng Sari dalam seni pertunjukan Banyumas. Lebih jauh, modal diakui sebagai modal budaya dan simbolik di mana mereka dikelilingi oleh seniman tradisional dan pemerintah yang mendukung mereka. Modal simbolis juga mengarah pada penerimaan masyarakat untuk keunikan. Sementara, habitus adalah keterampilan lengkap setiap anggota di masyarakat yang mengikat mereka dalam harmoni. Akhirnya, lintasan ini didefinisikan sebagai penerimaan lengger sepenuhnya karena Lengger dikaitkan dengan Banyumas pada pekerja seni lainnya di Banyumas ini.Penelitian ini berjudul Perspektif Bourdieu pada Pola Interrelasi pada eksistensi Lengger Lanang Langgeng Sari dalam Pertunjukan Seni di Banyumas bertujuan untuk mengungkap pola interrelasi mendukung eksistensi Lengger Lanang di Banyumas. Penelitian ini adalah penelitian kualitatif deskriptif yang menggunakan teori Bourdieu untuk menganalisis fenomena ini. Hasil dari penelitian ini menunjukkan bahwa arena, modal, habitus, dan lintasan adalah unsur-unsur yang saling terkait yang mendukung eksistensi lengger lanang hingga saat ini. Namun, bidang ini menunjukkan sebagai pemantik munculnya kembali Komunitas Lengger Lanang Langgeng Sari dalam seni pertunjukan Banyumas. Lebih jauh, modal diakui sebagai modal budaya dan simbolik di mana mereka dikelilingi oleh seniman tradisional dan pemerintah yang mendukung mereka. Modal simbolis juga mengarah pada penerimaan masyarakat untuk keunikan. Sementara, habitus adalah keterampilan lengkap setiap anggota di masyarakat yang mengikat mereka dalam harmoni. Akhirnya, lintasan ini didefinisikan sebagai penerimaan lengger sepenuhnya karena Lengger dikaitkan dengan Banyumas pada pekerja seni lainnya di Banyumas ini.
The Deconstruction of Horror Film Formula in Midsommar by Ari Aster (2019) Nabila Hapsari; Lynda Susana Widya Ayu Fatmawaty; Eni Nur Aeni
Allure Journal Vol 3, No 1 (2023): January 2023
Publisher : Universitas PGRI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/allure.v3i1.11982

Abstract

 The research entitled “The Deconstruction of Horror Film Formula in Midsommar by Ari Aster” aims to figure out the deconstruction of the horror film formula in Midsommar in contrast to horror film formula in general by Brigid Cherry. The researcher used a qualitative method to analyze the data. The primary data are taken from Ari Aster’s movie, Midsommar, in the form of cinematic codes such as setting, lighting, sound, and color. In addition, the researcher also used deconstruction theory in literature and cultural elements such as Scandinavian culture to analyze the deconstruction of horror film formulas in Midsommar film. The researcher found four binary oppositions of the horror film formula in Midsommar. The first one is the deconstruction of setting where Midsommar changes the common horror film formula setting of terrifying into peaceful. The second one is the deconstruction of lighting as Midsommar uses bright lighting instead of the common dark one. The third one is the deconstruction of sound as Midsommar uses dramatic sound instead of the common creepy one. Lastly, the deconstruction of color in Midsommar as it uses various colors instead of monotone ones that are commonly used in the horror film. This research illustrated the deconstruction of the horror film formula in the movie Midsommar from Brigid Cherry’s common original formula by reversing the non-dominant elements into becoming the dominant elements 
Co-Authors Condro Nur Alim Eni Nur Aeni I Gusti Wayan Murjana Yasa Imam Suhardi Nabila Hapsari NILA MEGA MARAHAYU Rizki Setyo Nugroho Utami, Shofi Mahmudah Budi