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All Journal MUDRA Jurnal Seni Budaya Panggung Serat Rupa : Journal of Design
Lois Denissa
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Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Fenomena Intertekstualitas Fashion Karnaval di Nusantara Denissa, Lois; Pialang, Yasraf Amir; Widodo, Pribadi; Damayanti Adidsasmito, Nuning Yanti
PANGGUNG Vol 26, No 4 (2016): Orientalisme & Oksidentalisme Sebagai Relasi, Dominasi, dan Batasan dalam Este
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v26i4.214

Abstract

ABSTRACT Rampant fashion Carnival in Nusantara and various other genres triggered by the presence of Jember Fashion Carnaval. Michael Bahtin refer to this phenomenon as intertextuality, namely the de- pendence of the text with other texts, so that the existence of a text is always influenced by previous texts. This intertextuality theory changed the perception of quoting process and bear criticism of the work that emphasizes authenticity and originality. Research using qualitative interpretative approach by analyzing how the developments have affected similar Carnival in other cities and the rise of art genres positive response take part together. Its consistency has been a magnet for photographers, media, photography exhibition, painting, culinary and local creative industries. The formation of Indonesian Carnival Association, incorpora seven provinces in Indonesian Wonderful Archipelago Carnival and Jember Carnival hosted storefront for Nusantara Carnival. The research interpreting that the process of intertextuality is a positive perspective because of its ability to enable similar or different art genres, creating a conducive terrain Carnival. Keywords: Intertextuality, Jember Fashion Carnival, Carnival Terrain     ABSTRAK Merebaknya fashion karnaval di Nusantara dan berbagai genre lain dipicu oleh keberadaan Jember Fashion Carnaval. Michael Bahtin menyebut fenomena ini sebagai intertekstualitas yaitu ketergantungan satu teks dengan teks lain, sehingga keberadaan sebuah teks selalu dipengaruhi oleh teks sebelumnya. Teori intertekstualitas ini mengubah pandangan orang terhadap proses pengutipan karya dan melahirkan kritik terhadap karya yang mengedepankan otentisitas dan orisinalitas. Penelitian menggunakan pendekatan kualitatif interpretastif dengan menganalisis bagaimana perkembangan Jember Fashion Carnaval mempengaruhi merebaknya karnaval seru- pa di kota lain dan bangkitnya respon positif genre-genre seni untuk berkiprah bersama. Kon- sistensinya telah menjadi magnit bagi fotografer, media, pameran fotografi, lukisan, kuliner dan industri kreatif lokal. Terbentuknya Asosiasi Karnaval Indonesia, tergabungnya tujuh propinsi dalam Wonderful Archipelago Carnival Indonesia  dan Jember menjadi tuan rumah etalase karna- val Nusantara. Hasil penelitian ini menginterpretasikan bahwa proses interteks-tualitas kostum pada karnaval merupakan perspektif yang positif karena kemampuannya mengaktifkan genre seni sejenis maupun berbeda sehingga menciptakan medan karnaval yang kondusif. Kata kunci: Intertekstualitas, Jember Fashion Carnaval, Medan Karnaval
Fenomena Intertekstualitas Fashion Karnaval di Nusantara Lois Denissa; Yasraf Amir Pialang; Pribadi Widodo; Nuning Yanti Damayanti Adidsasmito
PANGGUNG Vol 26, No 4 (2016): Orientalisme & Oksidentalisme Sebagai Relasi, Dominasi, dan Batasan dalam Estet
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (795.134 KB) | DOI: 10.26742/panggung.v26i4.214

Abstract

ABSTRACT Rampant fashion Carnival in Nusantara and various other genres triggered by the presence of Jember Fashion Carnaval. Michael Bahtin refer to this phenomenon as intertextuality, namely the de- pendence of the text with other texts, so that the existence of a text is always influenced by previous texts. This intertextuality theory changed the perception of quoting process and bear criticism of the work that emphasizes authenticity and originality. Research using qualitative interpretative approach by analyzing how the developments have affected similar Carnival in other cities and the rise of art genres positive response take part together. Its consistency has been a magnet for photographers, media, photography exhibition, painting, culinary and local creative industries. The formation of Indonesian Carnival Association, incorpora seven provinces in Indonesian Wonderful Archipelago Carnival and Jember Carnival hosted storefront for Nusantara Carnival. The research interpreting that the process of intertextuality is a positive perspective because of its ability to enable similar or different art genres, creating a conducive terrain Carnival. Keywords: Intertextuality, Jember Fashion Carnival, Carnival Terrain     ABSTRAK Merebaknya fashion karnaval di Nusantara dan berbagai genre lain dipicu oleh keberadaan Jember Fashion Carnaval. Michael Bahtin menyebut fenomena ini sebagai intertekstualitas yaitu ketergantungan satu teks dengan teks lain, sehingga keberadaan sebuah teks selalu dipengaruhi oleh teks sebelumnya. Teori intertekstualitas ini mengubah pandangan orang terhadap proses pengutipan karya dan melahirkan kritik terhadap karya yang mengedepankan otentisitas dan orisinalitas. Penelitian menggunakan pendekatan kualitatif interpretastif dengan menganalisis bagaimana perkembangan Jember Fashion Carnaval mempengaruhi merebaknya karnaval seru- pa di kota lain dan bangkitnya respon positif genre-genre seni untuk berkiprah bersama. Kon- sistensinya telah menjadi magnit bagi fotografer, media, pameran fotografi, lukisan, kuliner dan industri kreatif lokal. Terbentuknya Asosiasi Karnaval Indonesia, tergabungnya tujuh propinsi dalam Wonderful Archipelago Carnival Indonesia  dan Jember menjadi tuan rumah etalase karna- val Nusantara. Hasil penelitian ini menginterpretasikan bahwa proses interteks-tualitas kostum pada karnaval merupakan perspektif yang positif karena kemampuannya mengaktifkan genre seni sejenis maupun berbeda sehingga menciptakan medan karnaval yang kondusif. Kata kunci: Intertekstualitas, Jember Fashion Carnaval, Medan Karnaval
KOMPARASI RUANG FISIK GEREJA ST. MARY SINGAPORE DAN RUANG MAYA GEREJA INJILI INDONESIA SETRASARI Lois Denissa
Serat Rupa Journal of Design Vol 4 No 2 (2020): SRJD-JULY
Publisher : Fakultas Seni Rupa dan Desain Universitas Kristen Maranatha

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (674.929 KB) | DOI: 10.28932/srjd.v4i2.1950

Abstract

The church as a worship building is designed in such a way as to be able to fulfill its duties as a building, technical requirements, and forms. Shapes as objects that are seen physically are designed and used to make sense of many things. The next form appears as a text or sign that relates the shape to the meaning. Space as well as form as a whole is a representation of the message conveyed to the public. The Church of St. Mary of the Angel was designed with meaningful signs of religiosity, both as icons, indexes, and symbols starting from the design of the site space to the interior details. On the other hand, the visual signs on the Indonesian Evangelical Church of Setrasari are not shown much, even from its location on the 2nd floor Giant Supermarket on the 1st floor very opposite. This research is important to do to see the relation of object markings in real physical worship buildings and the meaning they represent with other worship buildings with meanings born of non-physical or factual signs. The method in this study uses a comparative qualitative method at the study stage and ethnographic semiotics method at the analysis stage, namely through behavior patterns and in-depth interviews. Physical markings on the Church of St. Mary of the Angel can be read from the site's achievement space to its interior detail. On the other hand, the visual signs on the Indonesian Evangelical Church of Setrasari are not shown much, even its location on the second floor of Setrasari Mall with Giant Supermarket on the first floor is highly irrelevant. Starting from the space of achievement of the site to the form of interior detail does not explain much the relationship of space, form, and meaning. The absence of visual symbolic signs does not mean loss of meaning representation. The value of religiosity was born in cyberspace, presented more through audiovisuals such as the delivery of sermons, congregational praise, choirs, PowerPoint presentations, panel presentations, video clips, musical plays that are live shows rather than visual signs of physical form and space.
Wonderful Archipelago As The Result Of Culture Diaspora Through Carnavals In Indonesia Lois Denissa; Yasraf Amir Piliang; Pribadi Widodo; Nuning Yanti Damayanti Adisasmito
Mudra Jurnal Seni Budaya Vol 31 No 3 (2016): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v31i3.49

Abstract

The Fashion Carnaval, which is a phenomenon in district city of Jember, has been held every July to August since 2003. The existence ofthis event has a positive impact for the peopleliving in Jember. It does not only encourage the creativity of young people, but also improves the social life, economy, culture, politics and tourism of Jember.Jember Fashion Carnaval is in the process of becoming an iconic event of Jember, We knew this event from cross-border communication, mass media and its routine roadshow in the country and abroad, as well as its achievements in various international beauty contests, The successful Jember Fashion Carnaval (JFC) has made the city of Jember more internationally recognized and this has a positive impact on other cities in Indonesia in a way that this motivates those cities to create something interesting about them. The other regions are motivated to discover their local potency and make it in such a way that it can become a similar successful fashion carnaval. Indonesian people have been familiar with such art festival that is held on the streets and a part of ritual. This kind of activity has been a strongly rooted tradition since many years ago until now.Changing an art event into a contemporary performing art in the form ofa fashion carnaval is not something contrary to the culture of Indonesian society. Both have visual similarity and use the streets as their venues. Their purpose is the only difference. The Jember Fashion Carnaval, that has successfully become the icon of the city, has encouraged what is known as Wonderful Archipelago, a carnaval culture diaspora phenomenon, which is easily absorbed, spread and becomes fruitful across the countryKey Words: Culture Diaspora, Jember Fashion Carnaval, Wonderful Archipelago
Co-Authors Nuning Yanti Damayanti Adidsasmito Nuning Yanti Damayanti Adidsasmito, Nuning Yanti Nuning Yanti Damayanti Adisasmito Pribadi Widodo Pribadi Widodo Yasraf Amir Pialang Yasraf Amir Pialang, Yasraf Amir Yasraf Amir Piliang