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All Journal PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Metathesis: Journal of English Language, Literature, and Teaching Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA) Logat: Jurnal Bahasa Indonesia dan Pembelajaran SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Journal of Language and Literature Tamumatra : Jurnal Seni Pertunjukan ABSYARA: Jurnal Pengabdian Pada Masyarakat Mitra Mahajana: Jurnal Pengabdian Masyarakat ADMA: Jurnal Pengabdian dan Pemberdayaan Masyarakat Society: Jurnal Pengabdian Masyarakat JILPI Jurnal Ilmiah Pengabdian dan Inovasi
Riyana Rizki Yuliatin
Universitas Hamzanwadi
Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Mathematics Nursing Physics Public Health Social Sciences Other

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KONTEKSTUALISASI TRADISI Yuliatin, Riyana Rizki; Satrya, Dharma
Logat: Jurnal Bahasa Indonesia dan Pembelajaran Vol 6 No 2 (2019): Logat: Jurnal Bahasa Indonesia dan Pembelajaran
Publisher : Universitas Sriwijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36706/logat.v6i2.88

Abstract

Teater Putih dan Teater Embrio, sama-sama berusaha mengeksplorasi teater kontemporer dengan menjadikan tradisi sebagai sumber penciptaan lakon. Penelitian ini bertujuan untuk mengetahui  estetika Teater Putih dan Teater Embrio melalui  naskah Memaling Anak Umat dan Satu Lawan Satu. Untuk memperoleh kecenderungan estetika garapan Teater Putih dan Teater Embrio, penelitian ini melakukan penelusuran dokumentasi naskah pertunjukan. Pertujukan Memaling Anak Umat dan Satu Lawan Satu merupakan pertunjukan yang masih belum sepenuhnya menerapkan konsep garapan teater kontemporer sepenuhnya. Kedua pertunjukan menjadikan tradisi hanya sebagai konten, sementara bentuk garapan pertunjukannya cenderung dipengaruhi oleh spirit modern, karena memposisikan tradisi sebagai sesuatu yang buruk (pada Memaling Anak Umat) dan perlu dikontekstualisasikan dengan tuntutan kehidupan modern (pada Satu Lawan Satu).
BENTUK DAN FUNGSI PERTUNJUKAN TEATER AMAQ ABIR DI SANGGAR PUSTAKA BUDAYA DESA MARONG KECAMATAN PRAYA TIMUR LOMBOK TENGAH Zuhri, M. Ihsan; Markarma, Muh Ridwan; Yuliatin, Riyana Rizki
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (968.098 KB)

Abstract

This study aims to describe the form and function of Amaq Abir theater performance at the Marong Village Cultural Literature Studio, Praya Timur District, Lombok Tengah. The research was conducted in Nyampe Hamlet, Marong Village, Praya Timur District. The approach used in this study was qualitative descriptive. The object in this study is the Amaq Abir theatre which includes the form and function of the show. From the results of the study found about: 1) the form of the show, which includes elements in theatrical performances namely: theme, plot, characterization, language, messages, and settings. Supporting elements of the show related to the artistic system, namely: stage management, decoration, sound system, lighting, makeup, and fashion. 2) the theater function of Amaq Abir consists of a) function as entertainment, b) function as social criticism, and 3) function as an economic. Keywords: Form of Performance, Function, Amaq Abir Theater
BAHASA PERLAWANAN DAN POLITIK TUBUH DALAM TEORI DRAMA PASCA-KOLONIAL HELEN GILBERT DAN JOANNE TOMPKINS Khurosan, Herpin Nopiandi; Yuliatin, Riyana Rizki
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

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Abstract

This paper is a review and preparation of concepts, ideas and theoris of post-colonial drama in Helen Gilbert andTompkins?s sense. I use ?Post-Colonial Drama: Theory, Practice, Politics? as a main source of their ideas about post-colonial Drama. I limited this paper in theories of canonical counter-discourse, the language of resistance, and body politics in post-colonial context. The result of this reconstruction to their theories is developed to become theoretical and methodological framework which can be used to analyse post-colonial drama in later researches.
ESTETIKA PERTUNJUKAN DRAMA TRADISIONAL CUPAK GURANTANGDI SANGGAR DEWI ANJANI DUSUN KELOTOK DESA WAKAN KECAMATAN JEROWARU KABUPATEN LOMBOK TIMUR- Rahmani, Uhya Ruri Yuapi; Yuliatin, Riyana Rizki; Imtihan, Yuspianal
TAMUMATRA Vol 3, No 2 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v3i2.3735

Abstract

This study aims to describe the aesthetics of the traditional drama performance of Cupak Gurantang in Kelotok Village, Wakan Sanggar Seni Dewi Anjani Village. The approach used in this study is a qualitative method. The aesthetic value in the traditional drama performance of Cupak Gurantang can be seen in terms of form, content and appearance. The form of the traditional drama drama Cupak Gurantang appears in aspects that support the performance which consists of forming elements such as, theme, setting / setting, plot, language, character and characterization, mandate, and supporting elements such as, stage layout, make up and fashion, lighting or lighting, and sound system. The component  form  of  the  performance  gives a  dynamic  impression  so  that  the message to be conveyed is received by the audience. The contents of the show can be  seen  from  the ideas or  ideas that  come  from the theme  of the  story,  the atmosphere that is displayed, and the message that contains human values that can be an example for social life. Appearances are seen from the talents and skills of the traditional drama drama Cupak Gurantang.
Kajian Gerak dalam Pertunjukan Tari Barapan Kebo di Sanggar Sareng Nyer Kabupaten Sumbawa Barat Saputra, Herdyon; Yuliatin, Riyana Rizki; Kailani, Ashwan
TAMUMATRA Vol 3, No 1 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v3i1.3027

Abstract

This study aims to describe the form of performances and movement of Barapan Kebo Dance in Sanggar Sareng Nyer, Sumbawa Barat Regency. This study uses the theory of performing arts Y.Sumandiyo Hadi (2018: 5) that the performing arts are always associated with aspects of time, space, and the player, the theory of motion dance Robby Hidajat (2018: 81) that the motion of the dance is a process of moving from one posture to the attitude of the other. The study was conducted at Sanggar Sareng Nyer, Sumbawa Barat Regency. This study was a qualitative method. The Primary data sources were Barapan Kebo dance performances and secondary data sources in the form of documents, photos, recordings, videos and others that can enrich primary data. The techniques of data collection were 1) observation, 2) interviews, 3) documentation. The data analysis techniques were used by 1) data reduction, 2) data presentation, and 3) data inference. Meanwhile, to check the validity of the data was done by using the data triangulation technique. The results showed that the form of seven stages of the Barapan Kebo dance performance and dance movements that used several typical Sumbawa Barat movements, the movements in the Barapan Kebo Dance include ngomek ngompeng, bagerik, barue’, marenjang, kaliung luntar, ngijik, bejampi, basalunte, and bakeja. There was a division of meaningful and pure movements, meaningful movements including bejampi, basalunte, ngomek ngompeng, and ngijik. Meanwhile, pure motion includes marenjang, kaliung luntar, bagerik, barue', and bakeja.
Koreografi Tari Kreasi Bala Anjani Nahdlatuzzainiyah, Nahdlatuzzainiyah; Yuliatin, Riyana Rizki; Imtihan, Yuspianal; Murcahyanto, Hary
TAMUMATRA Vol 4, No 1 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v4i1.4337

Abstract

This study aims to describe choreography analysis, namely the form of motion, motion techniques and dance style created by Bala Anjani Sanggar Tunggal Galih Denggen Village, Selong District, Lombok Timur Regency. This type of research is descriptive qualitative using analysis of motion forms, motion techniques and motion styles. Data collection techniques in this study use observation techniques, interviews, and documentation. Data validity techniques use triangulation techniques. The results of the analysis of dance choreography created by Bala Anjani obtained that; The form of motion in The Creation of Bala Anjani dance has the Unity Principle of 6 forms of motion which each has elements of space, energy elements and elements of time vary, The principle of variation consisting of variations of movement, tempo of music and floor patterns, Principle of Repetition in each motion is characterized by a different duration of time, the Principle of Displacement is carried out by a pause of movement of one to two seconds to the next movement, the Climax Principle is performed at a fast tempo on the last movement. In Motion Engineering does not have a medium technique but has a complete and different instrument technique on each movement. While in the Style of Motion consists of bejonjong motion that is raised at a high level, Ngampeh motion is flicking with downward and upward movements followed by varied footsteps and ngampet motion that is peeling with fast movements. The conclusion of this study is 1) the form of motion analyzed from the principle of unity between the space forces of time, the principle of variation, the principle of repetition, the principle of displacement and climax; 2) motion techniques are analyzed from; Medium technique and instrument technique 3) motion style consists of Bejonjong motion, Ngampeh motion and Ngampet motion
Bentuk dan Fungsi Pertunjukan Teater Amaq Abir di Sanggar Pustaka Budaya Desa Marong Zuhri, M. Ihsan; Markarma, Muh Ridwan; Yuliatin, Riyana Rizki
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1128

Abstract

This study aims to describe the form and function of Amaq Abir theater performance at the Marong Village Cultural Literature Studio, Praya Timur District, Lombok Tengah. The research was conducted in Nyampe Hamlet, Marong Village, Praya Timur District. The approach used in this study was qualitative descriptive. The object in this study is the Amaq Abir theatre which includes the form and function of the show. From the results of the study found about: 1) the form of the show, which includes elements in theatrical performances namely: theme, plot, characterization, language, messages, and settings. Supporting elements of the show related to the artistic system, namely: stage management, decoration, sound system, lighting, makeup, and fashion. 2) the theater function of Amaq Abir consists of a) function as entertainment, b) function as social criticism, and 3) function as an economic.  
MENILIK MAKNA SEMIOTIKA GERAK TARI BAT KOKO DALAM MUSIK CIMOL Muttaqin, Zainul; Hardianti, Wiwin; Yuliatin, Riyana Rizki
TAMUMATRA Vol 3, No 2 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v3i2.3381

Abstract

Penelitian ini bertujuan untuk mengetahui makna semiotika gerak tari Bat Koko pada musik Cimol di Sanggar Cupu Mas, Dusun Ramban Biak, Desa Lenek, Kabupaten Lombok Timur. Jenis penelitian ini deskriptif kualitatif. Metode yang digunakan yaitu simak catat dengan teknik pengumpulan data secara triangulasi. Penggunakan teori gerak tari dan teori Semiotika Charles Shander Pierce untuk mengulas makna gerak pada Tari Bat Koko. Hasil penelitian ini menunjukkan bahwa makna yang ditimukan dalam gerak Tari  Bat Koko secara qualisign terdapat dalam gerak rembaq ures, teleq gendang, tarian gendang dan surut udang. Makna secara sinsign terdapat dalam gerak rembaq ures, teleq gendang, tarian gendang dan surut udang, sedangkan makna secara legisign terdapat dalam gerak tarian gendang dan surut udang.Kata Kunci: Gerak Tari; Makna Semiotika; Tari Bat Koko
Bahasa Perlawanan dan Politik Tubuh dalam Teori Drama Pasca-Kolonial Helen Gilbert dan Joanne Tompkins Khurosan, Herpin Nopiandi; Yuliatin, Riyana Rizki
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i2.2294

Abstract

This paper is a review and preparation of concepts, ideas and theoris of post-colonial drama in Helen Gilbert andTompkins’s sense. I use “Post-Colonial Drama: Theory, Practice, Politics” as a main source of their ideas about post-colonial Drama. I limited this paper in theories of canonical counter-discourse, the language of resistance, and body politics in post-colonial context. The result of this reconstruction to their theories is developed to become theoretical and methodological framework which can be used to analyse post-colonial drama in later researches.
Drama in Enhancing Motivation of Non-English Department Students: Computer Science Students Puspita Dewi; Riyana Rizki Yuliatin; Hilda Hastuti; Abdul Muhid
Metathesis: Journal of English Language, Literature, and Teaching Vol 4, No 2 (2020): Metathesis : Journal of English Language, Literature, and Teaching
Publisher : English Education Study Program, Faculty of Education and Teachers Training, Tidar Univer

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/metathesis.v4i2.2279

Abstract

Teaching English for the non-English Department has a huge challenge. Most of the students are in low motivation to learn a foreign language including English because they are more interested in their main subject than the supported subject. They assumed that English is difficult and complicated so that they have a low desire to learn the subject. It affects their competences and performances, therefore another creative method is crucial to be implemented in the classroom. One of the solutions is creating a fun learning of English final project. This research aims to identify whether drama can build their motivation and interest to speak and learn English. Drama can be performed by the students in groups and create stories based on their creativity. The research method used is qualitative by interviewing some of the students and the quantitative research methods by distributing a questionnaire. The research results show that most of the students stated that learning English through drama has a positive effect on their motivation, it is more than 45% of the students agree that drama encourages them to learn English. It is expected that drama can be implemented in the classroom to enhance students’ motivation in the first semester of the year.
Co-Authors Abdul Muhid Apriwulan Adhari Ashwan Kailani Baiq Desi Dwi Arianti Dewi, Puspita Dharma Satya HD Erli Mita Rosani Erwin - Suhendra Fatimatuzzahra Fatimatuzzahra Hardianti, Wiwin Hary Murcahyanto Helna Wardhana Herpin Nopiandi Khurosan Hidriana Sulastri Mahyumi Hilda Hastuti Isra Dewi Kuntary Ibrahim Khirjan Nahdi Lalu Mas’ud Latif, Kurniadin Abd Liana Mustaip Moh. Irfan Mudarman Muh. Ridwan Markarma Muhammad Eka Putra Ramandha Nahdlatuzzainiyah, Nahdlatuzzainiyah Ni Gusti Ayu Dasriani Nur Aetin Mahi Sofiana Nurul Hidayah Puspita Dewi Raden Bagus Faizal Irany Sidharta Rahadi, Irwan Rahmani, Uhya Ruri Yuapi Ramdhani, Sandy Ridwan, Ridwan Roni Amrulloh Saputra, Herdyon Satrya HD, Dharma Sirojul Hadi Tomi Tri Sujaka Ummi Risti Ayuni Rahman Wahyu Kamil Syarifaturrahman Wiya Suktiningsih Yul Alfian Hadi . Yuspianal Imtihan Zainul Muttaqin Zuhri, M. Ihsan Zuhri, M. Ihsan