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All Journal Jurnal Sendratasik TINGKAP Dinamisia: Jurnal Pengabdian Kepada Masyarakat JURNAL PENDIDIKAN TAMBUSAI International Journal of Elementary Education Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Jurnal Mahasiswa Kreatif

Afifah Asriati

Universitas Negeri Padang

Author-ID : 2728057

Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Public Health Social Sciences Other

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Gaya Tari dalam Konteks Nilai Budaya: Studi Kasus Tari Piriang Sulueh Minangkabau Asriati, Afifah -
TINGKAP Vol 9, No 1 (2013): TINGKAP, Tema: POLITIK DAN BUDAYA
Publisher : Fakultas Ilmu Sosial Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (403.478 KB)

The purpose of this article is to reveal the dance style of Tari Piriang Sulueh in contextual terms or correlation between Tari Piriang Sulueh dance with the underlying cultural values. Specifically, it aims to reveal the cultural values that expressed in (1) dancer, (2) motion, (3) property, (4) floor pattern, (5) fashion, (6) accompaniment and (7) the venue, as the contextual style had owned by Suluah Nagari Pariangan dance. To achieve this goal, there had been used qualitative antropological approach to observe the dance and to explore its culture through literature, other research findings, and interviewing the dance stakeholders. The result of this study shows that this Tari Piriang Sulueh dance is heavy with their daily and heredity cultural values. Kata Kunci: Gaya Tari, Nilai Budaya, Tari Piriang Sulueh

BIOGRAFI MADALI SYA’BAN SEBAGAI TOKOH TARI DI BENGKULU SELATAN Cindhy Pospita Wati; Afifah Asriati; Nerosti Nerosti
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract The research was distributed by Madali Sha'baan as a dance that already work in introducing dance from South Bengkulu. This research aims to disclose and describe the biography in the course of artistic activity as a dance of Sha'baan Madali in South Bengkulu. This type of research is qualitative research with a diakronis approach and method of history (historical). The object of the study is as a character through Madali dance in South Bengkulu. The research instrument was its own researchers and supporting instruments such as assisted with photo camera, digital camera, stationery and audio conversation tool. The type of data in this study is the primary data and secondary data. Engineering data collection done by the study of librarianship, observation/observation, interview and documentation. Processing of data is carried out by means of an interactive analysis. The results showed that the character is a choreographer of Sha'baan Madali acknowledged. Its action in the archives starting from 1994 to the present and has earned an award from the Government of the province of Bengkulu as choreographed dance in 2008. He was born by the family of the artist's background, but with his creativity he is capable of working in the world of dance in South Bengkulu. Dance works that are already created by Madali Sha'baan can be distinguished into two forms of paper, namely: (1) traditional dance. (2) Dance creations. Works on motion of Sha'baan Madali tradition Dance Andun and based on the phenomena of society South Bengkulu. With both categories works Madali Sha'baan have managed to introduce the arts of the South Sumatra especially the art of dance to the public. Keywords: biography, Madali Shya'ban, Character Dance

BIOGRAFI MADALI SYA’BAN SEBAGAI TOKOH TARI DI BENGKULU SELATAN Cindhy Pospita Wati; Afifah Asriati; Nerosti Nerosti
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThe research was distributed by Madali Sha'baan as a dance that already work in introducing dance from South Bengkulu. This research aims to disclose and describe the biography in the course of artistic activity as a dance of Sha'baan Madali in South Bengkulu. This type of research is qualitative research with a diakronis approach and method of history (historical). The object of the study is as a character through Madali dance in South Bengkulu. The research instrument was its own researchers and supporting instruments such as assisted with photo camera, digital camera, stationery and audio conversation tool. The type of data in this study is the primary data and secondary data. Engineering data collection done by the study of librarianship, observation/observation, interview and documentation. Processing of data is carried out by means of an interactive analysis. The results showed that the character is a choreographer of Sha'baan Madali acknowledged. Its action in the archives starting from 1994 to the present and has earned an award from the Government of the province of Bengkulu as choreographed dance in 2008. He was born by the family of the artist's background, but with his creativity he is capable of working in the world of dance in South Bengkulu. Dance works that are already created by Madali Sha'baan can be distinguished into two forms of paper, namely: (1) traditional dance. (2) Dance creations. Works on motion of Sha'baan Madali tradition Dance Andun and based on the phenomena of society South Bengkulu. With both categories works Madali Sha'baan have managed to introduce the arts of the South Sumatra especially the art of dance to the public.Keywords: biography, Madali Shya'ban, Character Dance

TINJAUAN KOREOGRAFI TARI MANGKIK SATAIH DI DINAS KEBUDAYAAN DAN PARIWISATA KOTA SUNGAI PENUH PROVINDI JAMBI Lara Sintia; Herlinda Mansyur; Afifah Asriati
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis article aimed to describe and explain the choreography of Mangkik Staih Dance in Sungai Penuh Tourism Culture Office, Jambi Province. The type of this research was qualitative using descriptive method. The object of this research was Mangkik Staih dance. The techniques of data collection were literature study, observation, interviews, and documentation. The techniques of data analysis were conducted by selecting the data that were considered important, compiling the selected data, analyzing the data with interpretation techniques. The results of this study indicated that the Mangkik Staih dance was a creation dance which was the development of the Asik dance which functioned as entertainment. the choreography of Mangkik Staih dance was in the form of a large group dance, the musical instruments used were tambourine, keyboard, car, bass, drum, costume that were used by Kerinci Traditional, Plate Property, Small Bowls Contain Seven Variety Flowers, Large Bowls Contain Rice and Sirih, Light Torch from Coconut, Bamboo, Broken Dishes, Stoves and Cauldrons. Keywords: Assessment, Choreographer, Staih Mangkung Dance

PERKEMBANGAN INDANG SUNGAI TAREH NAGARI BALAH AIE UTARA KECAMATAN VII KOTO KABUPATEN PADANG PARIAMAN Mastajabul Hakum; Darmawati Darmawati; Afifah Asriati
SENDRATASIK UNP Vol 7, No 4 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v6i2.102760

AbstractThis article aims to describe on the development of Dance in Indang Tareh River Nagari Balah Aie North Sub-district VII Koto Padang Pariaman. This study aims to describe the development of Indang Dance in Sungai Tareh Nagari Balah Aie Utara VII Koto Sub District Padang Pariaman District. This research was a qualitative research with descriptive analysis method. The object of this research was the development of Indang Jorong Sungai Tareh Nagari Balah Aie Utara VII Koto Sub District Padang Pariaman District. The instruments of this research were the researcher selves and researcher was assisted by supporting instruments such as notebooks, pens, voice recorders and camera. Techniques of data collection were done by way of literature study, observation, interview and documentation. Techniques of data analysis were done by step of grouping, analyzing, and describing the data. The results showed that Indang dance of Sungai Tareh is a traditional art in Nagari Balah Aie Utara District VII Koto Padang Pariaman District. Indang dance of Sungai Tareh is used as entertainment at traditional ceremonies, entertainment at weddings and other entertainment. The Sungai Tareh Indang dance is served in the form of tigo sandiang at alek nagari and solo performance at the wedding party. In Indang dance of Sungai Tareh uses internal and external music. Numbers of dancers are 13 dancers and 1 person is tukang dikie. Costumes used are guntiang cino costume, kain sarung, and deta. Quantitatively, Sungai Tareh Indang dance has undergone the development and has been performed in the neighbouring area such as Pekanbaru, sawah lunto, bawan pasaman, and experiencing the development of usability from as a broadcaster of Islam and Alek nagari to the wedding party.Key words: Development, Indang River Tareh

Studi Hasil Belajar Tari Siswa Antara Menggunakan Metode Cooperative Learning Tipe Think-Pair-Share Dengan Metode Konvensional Di SMA 2 Kelas XI IPS Sijunjung Rara Vidi Ayu; Yuliasma Yuliasma; Afifah Asriati
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

This article aimed to describe the differences and observe the learning outcomes of students in dance subjects using conventional methods with the Cooperative Learning type Think-Pair-Share. The type of this research was experimental research. The population in this reserach were all students of class XI IPS SMA 2 Sijunjung. The method of sampling used random sampling techniques with selected classes based on the same average, namely XI IPS 3 and XI IPS 2. The types of data in this research were primary and secondary data. The research instrument was a test. Data collection techniques were carried out by observation, and tests. The techniques of data analysis were done by the steps of normality test, homogeneity test and hypothesis test. The results of the research showed that there were differences in students’ learning outcomes of dance in class XI IPS 3 (experiment) with the average 84.45 using the cooperative learning method think-pair-share type with the results of learning dance as well as in class XI IPS 2 (control) with an average grade of 80.12 using conventional learning methods. The improvement of students’ learning outcomes in class XI IPS 3 (experiment) and in class XI IPS 2 (control) using cooperative learning methods think-pair-share type with conventional learning methods that were strengthened by testing obtained a significance value of 0,000 (0.003 <0, 05) means that there were significant differences in the students learning outcomes of dance arts using the cooperative learning method think-pair-share type with the students’ learning outcomes of dance arts using conventional learning methods. This was supported by the value of tcount> t table (3.275> 2,0002) with dk= 60 (n1 + n2-2 = 31 + 31-2). Thus, it can be concluded that the proposed hypothesis H0 is accepted and the proposed H1 is rejected.

BENTUK PENYAJIAN TARI PUTRI BERHIAS DI KOTA LUBUKLINGGAU Fadhilah Amalia Hasanah; Herlinda Mansyur; Afifah Asriati
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis article aims to describe the performance of Putri Berhias dance in Lubuk linggau city, since Putri Berhias dance is a traditional dance which has not been researched as well as its documentation data. With the presence of documentation of Putri Berhias dance into a form of writing, it is expected that the dance still preserved as cultural identity and the identity of Lubuk linggau city. Data obtained from the results of documents study, observation, interview and documentation. In this study, the researcher used triangulation to valid the data, that was a kind of technique which utilized something else.The research showed that the performance of Putri Berhias dance in Lubuklinggau city was in the form of purely representational. Its form included elements or main element and supporting dance. Those elements were the motions of Putri Berhiasdance which consists of thirteen kinds of motion maknawi. The design of the floor with pattern of horizontal, vertical and diagonal lines. Music design composed of traditional instruments, accordion, Melayu drums, rebana, and tambourine. Make up used is beautiful. Costumes worn were baju kurung, songket limas, and kebo munggah necklace, kembang murai , kano bracelet, lotus, earrings, gandik pilis, pending, and cempako. Putri Berhias dance used selendang as property. It could be performed on the proscenium stage and open areas.Key words: Dance performance, Putri Berhias

Perkembangan Tari Piriang Di Kanagarian Pandai Sikek Kecamatan X Kotokabupaten Tanah Datar Nofri Hidayat; Afifah Asriati
SENDRATASIK UNP Vol 9, No 4 (2020)
Publisher : FBS Universitas Negeri Padang

This study belongs to a qualitative research using a descriptive analysis method. The object of this research was the Piriang dance in PandaiSikek village, X Koto district, TanahDatar regency. The research instrument was the researcher itself and was assisted by stationeries, a photo camera, a handy cam, and aflash drive. The data were collected through literature study, observation, interview, and documentation. The data analysis was done by collecting the data, grouping the data, analyzing the data, interpreting the data, and reporting the results of the research. The results of this study show that the Piriang dance in PandaiSikek village, X Koto district, Tanah Datarregency, has two aspects of development: quantitative and qualitative aspects. Quantitative development is found in the number of actors who have increased from generation to generation. Judging from the area of its use, apart from PandaiSikek, it is also performed inKacang village. Meanwhile, its functions and uses have developed. In thebeginning, it was only danced in the harvest time. Today,it is performed in various events such as wedding ceremonies, circumcisions, Khatam Qur’an (sealing the Koran), and other events. Meanwhile, qualitatively there is a development in movement and costume.

Biografi Syofyani Yusaf Maestro Seni Tari Minangkabau Di Padang Devina Utami; Herlinda Mansyur; Afifah Asriati
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

This research aims to disclose and describe the biography Syofyani Yusaf Maestro Minangkabau dance art in the field. This type of research is qualitative research using descriptive method. The instrument of this research the researcher himself, and assisted with the supporting instruments such as stationery, photo cameras and audio conversation tool. The type of data in this study is the primary data and secondary data. Engineering data collection done by the study of librarianship, observation/observation, interview and documentation. And the data were analyzed with data reduction steps, the data model (data display) and withdrawal/verification conclusion. The results showed that Syofyani Yusaf was choreographed dance in the Minangkabau region of national and international scale through the karya–karyanya. The success of Yusaf Syofyani seen from the number of achievements – achievements by Yusaf Syofyani including the title Minangkabau Dance Maestro of the President of Republic of Indonesia. From the hands of Syofyani was born the students who come from within the country and abroad. Sanggar Syofyani has dozens of times in the legislation to foreign countries to do dance attractions. The dedication and devotion of Syofyani has been demonstrated with dozens of awards ranging from College, Ministry of tourism, the President of the Republic of Indonesia to the organizers of International Events. Hopes of a Syofyani Yusaf was so that people know how to dance khasan region of West Sumatra (Minangkabau), not just see but when hearing the public knowing that it was the Minangkabau dance performances.Biography; Syofyani Yusaf; Minangkabau; Dance Art Maestro

Analisis Struktur Gerak Tari Zapin Siak Di Kecamatan Siak Kabupaten Siak Provinsi Riau Tiya Melinda; Afifah Asriati
SENDRATASIK UNP Vol 9, No 2 (2020)
Publisher : FBS Universitas Negeri Padang

Zapin Siak dance is a traditional Malay dance which has been cultured, lived, and developed in line with human life from time to time. Zapin Siak dance is danced by two male dancers taking parallel position in a form of motion which generally uses a lot of. This is a qualitative research using a content analysis method, known as content analysis. The object of research was Zapin Siak Dance in Kampung Dalam Subdistrict, Siak District, Siak Regency, Riau Province. The data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The research instrument used was the researcher itself and was assisted by writing instruments, cameras, and flash drives. The data analysis was done by describing and interpreting various movements of the Zapin Siak dance. It refers to the elements of motion: the head, body, hands, and The results show that the movement structure of Zapin Siak Dance in Siak District, Siak Regency, Riau Province, consists of 22 kinem elements, 22 morphokinem elements, 7 motif elements, and one overall dance form, namely Zapin Siak dance. Zapin Siak dance has a syntagmatic relationsip between the motif level and a paradigmatic relationship in overall dance.

Co-Authors Beta Santria Sholehah Cindhy Pospita Wati Darmawati Darmawati Dasman Lanin Desfiarni Desfiarni Devina Utami Dwi Finna Syolendra Eza Afrilia Fadhilah Amalia Hasanah Febby Armila Fuji Astuti Herlinda Mansyur Indrayuda Indrayuda Intan Kumala Sari Lara Sintia Lativa Andriani Ledy Sintia Lince Magriasti Mastajabul Hakum Muhammad Nasrullah Nerosti Nickse Dwi Setya Primadona Nofri Hidayat Okta Piana Putri Putri Yunengsih Rahmat Adriyanto Rara Vidi Ayu Reza Septiana Riri Fadri Azhari Riska Mulia Risna Rilantia Saputra, Boni Sari Puspa Utami Silviana Silviana Sri Indah Suci Amalia Susmiarti Tiya Melinda Ukhtiyana Ilhami Sahlan Viola Julia Yuliasma Yuliasma

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