Imron Wakhid Harits
University of Palacky Olomouc, Czech Republic

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MYTHS IN EDGAR ALLAN POE’S “THE RAVEN” Harits, Imron Wakhid; Sari, Ulfah Rizkyanita
Language Circle: Journal of Language and Literature Vol 10, No 2 (2016): April 2016
Publisher : Faculty of Languages ​​and Arts, State University of Semarang

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Abstract

This study is aimed to describe myths which appear in Edgar Allan Poe‘s ―The Raven‖ and to figure out the way that is used by Edgar Allan Poe to show the myths in the poem and convey the meaning of the poem itself. Archetype theory from Canadian critic Northrop Frye is used in this study in order to analyze the myths in ―The Raven‖ poem. Furthermore, to clarify the myths in the poem itself, this study uses a qualitative research as a method to collect, select, code, and analyze the data. In the research finding ―The Raven‖ poem by Edgar Allan Poe contains three types of archetype imagery, they are apocalyptic, demonic, and analogical imagery (analogy of innocence and analogy of experience). This poem also contains the four types of cyclical symbolism of archetype, they are divine world, human world, animal world, and mineral world. It is also found that this poem has a structure of sparagmos due to the dark myth and the confusion world that cover the theme of poem. Finally, this poem is divided into six phases of winter which is related to the literary genre of irony and satire that explain more about the sorrowfulness of the author, Edgar Allan Poe because his lover, Lenore leaves him.
MYTHS IN EDGAR ALLAN POE’S “THE RAVEN” Harits, Imron Wakhid; Sari, Ulfah Rizkyanita
Language Circle: Journal of Language and Literature Vol 10, No 2 (2016): April 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v10i2.5619

Abstract

This study is aimed to describe myths which appear in Edgar Allan Poe‘s ―The Raven‖ and to figure out the way that is used by Edgar Allan Poe to show the myths in the poem and convey the meaning of the poem itself. Archetype theory from Canadian critic Northrop Frye is used in this study in order to analyze the myths in ―The Raven‖ poem. Furthermore, to clarify the myths in the poem itself, this study uses a qualitative research as a method to collect, select, code, and analyze the data. In the research finding ―The Raven‖ poem by Edgar Allan Poe contains three types of archetype imagery, they are apocalyptic, demonic, and analogical imagery (analogy of innocence and analogy of experience). This poem also contains the four types of cyclical symbolism of archetype, they are divine world, human world, animal world, and mineral world. It is also found that this poem has a structure of sparagmos due to the dark myth and the confusion world that cover the theme of poem. Finally, this poem is divided into six phases of winter which is related to the literary genre of irony and satire that explain more about the sorrowfulness of the author, Edgar Allan Poe because his lover, Lenore leaves him.
THE SOCIAL POSITION AND TYPOLOGY OF MADURESE WOMEN IN MADURA FOLKTALES Harits, Imron Wakhid
ATAVISME Vol 14, No 2 (2011): ATAVISME, Edisi Desember 2011
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (226.821 KB) | DOI: 10.24257/atavisme.v14i2.68.194-203

Abstract

Abstract: The aim of this study is to observe the woman position in the social life in Madura and observes the typology of Madurese women on three Madura folktales, i.e. Aer Mata Ebu, The Origin of Madura, and Aryo Menak and His Wife. To analyze the social position and typology of women, this study uses the Cixous?s theory of feminism. Qualitative method with ethnography aprroach is used to do this research. These three folktales have similarities, because all of these three folktales tell about the struggle, tough, firmness, sincere of Madurese women. Thus, by analyzing these folktales, the women social position in Madura can be observed. The women are considered as the holy creature that must be appreciated. From the analysis, several typologies of Madurese woman reflected in the folktales can also be identified, i.e. sincere, firmness, tough, religious, and sufism. Abstrak: Makalah ini bertujuan mengobservasi posisi wanita dalam kehidupan sosial masyarakat Madura dan meneliti tipologi wanita?wanita Madura pada tiga cerita rakyat Madura, yaitu Aer Mata Ebu, Asal?Usul Pulau Madura, dan Aryo Menak dan Istrinya. Untuk menganalisis posisi sosial dan tipologi wanita digunakan teori feminisnya Cixous. Untuk mengungkap aspek-aspek sosial yang mempengaruhi cerita rakyat tersebut digunakan metode kualitatif dengan pendekatan etnografi. Ketiga cerita rakyat ini memiliki banyak kesamaan karena ketiganya menggambarkan perjuangan, keuletan, ketabahan, dan ketulusan wanita? wanita Madura. Dengan demikian, dengan menganalisis cerita?cerita rakyat ini, dapat diamati posisi sosial wanita?wanita Madura. Para wanita diposisikan sebagai makhluk suci dan terhormat. Berdasarkan analisis tersebut juga ditemukan tipologi wanita-wanita Madura yang tercermin dalam cerita rakyat tersebut, yaitu tulus, tabah, ulet, agamis, dan sufi. Kata-Kata Kunci: feminisme, cerita?cerita rakyat Madura, tipologi