Grace Hartanti
Alumni of BINUS BUSINESS SCHOOL, BINUS UNIVERSITY, JWC Campus, Jl. Hang Lekir I No. 6, Kebayoran Baru, South Jakarta 12120

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Pendokumentasian Aplikasi Ragam Hias Toraja sebagai Konservasi Budaya Bangsa pada Perancangan Interior Nediari, Amarena; Hartanti, Grace
Humaniora Vol 5, No 2 (2014): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v5i2.3271

Abstract

Various ornaments of Indonesia come from ethnic groups from all over the archipelago. As a tangible culture, ornament has specific purpose and does not change throughout the ages. Tana Toraja is one ethnic group in the archipelago that has beautiful decorative art and one of the most popular tourism destinations in Indonesia. Toraja’s ornament generally is seen as decorative carving on the column of Tongkonan (Toraja traditional house), window, or even in barn doors. The beauty of Tana Toraja is not only as an inspiration for its colors and sculptures but also the variety of forms that has been simplified in the ornament. Moreover, the geometric forms are easy to apply as interior element in modern buildings. Generally, the value of these ornaments has a specific purpose related to the cultural and social custom of the Toraja people. Hence, the application needs to consider about the purpose of the symbol of the ornament. 
Aplikasi Kaca pada Perancangan Desain Interior dan Arsitektur Hartanti, Grace; Setiawan, Budi
Humaniora Vol 5, No 2 (2014): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v5i2.3131

Abstract

Glass is a clear and see-through material that comes from SiO2, which is a form of sands heated to 2000oC until they are melted. Glass has its own characteristics, such as: hard, transparent, clear, and fragile. The use of glass can be applied in a wide range of building elements, for example: roofing, walling, flooring, window and door, even staircase elements. By this wide range of utilities, this material could be very useful in design process. It can provide a wider view for small room with a lot of partitions or wall. It is because this material allows the light passing trough the material. That’s why people are able to see what’s behind the glass and eyes can see-through although the glass wall is limited by the glass. Hopefully, the research about diversity of glasses will be useful for designer, architect, and community in interior design and architecture world. 
Keberadaan Material Bambu sebagai Subtitusi Material Kayu pada Penerapan Desain Interior dan Arsitektur Hartanti, Grace
Humaniora Vol 1, No 1 (2010): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v1i1.2143

Abstract

Wood is a building material that is frequently used as the main component in interior design and architecture. But, the use of wood is declining today and it is replaced by bamboo. Now, wood material is difficult to find and this condition causes high price in market. Article presents the availability of bamboo that has been known by our society because of its benefit. They use bamboo to meet their everyday life, such as clothes, food, and house needs. Bamboo is also used for the development of interior design as well as architecture , especially in Indonesia.
Penerapan Material Bahan Bangunan dan Konsep Pemaknaan pada Gereja Puh Sarang sebagai Warisan Budaya Indonesia Hartanti, Grace
Humaniora Vol 2, No 2 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i2.3142

Abstract

Puh Sarang Church which located at Kediri, East Java, Indonesia, who?s made by Henri Maclaine Pont, give an illustrated of case study, how the Church developed with a good and great idea from the Architect which his effort to revitalized a local mind (intelligence) and then to transformed in a new form (modern form), but it is still hold on a local paradigm. The Puh Sarang Church in Kediri is different with any church form that build in Java (in that time) which some Church architecture and interior design a propose from Europe. Besides make use of local potency, Puh Sarang Church shown the impression of a sustainable product, because all of the transformation which Henri Maclaine Pont has already happens, he still use the natural paradigm became prime element for the design and the development. The aim of this paper is want to show if the architectural and interior design?s product done with use local paradigm in the concept, design, and carried by material, new technology is effort revitalization and transformation architecture and interior design as a holistic and comprehensive thinking. 
Pencahayaan Buatan pada Pendekatan Teknis dan Estetis untuk Bangunan dan Ruang Dalam Setiawan, Budi; Hartanti, Grace
Humaniora Vol 5, No 2 (2014): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v5i2.3265

Abstract

Lights are essential for humans and other living creatures. Without lights or lighting, surely it will be hard to do everything, especially in the afternoon or at night. As the development of civilization and technology, humans created artificial lighting. For the first time, it was only a substitute for natural light from the sun. Artificial light was provided from the fire; then research and development of the light bulb were conducted by Alessandro Volta, Sir Humphry Davy, Warren De La Rue, to Thomas Alva Edison. After the natural lights from the sun can be replaced by artificial lighting from the lamp, the development of lighting is getting much complex ranging from technical to psychological things. This relates to the increasing human activity in the room. The diversity of different activity requires different types of lighting methods. The development results not only about technical and psychological problems but also aesthetic elements. 
Pendokumentasian Aplikasi Ragam Hias Budaya Bali, Sebagai Upaya Konservasi Budaya Bangsa Khususnya pada Perancangan Interior Hartanti, Grace; Nediari, Amarena
Humaniora Vol 5, No 1 (2014): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v5i1.3079

Abstract

Various ornament of Indonesian people comes from the ethnic groups from all over the archipelago. As a tangible cultural ornament has a specific purpose and it does not change throughout the ages. Bali is one of the ethnic group in archipelago that has beautiful decorative art and one of the most popular tourism destination in Indonesia. Bali?s ornament generally seen as decorative carving on the column, window or even in door. The beauty of Bali is not only as an inspiration for their colors and sculpture but also the variety of forms that have been simplified in the ornament. Moreover, floral & fauna forms are easy to apply as an interior element in modern buildings. Generally the value of these ornament has a specific purpose related to the cultural and social custom in Bali people. So that the application need to consider more about the purpose of the symbol of the ornament. 
Tenun Dan Penerapannya pada Desain Interior sebagai Warisan Budaya yang Memiliki Nilai Jual yang Tinggi Hartanti, Grace
Humaniora Vol 2, No 1 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i1.3070

Abstract

Weaving is one of the traditional fabric cultural arts of Indonesia produced in various regions across the archipelago (Sumatra, Kalimantan, Bali, Sulawesi, Lombok, Sumbawa, etc.). Weaving has a significance, historical value, and high technique both in terms of colors, patterns, materials and type of yarn used and each region has the characteristics of each. Weaving as one of high cultural heritage (Heritage) is the pride of Indonesia which may reflect national identity. Therefore, weaving both in terms of production engineering, design and the resulting product should be maintained and preserved its existence, and promoted for reuse. One of them in the world of interior design can be used as an aesthetic element to promote local cultural elements (local content) of Indonesia. 
Pendokumentasian Aplikasi Ragam Hias Budaya Betawi pada Desain Interior Ruang Publik Café Betawi Nediari, Amarena; Hartanti, Grace
Humaniora Vol 6, No 3 (2015): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v6i3.3363

Abstract

Various ornaments of Indonesia come from the ethnic groups from all over the archipelago. Ornament is a tangible culture which has specific meaning and purposes. Its meaning does not change throughout the ages. Betawi culture has become cultural roots for most people in Jakarta which also as the capital city of Indonesia. Betawi culture is seen in a wide variety of dance, batik, decorative ornaments, and culinary. Betawi ornament can also be seen in the architecture and public areas since the geometrical shape is very easy to apply as interior element. The application of Betawi ornaments in a restaurant interior represents the idea of dining area in Betawi house. The study of Betawi ornaments was conducted by documentation of decorative elements in a restaurant as a public space. Objective of this research is to preserve various ornaments of Betawi culture. So that, the data can be valuable as an inspiration for designing restaurant interior with Betawi style. Generally, value of the ornaments has specific purposes related to Betawi?s cultural and social customs. Therefore, the application needs to consider more about the purpose of the symbol of the ornament. 
Perkembangan Material Rotan dan Penggunaan di Dunia Desain Interior Hartanti, Grace
Humaniora Vol 3, No 2 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i2.3354

Abstract

For most Indonesia people, rattan had long been known, for personal use and trade.  It started from raw materials and semi-finished trades, and later it was developed  into the finished rattan product trade conducted by the wholesalers in Indonesia. In addition to the processing of rattan in Indonesia, the rattan finished-product trade has also been done widely.The trade agreement that has been made with foreign parties spur the contribution in increasing the state revenue which deserves to be taken into account. In this case, rattan application has grown in the world of Interior Design, for example as furniture and as interior accessories. The use of substitute materials, such as synthetic rattan, is now also widely used to fulfill high demand and product diversity.With the growing numbers of variants of rattan application in interior design field, a research based on qualitative research was applied. Article explores the process of research and rattan is expected to be the mediator in bringing local Indonesian culture to the global world competition. Thus, the state gait could be known more widely, and hopefully could help improving the welfare of Indonesian people into a better place.  
STUDI KESENJANGAN ANTARA TINGKAT KEPUASAN PELANGGAN DENGAN TINGKAT KEPENTINGAN LAYANAN PADA BLITZ MEGAPLEX DI JAKARTA Hartanti, Grace; Furinto, Asnan
Journal of Business Strategy and Execution Vol 1, No 2 (2009): Published on June 2009
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The pursuit of customer satisfaction toward service quality is a simple and yet inevitable effort for companies in the service industry. Customer satisfaction is expected to impact customer loyalty which materializes as among others, the spread of word of mouth, creating more customers and bringing more profits for the company. The common problem in the area of customer satisfaction and service quality measurement is the existence of gap between what the customers expect to receive and what the company eventually delivers to them. Another possible gap is on the types of service attributes. Those attributes which are deemed important or unimportant by customers are sometimes (if not most of the time) different from what company perceives to be important or unimportant. To complicate the picture further, there are also difference of perspectives between member and non member customers. Blitz Megaplex is a service company, providing one stop entertainment-beyond movies, to their customers. This research aims to provide insights to Blitz management as to on what dimensions of service quality they shall put more emphasize on. Using combination of explorative and quantitative approach to collect data, the author further employs IPA (Importance-Performance Analysis) framework to analyze the findings. It is found that there are significant gaps at the three locations of Blitz Megaplex (Grand Indonesia, Pacific Place, Mal of Indonesia) in Jakarta. Blitz shall focus on important dimensions (as rated by customers) whereby its performance is falling below customer expectation, and shall reduce its efforts of improving unimportant dimensions even though it is performing way above customer expectation.