Garuda - Garba Rujukan Digital

THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL Rachmah Ida
Humaniora Vol 26, No 2 (2014)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This paper is an attempt to investigate a new trend of media behaviour and to study an aspect of the non-journalistic practice of the media organization in the society in post-authoritarian Indonesia. It discusses the engagement of a major local media institution in the organization of the Surabaya Art Festival in the early 2000s. The involvement of one wealthy media institution, Jawa Pos, in the organization of Surabaya’s cultural art festival, therefore, could shape a new model of relationship between the media and the society in the Indonesian context. Based on interviews with several existing and ex-members of the festival committees and media documentations, this study argues that the political economy of the media interest has played a major role in determining the contents and management of the festival, disregarding the need to exhibit the remarkable cultural richness and innovations. In this particular cultural event, the media has played a significant role in supplying the funding for the festival, and consequently, the media control the power in conceptualising the city’s annual art festival since then. Yet, when the owner of the media institution chose to stop supporting the funding to the festival organization, the result was palpable. After the withdrawal of this major media magnate from the festival organization, the continuation of the Surabaya Art Festival has become troublesome and susceptible.

Digital Etnometodologi: Studi Media dan Budaya pada Masyarakat Informasi di Era Digital Jokhanan Kristiyono; Rachmah Ida
ETTISAL : Journal of Communication Vol 4, No 2 (2019): ETTISAL: Journal of Communication
Publisher : Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/ejoc.v4i2.3590

AbstrakArtikel ini mengeksplorasi secara terperinci bagaimana studi etnografi digunakan sebagai metode penelitian untuk media dan penelitian komunikasi dalam masyarakat informasi di era digital. Artikel ini menjelaskan tentang sebuah metode riset yaitu digital etnometodologi, sebuah metode yang menganalisis dan menggambarkan data observasi dari hasil penelitian etnografi pada komunitas seni digital. Peneliti etnografi yang berpartisipasi tidak aktif dalam masyarakat informasi sebagai subyek penelitiannya. Pendekatan etnografi bertujuan untuk menghasilkan keragaman dan kompleksitas budaya. Penjelasan deskriptif berupa kegiatan dan interaksi sosial budaya yang terjadi dalam masyarakat informasi ini dapat ditampilkan secara rinci menggunakan metode etnografi. Artikel ini menggunakan pendekatan studi kualitatif deskriptif dengan studi literatur dan studi kasus penelitian aktivitas digital di komunitas seniman digital Indonesia. Hasilnya adalah metode etnografi cenderung mengarah pada studi yang tenang tentang kehidupan sehari-hari anggota masyarakat atau kelompok sosial (komunitas). Metode etnografi digital atau dapat disebut Digital Ethnomethodology menggambarkan pendekatan untuk melakukan studi etnografi di dunia kontemporer. Metode ini mengajak para peneliti untuk mempertimbangkan bagaimana hidup dan meneliti dalam lingkungan digital, materi, dan sensorik. Digital Ethnomethodology juga mengeksplorasi konsekuensi dari keberadaan media digital dalam membentuk teknik dan proses di mana para peneliti melakukan studi etnografi. Metode ini mempelajari dan mengeksplorasi masyarakat informasi di dimensi dunianya kemudian secara metodologis diceritakan kembali melalui laporan penelitian atau penelitian akademis teoretis.Digital Ethnomethodology: Media Culture Studies Of The Information Society In The Digital Age AbstractThis article explores in detail how ethnographic studies use as research methods of the Information Society in the digital age. Explains the method of analyzing and describing observation data generated and the researcher becomes inactive participation in the information society. Research methods that use an ethnographic approach have the aim to produce diversity and complexity of culture. The description of activities and social interactions that occur in this information society can be shown in detail using ethnographic methods. This article method is a descriptive qualitative study approach with literature study and case studies of digital activity in the Indonesian digital artist community. The results are the ethnographic method tends to lead to the quiet study of the daily lives of community members or social groups (communities). Digital Ethnomethodology describes approaches to conducting ethnographic studies in the contemporary world. This method invites researchers to consider how to live and research in a digital, material and sensory environment also explores the consequences of the presence of digital media in shaping the techniques and processes in which researchers conduct ethnographic studies. This Method by studying and exploring the information society in its world is dimensionally then academically methodologically retold through theoretical academic research.

LIPUTAN MEDIA TENTANG POLITISI DAN AKTIVITAS POLITIK PEREMPUAN Ida, Rachmah
Masyarakat Telematika Dan Informasi : Jurnal Penelitian Teknologi Informasi dan Komunikasi Vol 4, No 1 (2013): Masyarakat Telematika Dan Informasi : Jurnal Penelitian Teknologi Informasi dan
Publisher : Kementerian Komunikasi dan Informatika R.I.

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study analyzes the content of the mass media on female politician and their political activisims in Indonesia. Since the movement to fight for the 30% quota of female in the legislature, the women activity in the political space of this country becomes so rife. Number of women in parliament of national and local level has increased significantly. Further the women who were elected as the head of the region (Governors, Mayors and Regents) and deputy head of the region in Indonesia are also experiencing significant growth. The issue is whether this progress was followed by public support, including the supportive mass media? Hence, this research was conducted to answer the problem formulation: Do female politicians in Indonesia and their political activism getting supportive reports? How mass media represents female politicians? What are constructs of language and symbols manufactured by the media related to the existence of female politicians and female political activism? By using the perspective of media cultural studies, this study uses textual analysis method (text message and visual) covered and described the women politicians in Indonesia. Textual analysis is applied on the news and articles published by some online news media during the year 2011, associated with female politicians and political activism. Results of this study suggest that female politicians still represented stereotypically associated with femininity and its position in the domestic sphere. Vision and political orientation of female politicians have not received significant attention from the media

PENGGUNAAN INTERNET DAN BUDAYA POPULER DALAM KAMPANYE POLITIK DI INDONESIA Ida, Rachmah; Subiakto, Henri
Masyarakat Telematika Dan Informasi : Jurnal Penelitian Teknologi Informasi dan Komunikasi Vol 7, No 2 (2016): Masyarakat Telematika Dan Informasi : Jurnal Penelitian Teknologi Informasi dan
Publisher : Kementerian Komunikasi dan Informatika R.I.

Kemunculan internet di era digital juga dimanfaatkan oleh politisi untuk melakukan kampanye model baru. Di masa paska era rejim Orde Baru, kehadiran media internet menjadi alternatif baru cara berkampanye. Ditambah lagi dengan popularitas media dan budaya popular yang lebih memudahkan politisi untuk meraih suara para konstituennya menjadi medium baru bagi politisi melakukan kampanye politik. Penelitian ini bertujuan untuk melihat penggunaan internet dan budaya popular yang digunakan oleh politisi Indonesia untuk mempengaruhi sikap dan opini publik di tanah air. Bagaimana cara-cara politisi ini memperngaruhi konstituennya dan model-model kampanye apa saja yang digunakan dan bagaimana budaya popular dipakai untuk menarik massa adalah masalah-masalah yang dikaji dalam penelitian ini.Dengan menggunakan metode analisis tekstual, penelitian ini mengkaji 10 politisi nasional dan daerah yang menggunakan internet dan konvergensi media untuk kampanye politiknya selama tahun 2014 dan 2015. Lima politisi nasional dan lima politisi daerah dipakai sebagai sampel untuk analisis penelitian ini. Hasil penelitian ini menunjukkan bahwa politisi menempatkan dirinya sebagai selebritas politik dengan menampilkan dirinya sebagai pemain utama atau pemeran tunggal dalam berbagai model budaya atau tayangan visual dan audio visual yang diproduksinya. Kesemua politisi yang diteliti menggunakan berbagai macam model kampanye, dan memanfaatkan internet mulai dari media sosial dan blog-blog pribadi yang kesemuanya diisi penuh dengan berbagai pesan politik mereka dan kampanye untuk meraih massa terbanyak.

ETNOGRAFI VIRTUAL SEBAGAI TEKNIK PENGUMPULAN DATA DAN METODE PENELITIAN Ida, Rachmah; achmad, Zainal Abidin
The Journal of Society and Media Vol 2, No 2 (2018): Digital & Virtual in Society & Media
Publisher : Department of Social Science, Faculty of Social Science &Law, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v2n2.p130-145

Salah satu teknik pengumpulan data sekaligus metode analisis terbaik untuk meneliti masyarakat adalah etnografi. Berbagai karya tulis yang terbit mengenai etnografi, seringkali memunculkan perdebatan mengenai definisi etnografi.Pandangan yang paling umum mengatakan bahwa etnografi sebagai salah satu metode penelitian dalam ilmu antropologi. Sedangkan pandangan lain menyebut etnografi sebagai seperangkat metode, strategi penelitian, paradigma, atau bahkan kerangka pikiran. Namun ada kesamaan dari semua pendapat itu, bahwa jika kita bicara etnografi, maka kita membicarakan sejumlah catatan dan cara menulis catatan tentang masyarakat.Studi pustaka ini bertujuan memberikan kemudahan kepada khalayak untuk memahami persamaan dan perbedaan antara etnografi konvensional, etnografi internet dan etnografi virtual. Serta memahami bagaimana prosedur melakukan penelitian etnografi virtual

ETNOGRAFI VIRTUAL SEBAGAI TEKNIK PENGUMPULAN DATA DAN METODE PENELITIAN achmad, Zainal Abidin; Ida, Rachmah
The Journal of Society and Media Vol 2, No 2 (2018): Digital & Virtual in Society & Media
Publisher : Department of Social Science, Faculty of Social Science &Law, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v2n2.p130-145

Salah satu teknik pengumpulan data sekaligus metode analisis terbaik untuk meneliti masyarakat adalah etnografi. Berbagai karya tulis yang terbit mengenai etnografi, seringkali memunculkan perdebatan mengenai definisi etnografi.Pandangan yang paling umum mengatakan bahwa etnografi sebagai salah satu metode penelitian dalam ilmu antropologi. Sedangkan pandangan lain menyebut etnografi sebagai seperangkat metode, strategi penelitian, paradigma, atau bahkan kerangka pikiran. Namun ada kesamaan dari semua pendapat itu, bahwa jika kita bicara etnografi, maka kita membicarakan sejumlah catatan dan cara menulis catatan tentang masyarakat.Studi pustaka ini bertujuan memberikan kemudahan kepada khalayak untuk memahami persamaan dan perbedaan antara etnografi konvensional, etnografi internet dan etnografi virtual. Serta memahami bagaimana prosedur melakukan penelitian etnografi virtual

The existence of karabhat symbolic communication in Tanean Lanjhang community in Madurese society Sudahri, Sudahri; Ida, Rachmah
Jurnal Studi Komunikasi Vol 4 No 3 (2020)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v4i3.2453

Tanean Lanjhang (the long yard) is a large yard with traditional Madurese houses built in a row and facing each other. â€˜Taneanâ€™ means the distance between one house and another. Meanwhile, â€˜Lanjhangâ€™ is the area of the yard that extends along the Tanean. The group that inhabits the Tanean Lanjhang is a genealogical group from one lineage, usually from the maternal (matrilineal) line. These social phenomena happened in Sanatengah Village, Pasean District, Pamekasan Regency. The current research used descriptive qualitative methodology and studied the people of Sanatengah Village, Pasean Subdistrict, Pamekasan Regency and all its community components. The results of this study indicated that the Tanean Lanjhang community is a social order that maintains the influence of relatives in life. Communication between relatives exists because of the role of Pangaseppo, or the eldest person of the family; Oreng Toah (parents), or mother and father; and Taretan, or siblings. Those were the three relatives who have the highest position in Madurese society and must be obeyed by every household members. In maintaining kinship, marriage is also arranged within close relatives, such as between cousins, uncles, and nieces. This study concluded that the Tanean Lanjhang upholds the values of kinship. Furthermore, kinship is not only built based on traditional houses but also the tradition of marriage between close relatives.

Konflik Sunni-Syiah dan dampaknya terhadap komunikasi intra-religius pada komunitas di Sampang-Madura Rachmah Ida; Laurentius Dyson
Masyarakat, Kebudayaan dan Politik Vol. 28 No. 1 (2015): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

The conflict between the Muslim Sunni and Shia, hereafter Sunni-Shia conflict, occurred in Sampang on August 2012 was recognised as a group identity conflict. The existence of Muslim Shia community as minority amongst the Sunni majority in Madura has long become the latent intra-faith clash in this Island. This study explores the socio-cultural and political aspects of Sunni-Shia conflict in Sampang District of Madura and examines the views of these two communities about their religius stance, values, and socio-cultural practices in their places, and how they have perceived other religius group identity regarded as distinct to each other. Methods applied for this study are qualitative survey using two approaches i.e. socio-cultural historic and inter-cultural communication. The data were gathered through depth interviews, observations, and secondary documentations sourced from media news and articles, government policy and relevant literatures. This study found that the root of the conflict was begun from the familial (brotherhood) clash, which then extended into the clash between Sunni and Shia communities and the issue of religius ideology and identity. The difference on their opinion, perception, and attitude of the Sunni and Shia groups have become the key issues of these two groups to fight their religius identities interest and their beief upon the true of Islam according to their version. As a result, their intra-religius life and communication between these two groups have become paralised and stucked.

The existence of karabhat symbolic communication in Tanean Lanjhang community in Madurese society Sudahri, Sudahri; Ida, Rachmah
Jurnal Studi Komunikasi Vol. 4 No. 3 (2020)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v4i3.2453

Tanean Lanjhang (the long yard) is a large yard with traditional Madurese houses built in a row and facing each other. â€˜Taneanâ€™ means the distance between one house and another. Meanwhile, â€˜Lanjhangâ€™ is the area of the yard that extends along the Tanean. The group that inhabits the Tanean Lanjhang is a genealogical group from one lineage, usually from the maternal (matrilineal) line. These social phenomena happened in Sanatengah Village, Pasean District, Pamekasan Regency. The current research used descriptive qualitative methodology and studied the people of Sanatengah Village, Pasean Subdistrict, Pamekasan Regency and all its community components. The results of this study indicated that the Tanean Lanjhang community is a social order that maintains the influence of relatives in life. Communication between relatives exists because of the role of Pangaseppo, or the eldest person of the family; Oreng Toah (parents), or mother and father; and Taretan, or siblings. Those were the three relatives who have the highest position in Madurese society and must be obeyed by every household members. In maintaining kinship, marriage is also arranged within close relatives, such as between cousins, uncles, and nieces. This study concluded that the Tanean Lanjhang upholds the values of kinship. Furthermore, kinship is not only built based on traditional houses but also the tradition of marriage between close relatives.

Identitas digital: Konstruksi identitas pada pameran karya seni Biennale Jawa Timur 8 Jokhanan Kristiyono; Rachmah Ida
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 5 No. 2 (2021): Oktober
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v5i2.16514

Biennale merupakan pameran dan diskusi karya seni yang rutin diadakan setiap dua tahun. Tahun 2019 merupakan kegiatan Biennale Jawa Timur (Jatim) ke-8 dengan tema “GAS TOK! Lebur Sakjeroning Jawa Timur” melibatkan 500 seniman dan 40 kurator, terdiri 65 kegiatan yang tersebar di 16 kota dan kabupaten di Jawa Timur. Berbeda dengan kegiatan Biennale Jatim sebelumnya, tahun ini lokasi pameran tersebar di berbagai daerah Jawa Timur. Seluruh arsip data dan dokumentasi rangkaian Biennale Jatim 8 dikumpulkan dan dipublikasikan melalui akun Instagram @jatimbiennale8 sebagai bentuk identitas gerakan komunitas Biennale Jawa Timur. Gelaran Biennale Jatim 8 merupakan sebuah perayaan dan imajinasi bersama yang bersifat inklusif. Penelitian ini mengangkat permasalahan tentang konstruksi identitas komunitas Biennale Jatim. Metode analisa wacana digital dalam penelitian ini menganalisa kontruksi identitas yang diciptakan oleh Biennale Jatim 8 melalui media komunikasi digital media sosial Instagram. Akun Instagram @jatimbienale8 dan @biennalejatim menjadi obyek penelitan analisa wacana kontruksi identitas, dan praktik seni yang terjadi pada Biennale Jatim. Hasil penelitian ini menunjukkan sebuah wacana perubahan dan perlawanan terhadap kegiatan Biennale Jatim sebelumnnya. Perubahan ditunjukkan dari segi penyelanggara, pendanaan, format acara, lokasi berlangsungnya kegiatan, dan kerja kuratorial. Biennale Jatim 8 mendobrak dan melawan stigma tersebut. Diskursus kontruksi identitas baru tersebut ditunjukkan dengan jelas dan tegas pada proses produksi karya seni, pameran Biennale hingga pasca pameran melalui media sosial Instagram @biennalejatim8 yaitu identitas digital Biennale Jatim. Biennale, an art event (visual) both exhibition and discussion of artworks, comes on regularly every two years. 2019 is the 8th East Java (Jatim) Biennale with the theme “GAS TOK! Lebur Sakjeroning Jawa Timur” involves 500 artists and 40 curators, consisting of 65 activities spread across 16 cities and regencies in East Java. Unlike the previous East Java Biennale, the exhibition locations are spreading across various regions of East Java. All data archives and documentation of the East Java 8 Biennale series are collected and published through the @jatimbiennale8 Instagram account as a form of identity for the East Java Biennale community movement. The 8th East Java Biennale is a celebration and shared inclusive imagination. This research raises the issue of the identity construction of the East Java Biennale community. The digital discourse analysis method in this study analyzes the identity construction created by the East Java 8th Biennale through the digital communication media of Instagram social media. Instagram accounts @jatimbienale8 and @biennalejatim became the object of research on the discourse analysis of identity construction and art practices at the East Java Biennale. The results of this study indicate a discourse of change and resistance to the previous East Java Biennale activities. The changes show organization, funding, event format, location of activities, and curatorial work. The 8th East Java Biennale breaks and fights the stigma. The discourse on constructing a new identity is clearly and unequivocally demonstrated in the art production process, the Biennale exhibition, and post-exhibition through social media Instagram @biennalejatim8, the digital identity of the East Java Biennale.

Title

Found 20 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 20 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 20 Documents
Search