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LIPUTAN MEDIA TENTANG POLITISI DAN AKTIVITAS POLITIK PEREMPUAN Ida, Rachmah
Masyarakat Telematika Dan Informasi : Jurnal Penelitian Teknologi Informasi dan Komunikasi Vol 4, No 1 (2013): Masyarakat Telematika Dan Informasi : Jurnal Penelitian Teknologi Informasi dan
Publisher : Kementerian Komunikasi dan Informatika R.I.

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study analyzes the content of the mass media on female politician and their political activisims in Indonesia. Since the movement to fight for the 30% quota of female in the legislature, the women activity in the political space of this country becomes so rife. Number of women in parliament of national and local level has increased significantly. Further the women who were elected as the head of the region (Governors, Mayors and Regents) and deputy head of the region in Indonesia are also experiencing significant growth. The issue is whether this progress was followed by public support, including the supportive mass media? Hence, this research was conducted to answer the problem formulation: Do female politicians in Indonesia and their political activism getting supportive reports? How mass media represents female politicians? What are constructs of language and symbols manufactured by the media related to the existence of female politicians and female political activism? By using the perspective of media cultural studies, this study uses textual analysis method (text message and visual) covered and described the women politicians in Indonesia. Textual analysis is applied on the news and articles published by some online news media during the year 2011, associated with female politicians and political activism. Results of this study suggest that female politicians still represented stereotypically associated with femininity and its position in the domestic sphere. Vision and political orientation of female politicians have not received significant attention from the media
PENGGUNAAN INTERNET DAN BUDAYA POPULER DALAM KAMPANYE POLITIK DI INDONESIA Subiakto, Henri; Ida, Rachmah
Masyarakat Telematika Dan Informasi : Jurnal Penelitian Teknologi Informasi dan Komunikasi Vol 7, No 2 (2016): Masyarakat Telematika Dan Informasi : Jurnal Penelitian Teknologi Informasi dan
Publisher : Kementerian Komunikasi dan Informatika R.I.

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (668.377 KB) | DOI: 10.17933/mti.v7i2.92

Abstract

Kemunculan internet di era digital juga dimanfaatkan oleh politisi untuk melakukan kampanye model baru. Di masa paska era rejim Orde Baru, kehadiran media internet menjadi alternatif baru cara berkampanye. Ditambah lagi dengan popularitas media dan budaya popular yang lebih memudahkan politisi untuk meraih suara para konstituennya menjadi medium baru bagi politisi melakukan kampanye politik. Penelitian ini bertujuan untuk melihat penggunaan internet dan budaya popular yang digunakan oleh politisi Indonesia untuk mempengaruhi sikap dan opini publik di tanah air. Bagaimana cara-cara politisi ini memperngaruhi konstituennya dan model-model kampanye apa saja yang digunakan dan bagaimana budaya popular dipakai untuk menarik massa adalah masalah-masalah yang dikaji dalam penelitian ini.Dengan menggunakan metode analisis tekstual, penelitian ini mengkaji 10 politisi nasional dan daerah yang menggunakan internet dan konvergensi media untuk kampanye politiknya selama tahun 2014 dan 2015. Lima politisi nasional dan lima politisi daerah dipakai sebagai sampel untuk analisis penelitian ini. Hasil penelitian ini menunjukkan bahwa politisi menempatkan dirinya sebagai selebritas politik dengan menampilkan dirinya sebagai pemain utama atau pemeran tunggal dalam berbagai model budaya atau tayangan visual dan audio visual yang diproduksinya. Kesemua politisi yang diteliti menggunakan berbagai macam model kampanye, dan memanfaatkan internet mulai dari media sosial dan blog-blog pribadi yang kesemuanya diisi penuh dengan berbagai pesan politik mereka dan kampanye untuk meraih massa terbanyak.
ETNOGRAFI VIRTUAL SEBAGAI TEKNIK PENGUMPULAN DATA DAN METODE PENELITIAN achmad, Zainal Abidin; Ida, Rachmah
The Journal of Society and Media Vol 2, No 2 (2018): Digital & Virtual in Society & Media
Publisher : Department of Social Science, Faculty of Social Science &Law, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v2n2.p130-145

Abstract

Salah satu teknik pengumpulan data sekaligus metode analisis terbaik untuk meneliti masyarakat adalah etnografi. Berbagai karya tulis yang terbit mengenai etnografi, seringkali memunculkan perdebatan mengenai definisi etnografi.Pandangan yang paling umum mengatakan bahwa etnografi sebagai salah satu metode penelitian dalam ilmu antropologi. Sedangkan pandangan lain menyebut etnografi sebagai seperangkat metode, strategi penelitian, paradigma, atau bahkan kerangka pikiran. Namun ada kesamaan dari semua pendapat itu, bahwa jika kita bicara etnografi, maka kita membicarakan sejumlah catatan dan cara menulis catatan tentang masyarakat.Studi pustaka ini bertujuan memberikan kemudahan kepada khalayak untuk memahami persamaan dan perbedaan antara etnografi konvensional, etnografi internet dan etnografi virtual. Serta memahami bagaimana prosedur melakukan penelitian etnografi virtual
ETNOGRAFI VIRTUAL SEBAGAI TEKNIK PENGUMPULAN DATA DAN METODE PENELITIAN achmad, Zainal Abidin; Ida, Rachmah
The Journal of Society and Media Vol 2, No 2 (2018): Digital & Virtual in Society & Media
Publisher : Department of Social Science, Faculty of Social Science &Law, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v2n2.p130-145

Abstract

Salah satu teknik pengumpulan data sekaligus metode analisis terbaik untuk meneliti masyarakat adalah etnografi. Berbagai karya tulis yang terbit mengenai etnografi, seringkali memunculkan perdebatan mengenai definisi etnografi.Pandangan yang paling umum mengatakan bahwa etnografi sebagai salah satu metode penelitian dalam ilmu antropologi. Sedangkan pandangan lain menyebut etnografi sebagai seperangkat metode, strategi penelitian, paradigma, atau bahkan kerangka pikiran. Namun ada kesamaan dari semua pendapat itu, bahwa jika kita bicara etnografi, maka kita membicarakan sejumlah catatan dan cara menulis catatan tentang masyarakat.Studi pustaka ini bertujuan memberikan kemudahan kepada khalayak untuk memahami persamaan dan perbedaan antara etnografi konvensional, etnografi internet dan etnografi virtual. Serta memahami bagaimana prosedur melakukan penelitian etnografi virtual
The existence of karabhat symbolic communication in Tanean Lanjhang community in Madurese society Sudahri, Sudahri; Ida, Rachmah
Jurnal Studi Komunikasi Vol 4 No 3 (2020)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v4i3.2453

Abstract

Tanean Lanjhang (the long yard) is a large yard with traditional Madurese houses built in a row and facing each other. ‘Tanean’ means the distance between one house and another. Meanwhile, ‘Lanjhang’ is the area of the yard that extends along the Tanean. The group that inhabits the Tanean Lanjhang is a genealogical group from one lineage, usually from the maternal (matrilineal) line. These social phenomena happened in Sanatengah Village, Pasean District, Pamekasan Regency. The current research used descriptive qualitative methodology and studied the people of Sanatengah Village, Pasean Subdistrict, Pamekasan Regency and all its community components. The results of this study indicated that the Tanean Lanjhang community is a social order that maintains the influence of relatives in life. Communication between relatives exists because of the role of Pangaseppo, or the eldest person of the family; Oreng Toah (parents), or mother and father; and Taretan, or siblings. Those were the three relatives who have the highest position in Madurese society and must be obeyed by every household members. In maintaining kinship, marriage is also arranged within close relatives, such as between cousins, uncles, and nieces. This study concluded that the Tanean Lanjhang upholds the values of kinship. Furthermore, kinship is not only built based on traditional houses but also the tradition of marriage between close relatives.
The existence of karabhat symbolic communication in Tanean Lanjhang community in Madurese society Sudahri, Sudahri; Ida, Rachmah
Jurnal Studi Komunikasi Vol. 4 No. 3 (2020)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v4i3.2453

Abstract

Tanean Lanjhang (the long yard) is a large yard with traditional Madurese houses built in a row and facing each other. ‘Tanean’ means the distance between one house and another. Meanwhile, ‘Lanjhang’ is the area of the yard that extends along the Tanean. The group that inhabits the Tanean Lanjhang is a genealogical group from one lineage, usually from the maternal (matrilineal) line. These social phenomena happened in Sanatengah Village, Pasean District, Pamekasan Regency. The current research used descriptive qualitative methodology and studied the people of Sanatengah Village, Pasean Subdistrict, Pamekasan Regency and all its community components. The results of this study indicated that the Tanean Lanjhang community is a social order that maintains the influence of relatives in life. Communication between relatives exists because of the role of Pangaseppo, or the eldest person of the family; Oreng Toah (parents), or mother and father; and Taretan, or siblings. Those were the three relatives who have the highest position in Madurese society and must be obeyed by every household members. In maintaining kinship, marriage is also arranged within close relatives, such as between cousins, uncles, and nieces. This study concluded that the Tanean Lanjhang upholds the values of kinship. Furthermore, kinship is not only built based on traditional houses but also the tradition of marriage between close relatives.
THE NEW LINK BETWEEN ART FESTIVAL AND THE MEDIA: THE ENGAGEMENT OF A MEDIA INSTITUTION IN SURABAYA ART FESTIVAL Rachmah Ida
Humaniora Vol 26, No 2 (2014)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (339.995 KB) | DOI: 10.22146/jh.5240

Abstract

This paper is an attempt to investigate a new trend of media behaviour and to study an aspect of the non-journalistic practice of the media organization in the society in post-authoritarian Indonesia. It discusses the engagement of a major local media institution in the organization of the Surabaya Art Festival in the early 2000s. The involvement of one wealthy media institution, Jawa Pos, in the organization of Surabaya’s cultural art festival, therefore, could shape a new model of relationship between the media and the society in the Indonesian context. Based on interviews with several existing and ex-members of the festival committees and media documentations, this study argues that the political economy of the media interest has played a major role in determining the contents and management of the festival, disregarding the need to exhibit the remarkable cultural richness and innovations. In this particular cultural event, the media has played a significant role in supplying the funding for the festival, and consequently, the media control the power in conceptualising the city’s annual art festival since then. Yet, when the owner of the media institution chose to stop supporting the funding to the festival organization, the result was palpable. After the withdrawal of this major media magnate from the festival organization, the continuation of the Surabaya Art Festival has become troublesome and susceptible.
Konflik Sunni-Syiah dan dampaknya terhadap komunikasi intra-religius pada komunitas di Sampang-Madura Rachmah Ida; Laurentius Dyson
Masyarakat, Kebudayaan dan Politik Vol. 28 No. 1 (2015): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (376.639 KB) | DOI: 10.20473/mkp.V28I12015.33-49

Abstract

The conflict between the Muslim Sunni and Shia, hereafter Sunni-Shia conflict, occurred in Sampang on August 2012 was recognised as a group identity conflict. The existence of Muslim Shia community as minority amongst the Sunni majority in Madura has long become the latent intra-faith clash in this Island. This study explores the socio-cultural and political aspects of Sunni-Shia conflict in Sampang District of Madura and examines the views of these two communities about their religius stance, values, and socio-cultural practices in their places, and how they have perceived other religius group identity regarded as distinct to each other. Methods applied for this study are qualitative survey using two approaches i.e. socio-cultural historic and inter-cultural communication. The data were gathered through depth interviews, observations, and secondary documentations sourced from media news and articles, government policy and relevant literatures. This study found that the root of the conflict was begun from the familial (brotherhood) clash, which then extended into the clash between Sunni and Shia communities and the issue of religius ideology and identity. The difference on their opinion, perception, and attitude of the Sunni and Shia groups have become the key issues of these two groups to fight their religius identities interest and their beief upon the true of Islam according to their version. As a result, their intra-religius life and communication between these two groups have become paralised and stucked.
The shifting role of the listeners in the mediamorphosis process of culture radio: A case study of Jodhipati 106.1 FM Zainal Abidin Achmad; Rachmah Ida
Masyarakat, Kebudayaan dan Politik Vol. 32 No. 3 (2019): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (452.645 KB) | DOI: 10.20473/mkp.V32I32019.240-250

Abstract

The adaptation of the use of communication technology towards media convergence (mediamorphosis) makes it a necessity for radio to change. Jodhipati FM, a commercial radio station in Nganjuk Regency which declared its identity as a Javanese cultural radio station, has also made the change. The uniqueness of Jodhipati FM to broadcast 100% Javanese cultural programs originated from the demands of listeners to listen to the wayang kulit (leather puppet) program. The close interaction and relationships between the listeners and radio management has made every change in Jodhipati FM driven by the interests of the listeners. This qualitative research collected data through a virtual ethnography supplemented by participant observation and in-depth interviews with nine informants. The results found there to be a mediamorphosis pattern that explains the stages of Jodhipati FM’s change and the influence of the listeners’ demands, from the early history of its establishment through to the present. At present, Jodhipati FM uses Facebook, streaming and WhatsApp as broadcast support. In interactive engagement between the listeners and radio management in the virtual world, both parties have an equal role as media producers. In the life of a networked society, the listener experiences a shift in role and characteristics. Apart from acting as the media producer, the radio listeners are involved in programming, they are free to criticize and they are also free to look for sponsors and advertisements. The characteristics of the listener have also changed. They become physically visible, their voices are heard, their personalities are revealed, they live in various social networks, age restrictions disappear, there are no territorial boundaries and there are no time limits. As a cultural radio station, Jodhipati FM has the advantage of being able to preserve and spread Javanese culture throughout the world.
Counter-hegemony of the East Java Biennale art community against the domination of hoax content reproduction Jokhanan Kristiyono; Rachmah Ida; Musta'in Mashud
Masyarakat, Kebudayaan dan Politik Vol. 33 No. 1 (2020): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1334.994 KB) | DOI: 10.20473/mkp.V33I12020.26-35

Abstract

This research analyses and describes in detail how the digital biennale activities that are a part of the Indonesian Digital art community has become a form of criticism and silent resistance to the social hegemony. It refers to the ideology, norms, rules, and myths that exist in modern society in Indonesia, especially the reproduction of hoax content. Hoax refers to the logic people who live in a world of cyber media with all of its social implications. This phenomenon is a problem, and it is at the heart of the exploration of the art community in East Java Biennale. The critical social theory perspective of Gramsci’s theory forms the basis of this research analysis. The qualitative research approach used a digital ethnomethodology research method focused on the online and offline social movements in the Biennale Art Community. The data collection techniques used were observation and non-active participation in the process of reproduction-related to the exhibition of Indonesian Biennale digital artworks. It was then analyzed using Gramsci’s hegemony theory. The purpose of this study was to describe the process of social movements in a digital format conducted by the Indonesian Biennale when reproducing works of art to counteract the dominance and hegemony of the Hoax phenomenon in Indonesia. The benefit of this research was that it obtained a preposition of Gramsci’s hegemony theory in the world of digital art as created by contemporary Indonesian Biennale artists. Digital technology has had a tremendous effect on the media industry, government, trade, informal industry sector, human resources, urban planning, services, disaster relief, health, education, religion, artistic and cultural expression, in addition to various other fields. The conclusion obtained from this research is that there is a formation of a new hegemony, a digital hegemony. This new hegemony is of particular concern for the digital artists in East Java Biennale. Through the digital format works, the artists also try to communicate their art as a form of silent resistance, protest, and criticism of the hegemony that occurs in society, referring to the ideology, norms, and myths. It can be called a digital counter-hegemony.s