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All Journal Gorga : Jurnal Seni Rupa Jurnal Bahasa Rupa Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni JTIM : Jurnal Teknologi Informasi dan Multimedia Jurnal Nawala Visual Jurnal SASAK : Desain Visual dan Komunikasi INAJEEE (Indonesian Journal of Electrical and Electronics Engineering) ADMA: Jurnal Pengabdian dan Pemberdayaan Masyarakat Viswa Design : Journal of Design JISHUM Jurnal Ilmu Sosial dan Humaniora
Hasbullah Hasbullah
Desain Komunikasi Visual, Universitas Bumigora
Arts Humanities Computer Science & IT Control & Systems Engineering Education Electrical & Electronics Engineering Energy Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Nursing Social Sciences Other

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Journal : Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni

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TRANSFORMASI PADA CORAK KAIN SONGKET SASAK LOMBOK SEBAGAI TIPOGRAFI IDENTITAS I NYOMAN YOGA SUMADEWA; HASBULLAH HASBULLAH
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 2 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1184.372 KB) | DOI: 10.26887/ekspresi.v23i2.1751

Abstract

The Lombok's Sasak Songket cloth has a unique visual style and has spiritual and cultural values. Through this uniqueness, the problem in this paper is about how the process of transforming the Lombok's Sasak Songket pattern into a typographic identity. The aim is to describe the process of transforming the unique patterns of the Lombok's Sasak Songket cloth into a typographic identity. The method used in this design process is Design thinking, namely empathize (get an empathic understanding of the problem being solved), define (analyze observations and synthesize to determine the identified problem), ideate (generate several ideas to solve the problem), prototype (produce several quantities prototype), and test (testing the complete product using the best solution) based on Agus Sachari's transformation theory. Data collection was carried out through observation and literature study. In conclusion, through the process of transformation, the patterns of the Lombok's Songket Sasak are grouped into four typefaces. The first face consists of an uppercase letter (uppercase); The second face consists of lowercase letters (lowercase); The third face consists of numbers and the last face consists of punctuation marks.
Co-Authors Anak Agung Gde Agung Indrawan Andi Sofyan Anas Anggrawan, Anthony Ashar Banyu Lazuardi Bhayu Julian Purnama Christofer Satria Dedy Febry Rahman Desti Ananda Gede Pasek Putra Adnyana Yasa Hairani Hairani I Nyoman Subudiartha I Nyoman Yoga Sumadewa I Nyoman Yoga Sumadewa Latif, Kurniadin Abd Muhammad Innuddin Nurul Hidayah Nyoman Miyarta Yasa Rahmiati, Baiq Fitria Rifqy Hammad Sasih Gunalan Sirojul Hadi Syamsurrijal Tomi Tri Sujaka Wayan Canny Naktiany