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All Journal Jurnal Sejarah Citra Lekha SASDAYA: Gadjah Mada Journal of Humanities IHiS (Indonesian Historical Studies)

Dhanang Respati Puguh

Department Of History, Faculty Of Humanities, Diponegoro University

Author-ID : 3047319

Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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STRATEGI ADAPTASI EKONOMI NELAYAN BUGIS BATULAWANG, KEMUJAN, KARIMUNJAWA Dhanang Respati Puguh; Rabith Jihan Amaruli; Mahendra P. Utama
Jurnal Sejarah Citra Lekha Vol 1, No 1 (2016): Maritime State Development
Publisher : Department of History, Faculty of Humanities, Diponegoro University

This paper discusses about economics adaptation strategies among Bugis’s fishermen in Batulawang, Kemujan, Karimunjawa. This region status has been changed since 1980s as a Marine Nature Reserve, and later became a National Park in the 1990s, it has led to significant changes socially and economically. A zonning enforcement conducted by the Karimunjawa National Park has been affected on gaining access of economic and livelihoods, it is forced people to adapt. There are several forms of economic adaptation strategies are executed, the faithful in fishing activity by modifying fishing gear and run the new economic activities related to the potential marine tourism in the region.

Pertunjukan Kethoprak Ngesti Pandowo, 1950-1996 Mahendra Pudji Utama; Dhanang Respati Puguh; Rabith Jihan Amaruli
Jurnal Sejarah Citra Lekha Vol 6, No 2 (2021): Pendidikan, Kebudayaan, dan Strategi Pertahanan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v6i2.42229

The study about Ngesti Pandowo's kethoprak performance is always enchanting because not enough attention yet been got in various studies. This article discusses the Ngesti Pandowo's kethoprak performance in the period of the 1950s-1996 using the historical method. Kethoprak has been performed by Ngesti Pandowo since the early independence of Indonesia. In it’s heyday in the 1950-1970s, kethoprak had receded and only to provide entertainment to the audience in the different type. In the 1980s, Ngesti Pandowo began entered a receding period. Its prestige as a kitsch theater began faded because the the main artists died and was no successor. It was no more creative artists who capable becoming maecenas. In this situation, Ngesti Pandowo's kethoprak performances have actually increased and can be a salvage lid to keep getting viewers.

Peranan Pemerintah dalam Pengembangan Wayang Orang Panggung Dhanang Respati Puguh; Mahendra Pudji Utama
Jurnal Sejarah Citra Lekha Vol 3, No 2 (2018): Konflik dan Etnisitas
Publisher : Department of History, Faculty of Humanities, Diponegoro University

This article aims to discuss the role of the government in developing Wayang Orang Panggung especially in the Sriwedari community in Surakarta, Ngesti Pandowo in Semarang, and Bharata in Jakarta. This article based on the historical method. Since the beginning of Indonesian independence, the government carried out its function as a protector to maintain the existence of Wayang Orang Panggung, by improving the management of the performing arts, establishing the performance building, providing funding assistance, giving opportunities to perform at the state capital, and involving the artists of Wayang Orang in cultural missions. However, the government tended to be partial and more often conducted as a momentary response that must be addressed immediately because of it impossible to solve the community itself. Changes happened due to economic globalization and political dynamics in Indonesia that can threaten the existence of wayang orang and various forms of traditional arts. It raised hopes that the government could take the more fundamental role as patron-arts. In carrying out this function, the government requires a formulation on cultural policy as a basis for establishing the direction and strategy for the development and strengthening Wayang Orang Panggung and various forms of local culture, within the framework of national culture. The legal needed to carry out, UU RI No. 17 of 2017 about the Cultural Advancement, and Presidential Regulation No. 65 of 2018 concerning the Procedures for the Principles of Regional Culture and Cultural Strategies.

Peranan Perguruan Tinggi di Semarang dalam Pelestarian Wayang Orang Ngesti Pandowo Dhanang Respati Puguh; Mahendra Pudji Utama; Rabith Jihan Amaruli
Jurnal Sejarah Citra Lekha Vol 4, No 2 (2019): Nasionalisme, Demokrasi, dan Identitas
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v4i2.25753

Ngesti Pandowo is a wayang orang group founded in Madiun, East Java on July 1, 1937. Since 1954, this community has been settled in Semarang and reached its heyday in the 1950-1970 and become the City’s icon. In the late 1970s, Ngesti Pandowo suffered a continuing setback. It raised the concern and attention of a number of groups including the government, universities in Semarang, and the business parties to maintain its sustainability. This article is focused on the discussion of the efforts of the universities in Semarang to preserve Ngesti Pandowo. This article used historical methods, oral history, and literature study. The results show that universities in Semarang had played an important role in preserving Ngesti Pandowo through various activities, namely: art appreciation, management development, player support, and technology utilization.

“Membaca Zaman": Refleksi Pemikiran Jeihan dalam Lukisannya, 1953-2012 Herliyana Rosalinda; Dhanang Respati Puguh
Jurnal Sejarah Citra Lekha Vol 2, No 1 (2017): Politik Kebudayaan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

This research examines on the reflection ofJeihan's thoughttraced via his paintingsproduced during 1953 until 2012. It uses historical method with hermeneutical approach. Jeihan’s childhood experienced abnormalities, that made him marginalized in his family and social environment. As the result, his personality became rough and rebellious. It affected his painting style that tend to be harsh and had no character. This bad temper attached him until 1953, when Jeihan studied painting in Himpunan Budaya Surakarta (HBS), and continued his higher education to Institut Teknologi Bandung (ITB). In order to understand painting style, it can be seen from line and color paintings that always progressed. It can be analyzed into four periods which colored by a different artistic style, that are seeking (1952-1965), discovery (1965-1975), maturation (1975-1985), and reaping period (1986-2012).

Melestarikan dan Mengembangkan Warisan Budaya: Kebijakan Budaya Semarangan Dalam Perspektif Sejarah Dhanang Respati Puguh
Jurnal Sejarah Citra Lekha Vol 2, No 1 (2017): Politik Kebudayaan
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Semarang has developed as a diverse city. The communities who lived in Semarang history has produced a hybrid culture patterned Semarang which in the next time become as "Semarangan culture". At that time of Indonesia's independence there is awareness to preserve the cultural heritage of Semarangan either by local governments and communities of Semarang. The preservation and development cultural heritage of Semarangan continues which among other things aims to establish a cultural identity for the community and theie city. However, such efforts have not been able to achieve the expected results, because the Semarangan culture is less able to perform in a stage of cultural life in their own city and national culture.

Sandiwara Daerah of Radio Republik Indonesia Yogyakarta and Surakarta, 1950s-1990s Dhanang Respati Puguh; Rafngi Mufidah
Jurnal Sejarah Citra Lekha Vol 5, No 2 (2020): Perempuan, Perdagangan, dan Formasi Identitas
Publisher : Department of History, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jscl.v5i2.32159

This article discusses Sandiwara Daerah [regional plays] organized by Radio Republik Indonesia Yogyakarta and Surakarta by applying historical method. This article shows that Sandiwara Daerah broadcasts on Radio Republik Indonesia (RRI) Yogyakarta and Surakarta had been held since the 1950s. The performance of Sandiwara Daerah broadcast profoundly related to the position of RRI as a government cultural media which exclusively responsible for disseminating regional cultures. Sumardjono and Maria Kadarsih are prominent figures in the production process of Sandiwara Daerah RRI Yogyakarta, as well as Siti Aminah who became a key figure in the production process of Sandiwara Daerah RRI Surakarta. Sandiwara Daerah is an event favored by the Javanese people. Nevertheless, Sandiwara Daerah experienced a decline since the private radios launched Sandiwara Radio in 1990.

Confirming the Existence of the Kingdom: The Efforts of Territorial Consolidation and Formation of Cultural Identity During the Reign of Hamengku Buwana I, 1755 – 1792 Sutarwinarmo Sutarwinarmo; Agustinus Supriyono; Dhanang Respati Puguh
Indonesian Historical Studies Vol 1, No 2 (2017)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v1i2.1928

This article discusses the efforts of territorial Consolidation and formation of cultural identity during the reign of Hamengku Buwana I. This article is written using the historical method and utilizing primary sources in the form of VOC archives stored in the National Archives of the Republic of Indonesia and Java manuscripts stored in Yogyakarta Sultanate, as well as secondary sources in the form of articles and books. After Giyanti Agreement in 1755, Sultan Hamengku Buwana I attempted to consolidate his territory through negotiation, dispute settlement and law enforcement in order to preserve the sovereignty and territorial integrity of his kingdom. He also developed Ringgit Swargen, Yogyakarta style leather puppets that have the different shape from Surakarta style leather puppets developed by Surakarta Sunanate as one of the cultural identity of Yogyakarta Sultanate. The leather puppet show was used to control the areas that were in the territory of the Sultanate of Yogyakarta, as the leather puppet show performed outside the palace must obtain permission from the palace puppet master. The efforts of Sultan Hamengku Buwana I failed, due to the conflict that caused the war destroyed the boundaries and the peace agreement that had been made.

Islamic and Dutch Schools in Jambi During Colonial Era Ema Pratama Agustiningsih; Singgih Tri Sulistyono; Dhanang Respati Puguh
IHiS (Indonesian Historical Studies) Vol 5, No 1 (2021)
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ihis.v5i1.10006

This article discusses the development of Islamic and Dutch schools in Jambi, 1901-1942. This study adopted a historical method, including, heuristics, criticism, interpretation, and historiography. Jambi was one of Dutch territories. All aspects of life were governed by Dutch rule, including education. Education in Jambi had been developed since the entry of Islam at the end of the 11th century, long before the Dutch education system was introduced in the 20th century. Since the ethical policy had been enacted, all colonies were obliged to implement the Dutch or European education system and open Dutch schools, including in Jambi. Dutch schools for indigenous people were established in 1914 under Hollands Inlandsche School (HIS). These schools trained indigenous or local people in the language, which distinguished it from the students of Europeesche Lagere School (ELS) which had existed since 1903. In its development there were several Dutch schools such as De Tweede Klasse School, Volkschool, Vervolgschool, Special Education for the Chinese, vocational schools or Ambacht School Voor Inlanders (ASVI). Therefore, the implementation of the Dutch education system in Jambi was particularly well-developed, but on another hand, it could not replace the traditional education system which had been previously and informally implemented by the community in langgar (small mosques) and madrasas. These traditional schools were formalized and fulfilled with facilities, in this regard classrooms and halls

Kiai Ahmad Fauzan: Pemikiran dan Peranannya di Kabupaten Jepara 1942-1972 M. Dalhar; Yety Rochwulaningsih; Dhanang Respati Puguh
Indonesian Historical Studies Vol 3, No 1 (2019)
Publisher : Diponegoro University

This study focuses on the life, ideas, and role of Kiai Ahmad Fauzan in developing Islamic teachings and national values. Islam and nationalism are two things that interconnected and not contradictory. In Indonesian history, the two of them caused turmoil, even opposition. The purpose of this study is to prove the return of the Moslem spirit which is in line with the development of local religious leaders, primarily through case studies of local scholars in Jepara, such as Kiai Ahmad Fauzan. This study used a historical method, including heuristics, source criticism, interpretation, and historiography. Kiai Ahmad Fauzan was a leader of the Nahdlatul Ulama (NU) who fought through education and politics to uphold the AhlussunahwalJamaah(Aswaja) ideology in Jepara. Fauzan's Islamic and national ideas can be seen from syair[poems] conveyed to the public. Syairbecame a media for propaganda for Kiai Ahmad Fauzan in spreading the religious understanding of Islam Aswaja. It is delivered to the community as reminder and awareness of harmonious religious and national values. His role in the religious and socio-political fields was seen when Japan began occupying Jepara in 1942. He was the target of arrest because of his role as a cleric. Its leadership formed from religious roles carried out mainly through madrasa and da'wah by traveling from one village to another. Kiai Ahmad Fauzan was involved in socio-religious organizations such as the Indonesian Islamic Assembly (MIAI), Indonesian Muslim Council (Masyumi), and NU, especially during the 1955 elections. Kiai Ahmad Fauzan was also trusted by the government to be the first leader of the Ministry of Religion in Jepara after independence revolution.

Co-Authors Abdul Ghofur Agustinus Supriyono Azmi Globalian Nazal Dewi Yuliati Ema Pratama Agustiningsih Herliyana Rosalinda Joseph Army Sadhyoko Khairana Zata Nugroho M. Dalhar Mahendra P. Utama Mahendra Pudji Utama Meilinia Fathonah Muhamad Arif Petra Wahyu Utama Rabith Jihan Amaruli Rafngi Mufidah Rafngi Mufidah Singgih Tri Sulistiyono Singgih Tri Sulistyono Sulistya Putri Sutarwinarmo Sutarwinarmo Sutejo K. Widodo Yety Rochwulaningsih

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