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Hastika Yanti Nora
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FUNGSI KOMUNIKASI MASSA DALAM TELEVISI (Studi Kasus Program Acara ’Bukan Empat Mata’ di TRANS 7) Hastika Yanti Nora; Muhammad Chaerul Latief; Yuliyanto Budi Setiawan
Jurnal The Messenger Vol 2, No 1 (2010): January-June
Publisher : Universitas Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26623/themessenger.v2i1.278

Abstract

This research is conducted to described and verified communication functions on television program called ’Bukan Empat Mata’ on Trans7. This research used survey method. Primary data gathered from questionnaires, while secondary data collected from related literatures. Research final gains, showing that ’Bukan Empat Mata’ serves two mass-communication functions, which are surveillance and linkage functions from media upon society, especially ’Bukan Empat Mata’ audiences come from Semarang University academics.    
Dramatugi Penyiar Radio Hastika Yanti Nora
Jurnal The Messenger Vol 1, No 1 (2009): July-December
Publisher : Universitas Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26623/themessenger.v1i1.178

Abstract

Dramaturgy is the work of Erving Goffman. He wrote "Presentation of Self in Everyday Life" in '1959. Following the theatrical analogy, Goffman spoke of a front stage and back stage. The front stage is that part of the performance that generally functions in rather fixed and general ways to define the situation for those who observed the performance. The back stage is situation where facts suppressed in the front or various kinds of informal actions may appear. A back stage is usually adjacent to the front stage, but it also cut off from it. Everyone in this world have to run his role in their everyday life. It also a radio announcer. As an actor, they have to be a nice and friendy person when they perform to make air personality, that is  a good  impression, from their audience. But before their perform in the front stage, there so much to do to prepare in the backstage. The front and back stage is radio announcer dramaturgy.
MENCARI NILAI HORMAT DAN RUKUN PADA TAYANGAN OPERA VAN JAVA DI TRANS 7 Retno Manuhoro Setyowati; Yuliyanto Budi Setiawan; Hastika Yanti Nora
Jurnal The Messenger Vol 4, No 1 (2012): January-June
Publisher : Universitas Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26623/themessenger.v4i1.272

Abstract

As a form of puppet people development standard, Opera Van Java (OVJ) which aired on Trans 7 can be regarded as puppets of the grip of revolution on a large scale given the characteristics of the OVJ them is to use the Indonesian language and do not use master narratives. OVJ phenomenon is developing a play slapstick tradition of Mataram who first appears. If all this a play performed on the dimensions of verbal (words / sentences), in this OVJ also other aspects of the thematic core of which is actors, morality story, characterization of his characters, costumes, music, and even setting the stage. Opera Van Java turned into popular culture in the form of puppet people are loaded with innovation and reintepretation.
Co-Authors Muhammad Chaerul Latief Retno Manuhoro Setyowati Yuliyanto Budi Setiawan