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Metal DIY: Dominasi, Strategi, dan Resistensi Agustinus Aryo Lukisworo; Oki Rahadianto Sutopo
Jurnal Studi Pemuda Vol 6, No 2 (2017): Pemuda Milenial: Antara Kreativitas, Perlawanan, dan Kerja
Publisher : Universitas Gadjah Mada

This article focus on the resistance practice by the DIY metal agents towards popularization of metal in Yogyakarta. Beside, this article also attempt to elaborate the survival startegy of the metal agents in Yogyakarta to maintain the Do-It-Yourself practice. Regarding to those focus, this article does not treat metal as a single entity, rather as a dynamic and fluid social space. Thus this article utilized a considerably different kind of approach compared to previous study of metal in Indonesia. This article is based on an ethnographic research, which utilized praticipant observation and in-depth interview as data collecting methods. The data collection process was carried out of six months.The findings based on the field research show that the resistance practice of metal agents in Yogyakarta was manifested through discursive and musical consumption practices. Both of these practices were used strategically by the DIY metal agents to establish an imaginary boundary against social agents and the field of populer music. Furthermore, the strategy which used to maintain the DIY practices, represented through DIY metal agents involevement within collective actions by one of indie/DIY community in Yogyakarta. Based on the research findings, it can be explained that the dynamics of the field with regards to the resistance and survival strategy by the DIY metal agents represent an intens relation between individuality and collectivity.

Melampaui Subkultur/Post-Subkultur: Musisi sebagai Jalan Hidup Kaum Muda Oki Rahadianto Sutopo; Gregorius Ragil Wibawanto; Agustinus Aryo Lukisworo
Jurnal Studi Pemuda Vol 9, No 1 (2020): Kaum Muda dan Karier Subkultural
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/studipemudaugm.55325

This study explores the struggle and its subjectivity among young people in Yogyakarta who choose being-musician as a way of life. Faced with limited job opportunity, they manage and keep alive their aspirations as mucisian in the local music scene. Their decisions to become musician embody a certain element of resistance against dominant view of work that encompasses the idea of a clear career projection. Even so, they do not always rely on the entrepreneurialism practice and do not neccesarily express class sentiment. Their diverse form of articulation is often constituted by construction of their subjectivity and lives trajectory. In this article, we use Hodkinson’s thought on ‘whole lives trajectories, Connel’s take on life in Global South and Beck’s theory on the redistribution of global risk to explore the subjectivity and plural voices of young musician in Yogyakarta. Based on the empirical data, we argue that throughout their lives trajectories, young musician intertwine with three social units that are unique to Global South context namely family, community, and wider social network either with subculture or post-subculture roots. In their lives trajectories—aside of those three social units—young musician are also faced with the redistribution of local and global risk.

Metal DIY: Dominasi, Strategi, dan Resistensi Agustinus Aryo Lukisworo; Oki Rahadianto Sutopo
Jurnal Studi Pemuda Vol 6, No 2 (2017): Pemuda Milenial: Antara Kreativitas, Perlawanan, dan Kerja
Publisher : Universitas Gadjah Mada

This article focus on the resistance practice by the DIY metal agents towards popularization of metal in Yogyakarta. Beside, this article also attempt to elaborate the survival startegy of the metal agents in Yogyakarta to maintain the Do-It-Yourself practice. Regarding to those focus, this article does not treat metal as a single entity, rather as a dynamic and fluid social space. Thus this article utilized a considerably different kind of approach compared to previous study of metal in Indonesia. This article is based on an ethnographic research, which utilized praticipant observation and in-depth interview as data collecting methods. The data collection process was carried out of six months.The findings based on the field research show that the resistance practice of metal agents in Yogyakarta was manifested through discursive and musical consumption practices. Both of these practices were used strategically by the DIY metal agents to establish an imaginary boundary against social agents and the field of populer music. Furthermore, the strategy which used to maintain the DIY practices, represented through DIY metal agents involevement within collective actions by one of indie/DIY community in Yogyakarta. Based on the research findings, it can be explained that the dynamics of the field with regards to the resistance and survival strategy by the DIY metal agents represent an intens relation between individuality and collectivity.

Melampaui Subkultur/Post-Subkultur: Musisi sebagai Jalan Hidup Kaum Muda Oki Rahadianto Sutopo; Gregorius Ragil Wibawanto; Agustinus Aryo Lukisworo
Jurnal Studi Pemuda Vol 9, No 1 (2020): Kaum Muda dan Karier Subkultural
Publisher : Universitas Gadjah Mada

This study explores the struggle and its subjectivity among young people in Yogyakarta who choose being-musician as a way of life. Faced with limited job opportunity, they manage and keep alive their aspirations as mucisian in the local music scene. Their decisions to become musician embody a certain element of resistance against dominant view of work that encompasses the idea of a clear career projection. Even so, they do not always rely on the entrepreneurialism practice and do not neccesarily express class sentiment. Their diverse form of articulation is often constituted by construction of their subjectivity and lives trajectory. In this article, we use Hodkinson’s thought on ‘whole lives trajectories, Connel’s take on life in Global South and Beck’s theory on the redistribution of global risk to explore the subjectivity and plural voices of young musician in Yogyakarta. Based on the empirical data, we argue that throughout their lives trajectories, young musician intertwine with three social units that are unique to Global South context namely family, community, and wider social network either with subculture or post-subculture roots. In their lives trajectories—aside of those three social units—young musician are also faced with the redistribution of local and global risk.

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