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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Asri MK
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Arts Humanities

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MUSIK TARI KURENAH UWAIK UWAIK MK, Asri
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 13, No 2 (2017): Garak Jo Garik
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1083.947 KB)

Abstract

Paket Musik Tari Kurenah Uwaik-uwaik fungsional sebagai peringatan dan bahan renungan jika diusia senja terkadang tingkah laku dan pola hidup kembali seperti anak-anak, minta diperhatikan, dimanja dan terkadang sangat sensitif. Musik tari Kurenah Uwaik Uwaik terinspirasi dari tingkah laku nenek-nenek dalam kesibukan sehari-hari yang penuh dengan keunikan dan kelucuan yangmenggelitik lagi mengasyikkan. Istilah Uwaik-uwaik berasal dari sebutan untukpara ibu-ibu lanjut usia (lansia) di sekitar Danau Maninjau. Eksistensi kehidupansosial para Uwaik-uwaik ini cukup dinamis yang menyimbolkan sifat “tua-tuakeladi-makin tua makin menjadi” dan gambaran itulah yang sering terjadi dikehidupan lansia. Hasil karya Musik Iringan dari Tari Kurenah Uwaik-uwaikmerefleksikan memori terhadap dunia nenek-nenek yang termasuk fenomenal dimata para cucunya yang harus dihadapi dengan penuh kesabaran. The Kurenah Uwaik-uwaik dance and music package are functionally as awarning and reflection material, when human are aged, the behavior and lifepatterns are quite same as children. They ask for attention, they are spoiled, and sometimes very sensitive. Kurenah Uwaik Uwaik's dance and music is inspired by grandmother's behavior in daily routines, which is full of uniqueness and humor that intriguing and exciting. Uwaik-uwaik is a term that comes and used for elderly mothers (grandmother) around Lake Maninjau. The existence of the Uwaik-uwaik social life is quite dynamic which symbolizes the nature of thisphrase "tua-tua keladi-makin tua makin menjadi" and it is often happens in thelives of the elders. The work of Kurenah Uwaik-uwaik dance and music, reflectsthe memory about the world of grandmothers, which is phenomenal in the eyes of their grandchildren who must faced them with patience.
PENULISAN ETUDE-ETUDE MUSIK TALEMPONG UNGGAN (Sebuah Usaha Pembelajaran Musik Tradisi Berbasis Literatur) MK, Asri
Humanus Vol 13, No 2 (2014)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (901.929 KB) | DOI: 10.24036/jh.v13i2.4725

Abstract

“Talempong unggan”, a traditional music from Minangkabau community particularly in Unggan, Sumpur Kudus, Sijunjung Regency, West Sumatera Indonesia is classified into genre of “talempong duduak” (rea). Due to its special musical concept and the playing technics, this traditional music is selected as a practising course in the Karawitan Department of Indonesian Institute of Art (ISI) Padang Panjang since 1993 till now. In a system of class learning with many students, Talempong Unggan definitely needs supporting methods and learning technics suitable for the course where the students can reach their maximum skills. All the melody of “talempong unggan” that has been made as a material of practice is transcribed to the system of numeric notation and rhythm motive of “gendang” and “aguang” which is written into signs and special notation. All of qualitative data is formulated into finding methods, technics and etude of learning ensamble of Talempong Unggan the traditional music that learned in Karawitan Department of ISI Padang Panjang. Key words: Talempong Unggan, Methods, Technics, Etude
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