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Hasbullah Hasbullah
Hasanuddin University

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ALUR DALAM DEMAIN KARYA GUILLAUME MUSSO Jeni Petrus; Ade Yolanda Latjuba; Hasbullah Hasbullah
JURNAL ILMU BUDAYA Vol. 7 No. 1 (2019): Volume 7 No 1 January-Juni
Publisher : Universitas Hasanuddin

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Abstract

This study aims to analyze the flow of story sequences in the Demain novel karya Guillaume Musso , novel ini menyajikan cerita dengan permainan temporal yang khas.Cerita ini tidak tersusun secara kronologis dengan pergantian masa lampau dan beralih ke masa yang lebih lampau lagi dengan tingkat kerumitan tertentu. by Guillaume Musso.  This novel presents a story with a distinctive temporal play. It is not arranged chronologically with the alternation of the past and shifts to a longer past with a certain degree of complexity. To start the analysis  a general view of Russian formalist terms of sjuzet, fabula, and deotomatisation is presented.It is followed by the exposisiton of the events to identify the narrative structure of the story. To complete the act of reconstructing, the inventory of time expressions will be followed by the rearrangement of  events series or plots on the basis of chronology and causality mechanism.  The analysis shows that interplay of the past and the present events is actually   one narrative strategy to incite the curiosity of the readers in one hand and to delay the possible logic of sequential story. The results of this study shows that the structure of the text contained in the novel Demain terbagi menjadi dua bagian yaitu: tahapan I peristiwa pra pernikahan yang terjadi di tahun 1991,1992,1993,1994,1996,1998,1999.can  be divided into two main parts, namely: Th first part is the the group of  pre-marriage events that occurred in the years of respectively 1991,1992,1993,1994,1996,1998,1999. While  The second stage is the period of the marriage between Matthew and Kate in the year of.  2006, The accidental event of old computer purchase by Matthew, the main character leads to the totally new dimension open the way to retrospect the old events.
STEREOTIP ISLAM DALAM SOUMISSION KARYA MICHEL HOULLEBECQ Erwing Erwing; Ade Yolanda Latjuba; Hasbullah Hasbullah
JURNAL ILMU BUDAYA Vol. 8 No. 1 (2020): January-June
Publisher : Universitas Hasanuddin

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The stereotype is a problem that we found when examining Michel Houllebecq's work entitled Soumission. As a form of prejudice against a particular ethnic / race or group, in this case, an Islamic group, this discourse is wrapped up in story elements. Therefore, to prove this thesis, this study is entitled "Islamic Stereotypes in Soumission by Michel Houllebecq". The aim is to describe the stereotypes of Islam that were built in the Soumission. The data collected was carried out using Albertine Minderop's characterization approach, namely: direct characterization (telling) and indirect characterization (showing), and also using the Luxembourg functional theory, connection events, and reference events by combining the concepts of Barthes sequences. The results showed that in the elements of the story, such as characters and characterizations as well as the flow of events showed Islamic stereotypes; that Islam is synonymous with terrorism, Islam legalizes polygamy, (women) Islam is fanatical about its religion, and Islam restricts women's rights.
KONSTRUKSI IDENTITAS TOKOH DALAM AU BONHEUR DES OGRES KARYA DANIEL PENNAC Mutmainnah Mutmainnah; Ade Yolanda Latjuba; Hasbullah Hasbullah
JURNAL ILMU BUDAYA Vol. 10 No. 1 (2022): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v10i1.19479

Abstract

This research will explain the identity of Benjamin obtained based on the construction of people by looking at the background of his life and work. The theory used in this study is the intrinsic theory of literature, which includes figures and characterizations as well as social settings and identity. The research reveals two sides of the views of people around the character.This resulted in three things, namely (1) a description of Benjamin's family life that views him as a good, understanding and responsible person, (2) a description of Benjamin's work and relationships with his colleagues which makes him a scapegoat and also a suspect in a case bombing that occurred at his workplace, (3) Benjamin's identity was constructed based on the views of those around him.