Kusumalestari, Ratri Rizki
Fakultas Ilmu Komunikasi Universitas Islam Bandung

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The Meaning Of K-Pop And Self-Concept Transformation Of K-Pop Fans In Bandung Alex Sobur; Ferry Darmawan; Ratri Rizki Kusumalestari; Endri Listiani; Dadi Ahmadi
MIMBAR (Jurnal Sosial dan Pembangunan) Volume 34, No. 2, Year 2018 [Accredited Ranking Sinta 2]
Publisher : Universitas Islam Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (691.988 KB) | DOI: 10.29313/mimbar.v34i2.3729

Abstract

This research is motivated by the phenomenon of Korean culture fans, especially fans of Korean Pop music (K-pop) in Bandung. Their unusual behaviors, such as hysterical screaming over their idols, mimicking the dances, angry if their idols are insulted, and putting K-pop as their top priority are very interesting elements for the researchers to explore more about K-pop fans, particularly in Bandung. Focus of this research is the definition/ meaning of K-pop and the transformation of self-concept of K-pop fans in Bandung. This research uses a qualitative approach. Schutz's phenomenological analysis are used to examine the phenomenon of K-pop fans in terms of their experiences. The subject of this research is the informant who has fulfilled two (2) criteria, namely a fan of K-pop and a member of Korean culture lover community. Based on the results of observations and interviews, there are three self-concept transformations of informants, namely (1) byeonhwa namnyosongeui (변화남녀성의), i.e. transformation of the masculine self-concept into feminine, (2) byeonhwa dad-eun yeollin (변화성의열린), i.e. transformation of the introvert self-concept into extrovert, and (3) byeonhwa uigyeon bad-eun (변화의견받은) which can be interpreted as transformation of the closed-minded self-concept into open-minded that appreciate other people’s opinions.
HIJRAHTAINMENT: COMPOSING PIETY AND PROFANE AS COMMODIFICATION OF RELIGION BY MEDIA Ratri Rizki Kusumalestari
MediaTor (Jurnal Komunikasi) Vol 13, No 2 (2020): (Accredited Sinta 2)
Publisher : Pusat Penerbitan Universitas (P2U) LPPM Unisba

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v13i2.6610

Abstract

According to the constructionism paradigm in communication and media theory, social reality is constructed by the media based on its ideology. The media construct various realities in the real world into a second reality. One of them is the rise of artists who explore Islam and decide to "emigrate" or “hijrah.” Using the Murray Edelman framing method, this study explores how online media okezone.com, detik.com, and tribunnews.com frame the hijrah phenomenon of  Indonesian artists in entertainment packages and bring up the term hijrahtainment. The results of this study show that the media construct two frames, namely the ideal millennial frame and the piety and profane frame. The categorisation from the three online media offers religion commodification in the frame of piety, mixing with profanity like entertainment.
Gen Z's Reception of Covid-19 Information on Digital Media Ratri Rizki Kusumalestari; Arba’iyah Satriani; Andalusia Neneng Permatasari; Millenia Anjani; Nova N. Nadifah
MediaTor (Jurnal Komunikasi) Vol 14, No 2 (2021): (Accredited Sinta 2)
Publisher : Pusat Penerbitan Universitas (P2U) LPPM Unisba

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v14i2.8387

Abstract

Qualitative studies regarding the reception or reception of Generation Z on Covid-19 information in Indonesia have not been widely carried out. As a generation that was born and grew up with digital technology that is developing very quickly, Gen Z has different characteristics from other generations. Gen Z's acceptance of information related to Covid-19 is one of the important things to assess regarding their potential role and quantity. This study aims to explore Gen-Z's acceptance of Covid-19 information in digital media with a qualitative approach to reception analysis. Data were obtained through FGDs and in-depth interviews. Research findings show that Gen Z prefers access to information that is fast-paced and practical; have a preference for news that is more relaxed, positive and informative; have adequate information literacy to identify hoaxes and perform fact checks; and has a reading position of negotiation and opposition with diverse behavior, but not hegemony-dominant.  The results of this study contribute to the qualitative data of Gen-Z reception of Covid-19 information among the available quantitative data.
Wacana Cinta Tanah Air dalam Lirik Lagu: Analisis Wacana Kritis Model Norman Fairclough terhadap Lagu 'Preambule' dari The Brandals Muhammad Jovi Desanto; Ratri Rizki Kusumalestari
Bandung Conference Series: Public Relations Vol. 3 No. 1 (2023): Bandung Conference Series: Public Relations
Publisher : UNISBA Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/bcspr.v3i1.6653

Abstract

Abstract—Preambule is the opening song on the album Era Aggressor (2021) from the Brandals. Preambule song lyrics tell about the phenomena that occurred in the past few years that can trigger disunity in Indonesian society. The Brandals through the Preambule song want to remind people not to be easily provoked and still maintain the unity of the Republic of Indonesia as a form of love for the country. This study uses qualitative methods with critical discourse analysis Norman Fairclough’s model. This study aims to determine the representation of Love Homeland, discourse practice, as well as sociocultural practice on the Preambule song lyrics from the Brandals. The results of the study concluded that the representation of love for the country in the text of the lyrics of the song Preambule was depicted through social criticism of the state of Indonesia which was not doing well. The text of the Preambule song lyrics also describes phenomena in Indonesia that have the potential to cause division and intolerance in society. Therefore, the song Preambule is a response from The Brandals who wants to remind and awaken the public, especially listeners of The Brandals, to maintain unity as a form of love for the homeland. In writing the lyric text of Preambule, Eka Annash was influenced a lot by her childhood life, family background, and the music she listened to. In addition, the process of writing Preambule song lyrics is also influenced by situational, institutional, and social conditions when the lyrics of Preambule songs are written such as the 2019 elections, the draft law that has become a public debate, the internal parties of The Brandals, and the intolerance of the Indonesian people. Abstrak—Preambule merupakan lagu pembuka di album Era Agressor (2021) dari The Brandals. Lirik lagu Preambule menceritakan tentang fenomena-fenomena yang terjadi di beberapa tahun ke belakang yang dapat memicu perpecahan pada masyarakat Indonesia. The Brandals melalui lagu Preambule ingin mengingatkan masyarakat agar tidak mudah terprovokasi serta tetap menjaga persatuan dan kesatuan NKRI sebagai bentuk cinta Tanah Air. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis wacana kritis model Norman Fairclough. Penelitian ini bertujuan untuk mengetahui representasi cinta Tanah Air, praktik wacana, serta praktik sosiokultural pada lirik lagu Preambule dari The Brandals. Hasil penelitian menyimpulkan bahwa representasi cinta Tanah Air pada teks lirik lagu Preambule digambarkan melalui kritik sosial terhadap keadaan Indonesia yang sedang tidak baik-baik saja. Teks lirik lagu Preambule juga menggambarkan fenomena-fenomena di Indonesia yang berpotensi menimbulkan perpecahan serta intoleransi pada masyarakat. Oleh karena itu, lagu Preambule menjadi respon dari The Brandals yang ingin mengingatkan dan menyadarkan masyarakat khususnya pendengar The Brandals untuk tetap menjaga persatuan sebagai bentuk cinta terhadap Tanah Air. Pada penulisan teks lirik lagu Preambule, Eka Annash banyak dipengaruhi oleh kehidupan masa kecil, latar belakang keluarga, dan musik-musik yang ia dengarkan. Selain itu, proses penulisan lirik lagu Preambule juga dipengaruhi oleh kondisi situasional, institusional, dan sosial pada saat lirik lagu Preambule ditulis seperti Pemilu 2019, Rancangan Undang-undang yang menjadi perdebatan publik, pihak internal The Brandals, dan sikap intoleransi masyarakat Indonesia.
Postmodernisme dalam Film Avatar The Way Of Water Tegar Buana Harahap; Ratri Rizki Kusumalestari
Bandung Conference Series: Communication Management Vol. 3 No. 2 (2023): Bandung Conference Series: Communication Management
Publisher : UNISBA Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/bcscm.v3i2.7545

Abstract

Abtract. Communication is processed into various forms for the needs of people's lives. Avatar The Way of Water is a phenomenal sci-fi film at the end of 2022 because of the sophisticated technological sophistication and moral values ​​contained in this film. This film tells about the rapid development of technology that can make humans turn into a creature that is more resilient than humans who live on other planets. The purpose of this study is to determine the value of postmodernism contained in the film Avatar The Way of Water through the structure of signs and symbols. The method used in this study is a qualitative method with a semiotic analysis approach. The data collection technique uses image and sound observation or dialogue in which there are sign elements that describe moral values. Then it was analyzed using Roland Barthes' semiotic analysis which analyzed it in two stages, namely the denotation and connotation stages. The results of this study include denotative meanings regarding the existence of families as well as human crimes against nature, then some of the connotative meanings in this film, namely taking care of each other between families under any circumstances, as well as technological advances to support their implementation process. There are two myths in this film, namely regarding family and human consumption of nature. Abtsrak. Semakin pesatnya perkembangan teknologi di era globalisasi ini, perkembangan pesan komunikasi diolah menjadi berbagai bentuk guna kebutuhan kehidupan masyarakat. Avatar The Way of Water merupakan film fiksi ilmiah yang sangat fenomenal pada akhir tahun 2022 karena kecanggihan tekonologi yang mumpuni serta nilai moral yang terkandung pada film ini. Film ini menceritakan tentang perkebangan teknologi yang begitu pesat yang dapat membuat manusia berubah menjadi satu makhluk yang lebih Tangguh dari manusia yang tinggal di planet lain. Tujuan penelitian ini adalah untuk mengetahui nilai posmodernisme yang terkandung dalam film Avatar The Way of Water melalui struktur tanda dan symbol. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan analisis semiotika. Teknik oengumpulan data menggunakan observasi gambar dan suara atau dialog di dalamnya juga yang terdapat unsur tanda yang menggambarkan nilai moral. Lalu dianalisis menggunakan analisis semiotika Roland Barthes yang menganalisis secara dua tahap, yaitu dengan tahap denotasi dan konotasi. Hasil pada penelitian ini yaitu diantaranya makna denotasi mengenai kebaradaan kelurga juga kejahatan manusia pada alam, lalu beberapa makna konotasi pada film ini yaitu saling menjaga antar keluarga dalam keadaan apapun, juga kemajuan teknologi untuk mendukung proses pelaksanaan meraka. Mitos pada film ini ada dua yaitu mengenai keluaraga dan konsumsi manusia terhadap alam.
Pengaruh Penggunaan Instagram Story terhadap Pemenuhan Konsep Diri Ideal: (Studi Korelasional tentang Penggunaan Instagram Story sebagai Media Pemenuhan Konsep Diri Ideal terhadap Mahasiswa di Kota Bandung) Nastiti Ratna Utami; Ratri Rizki Kusumalestari
Bandung Conference Series: Public Relations Vol. 3 No. 2 (2023): Bandung Conference Series: Public Relations
Publisher : UNISBA Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/bcspr.v3i2.9469

Abstract

Abstract. Intrapersonal communication and interpersonal communication have a role to change and develop the individual self including his self-concept. According to Hurlock, there is an actual self-concept and an ideal self-concept in humans. From the existence of these two concepts in humans, its possible for a gap to arise due to discrepancy between ideal self and the actual self . The use of the Instagram story feature is thought to influence the fulfillment of one's ideal self. The method used in this research is quantitative with a correlational approach. The population in this study were students in the city of Bandung. Research data collection was carried out by distributing questionnaires. Determination of the sample of this study using random sampling and there is a total sample of 100 people measured using Limeshow. F test, t test and Pearson correlation test were performed. The results obtained show that the use of Instagram Stories significantly influences the fulfillment of the ideal self-concept of its users. Abstrak. Komunikasi intrapersonal dan komunikasi interpersonal berperan dalam mengubah dan mengembangkan diri individu termasuk terhadap konsep dirinya. Menurut Hurlock terdapat konsep diri aktual dan konsep diri ideal dalam diri manusia. Dari adanya kedua konsep diri manusia memungkinkan timbulnya kesenjangan akibat ketidaksesuaian antara keduan. Penggunaan fitur Instagram story diduga dapat berpengaruh terhadap pemenuhan konsep diri ideal seseorang. Metode yang digunakan dalam penelitian ini adalah kuantitatif dengan pendekatan korelasional. Populasi dalam penelitian ini adalah Mahasiswa di Kota Bandung. Pengumpulan data penelitian dilakukan dengan menyebarkan kuisioner. Penentuan sampel penelitian ini menggunakan random sampling serta terdapat jumlah sampel sebesar 100 orang diukur menggunakan Limeshow. Dilakukan uji F, uji t dan uji korelasi Pearson. Hasil yang didapat menunjukkan bahwa penggunaan Instagram Story secara signifikan berpengaruh terhadap pemenuhan konsep diri ideal penggunanya.
Parenting styles and digital literacy: Uncovering their correlation among adolescents Ratri Rizki Kusumalestari; Maya Amalia Oesman; Dadi Ahmadi; Muthiah Umar; Neni Yulianita
Jurnal Kajian Komunikasi Vol 11, No 2 (2023): December 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkk.v11i2.46658

Abstract

Background: The development process of digital literacy is gradual and significantly influenced by parenting style. How parents raise their children significantly impacts how well-trained adolescents are in media-related behaviour. Purpose: The study aims to examine the relationship between the digital literacy levels of adolescent - students at the Faculty of Communication Science, Universitas Islam Bandung - and the parenting styles they experience within their families. Methods: This research employed a quantitative approach within the positivistic paradigm. It involved a sample of 120 students. Results: This study revealed that adolescents from families with authoritative parenting styles exhibited higher levels of digital literacy than those from authoritarian, permissive and neglectful families. Meanwhile, adolescents from neglectful family backgrounds demonstrated the lowest degree of digital literacy. These findings provide a foundation for developing adolescent digital literacy and, consequently, promoting cyber wellness by achieving a balance between online and offline life. Conclusion: This research indicated no significant relationship between parenting style and students’ digital literacy at the Faculty of Communication, Universitas Islam Bandung. Implications: Nevertheless, it is worth noting that students raised within a family with an authoritative parenting style tend to exhibit higher digital literacy abilities, although the difference is not statistically significant. This study also introduces a comparative theory, highlighting the contrast between students, who are digital natives, and their parents, who can be considered digital immigrants.