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All Journal Gelar : Jurnal Seni Budaya Lakon Jurnal Pengkajian & Penciptaan Wayang
I Nyoman Murtana
ISI Surakarta
Arts Humanities Education

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PERTUNJUKAN WAYANG KULlT: WISATA MANDALA KESADARAN KOSMIS I Nyoman Murtana
Gelar : Jurnal Seni Budaya Vol 9, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6270.107 KB) | DOI: 10.33153/glr.v9i1.1345

Abstract

The domain of intellectual and empirical consciousness analyzing wayang as a thinking subject shows that the reality of wayang realm is the formation of human thought. On the contrary, empiricism understands human consciousness in wayang as the reflection on an objective fact beyond the thought. That is why, the reality of wayang itself can be understood objectively as far as it is reflected on consciousness. However, the performance is intended for the emotional domain to develop the human imaginative power of nature. The domain of nature and that of human being in wayang develops cultural consciousness, the position of human being in the universe and the position of nature for human life, both in horizontal and vertical dimensions excreted in wayang kulit performance. The domain of ontological function has something to do with the difference between the manifest function and the latent function (visible and invisible functions) of wayang kulit performance. The manifest function is an objective consequence of adapted system demanded and realized by partisans of that system. On the contrary, the latent function is the objective consequence of wayang kutlt performance undesired and unrealized by community members.  The domain of entertainment and of rite converging in wayang kullt performance review the duality of social function of wayang kulit performance. On the one hand wayang kulit performance has the  function of entertainment and on the other hand it has a spiritual mission to meet a part of human necessities of sacred life.Key words: tourism, nature, human being, wayang kulit performance.
STRATEGI VISUAL IKLAN TELEVISI KUKU BIMA ENERGI PRODUKSI PT. SIDO MUNCUL SEMARANG Annas Marzuki Sulaiman; I Nyoman Murtana
Gelar : Jurnal Seni Budaya Vol 13, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2059.605 KB) | DOI: 10.33153/glr.v13i1.1551

Abstract

Kuku Bima Energi is a brand of an energy drink produced by P.T. Sido Muncul, Semarang. Sido Muncullaunches an advertisement of version Mari Berwisata di Negeri Sendiri (Let’s go touring in our own country).The research is purposed to describe: 1). background of PT. Sido Muncul represents television advertisementKuku Bima Energy version Mari Berwisata di Negeri Sendiri; 2). Visual strategy of television advertisementKuku Bima Energy version Mari Berwisata di Negeri Sendiri; and 3). Visual form of television advertisementKuku Bima Energy version Mari Berwisata di Negeri Sendiri. The research uses qualitative method and casestudy approach. The research process is arranged based on the data gaining and correlation in order toaccumulate information related to visual strategy and advertisement structure. The analysis used is aestheticsMonroe Beardsley. The result of research shows that Kuku Bima Energi in its imaging has been succeed inusing the nationalism issues to bind consumers by raising up the cultural and tourism values through televisionadvertisement. It makes the nationalist image and love to local culture attached to Kuku Bima Energi and hasbound consumers emotionally.Keywords: Kuku Bima Energy, Brand, imaging, visual strategy, aesthetics
ERAN SEMAR, GARENG, DAN PETRUK DALAM PERTUNJUKAN WAYANG KULIT PALEMBANG LAKON PRABU UKIR GELUNG NEGAK BLABAR KAWAT J., Johansyah; I Nyoman Murtana
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 11, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (409.71 KB) | DOI: 10.33153/lakon.v11i1.2151

Abstract

In responding to the cultural and traditional development in Palembang, the writer tries to analyzean interesting phenomena on wayang kulit performance in Palembang involving theater Dulmulukartists appointed by the dalang to take the roles of Semar, Gareng, and Petruk in lakon PrabuUkir gelung Negak Blabar Kawat. The research is analized by using the theories of dramaturgi,role, structure, and creativity. The data is collected by using descriptive analysis method. Thefinding shows that the performance gets a good respond from the audience because of thepresence of Semar, Gareng, and Petruk. Their presence in the performance has made achange to the performance structure and has given a good enthusiasm to the audience.Keywords: wayangkulit Palembang, Semar, Gareng, Petruk, role.
Co-Authors Annas Marzuki Sulaiman J., Johansyah