I Gde Suryawan
Institut Hindu Dharma Negeri Denpasar

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Menumbuhkembangkan Apresiasi Seni Rupa Anak Sekolah Dasar Terhadap Karya Seni Lukis Kaca Nagasepaha I Gde Suryawan; Kadek Dwi Sentana Putra
Edukasi: Jurnal Pendidikan Dasar Vol 1, No 2 (2020)
Publisher : STAHN Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (182.444 KB) | DOI: 10.55115/edukasi.v1i2.917

Abstract

Growing and developing applesisation is a form of solution for maintaining the sustainability of glass painting. To appreciate (to appreciate) means to appreciate. Respect means involving two things in the process, where the subject is the party that gives the award and the object of value is the party that is appreciated. This is where the importance of appreciating activities in art education is because students gain experience of absorbing, filtering, behaving, interpreting and responding to aesthetic symptoms in both works of art and nature. Having an attention process through the introduction of Nagasepaha glass painting to elementary school children will develop their experiences. Certain experiences that students have will certainly influence the point of their analysis of something, as well as in works of art.  Keywords: Apretiation, Nagasepaha of Glass Painting
Rupa Gayah dalam Ritual Masyarakat Hindu di Desa Sembung, Mengwi, Badung I Gde Suryawan; I Nyoman Duwika Adiana; I Kadek Jayanhti Riva Prathiwi
Sphatika: Jurnal Teologi Vol. 11 No. 1 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (419.402 KB)

Abstract

Style is a collection of several satays and the bones of animals slaughtered (usually pigs) and then shaped so that they look attractive. In general the form of style can be divided into three namely the style of style, body style and peak style. Alas gayah consists of pig bones arranged like pigs while alive. On the body of the style is composed of several satay namely pengideran satay, satay that symbolizes the Gods Nawa Sanga (nine Gods who control the nine cardinal directions), pengurip-urip satay is satay which shows the amount of urip Dewata Nawa Sanga, and satay decoration is satay which symbolizes the contents of the nine directions of the compass; the world and functioning style decoration. The form of style in each region in Bali varies according to the taste of art and creativity of the maker, but has the same symbol and meaning, which is the symbol of the universe and is meaningful as a neutralizing the negative elements of the Great Bhuwana (nature) and Bhuwana Alit (humans).