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Passage Territories: Reframing Living Spaces in Contested Contexts Paramita, Kristanti Dewi; Schneider, Tatjana
Interiority Vol 1 No 2 (2018)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (340.984 KB) | DOI: 10.7454/in.v1i2.34

Abstract

This paper investigates the concept of ‘passage territories’ (Sennett, 2006), as living spaces constructed from one’s passage of movement from one separate space to another, and how it extends the discussion of interiority in contested contexts. Through observations of living spaces and the narrative accounts of dwellers’ in Kampung Pulo and Manggarai neighbourhoods of Jakarta, this study draws attention to the interiority of dispersed and layered spaces occupied by the kampungs’ dwellers. In this context, passage territories are driven by a) a limitation of space that, in turn, triggers the need to acquire more space; b) the occupation of a dweller that necessitates different types of space; and c) the limited access to infrastructural resources that influence the extent of a living space’s dispersal. Through the use of drawings, this study reveals the complete interiority of living spaces consisting of spaces with diverse spatial ownerships and scales. The boundaries of passage territories tend to be defned by the frequency and length of time needed for an activity instead of the relative proximity between certain spaces. Furthermore, the way objects are placed also shapes the boundaries of passage territories, both for permanent and temporary use of space. This paper then discusses the impact of this knowledge on the interiority of passage territories, proposing to use mechanisms of ‘patches’ and ‘corridors’ to shape the interior of territory that cross, share, and change into one another.
CONTEXT LEARNING TRANSFORMATION IN ARCHITECTURAL DESIGN STUDIO Paramita, Kristanti Dewi; Yatmo, Yandi Andri
MODUL Vol 20, No 2 (2020): MODUL vol 20 nomor 2 tahun 2020 (9 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.20.2.2020.157-166

Abstract

This paper reflects the shifting understanding of context in a data-based architectural studio. With the school closure in the beginning of the COVID pandemic, the overall learning process is largely conducted online. Big Data becomes an important discourse that provides some benefits and opportunities which transform the design and learning process in an architectural studio, particularly on how students may explore and understand their context. Exploring the works of third-year architectural students in Department of Architecture, Faculty of Engineering Universitas Indonesia, this paper highlights the ways students capture and organise urban information and construct their intervention contexts. The study points out that time, flow and narrative are key in transforming understanding of context. Based on such three aspects, the data reveals the unseen urban patterns, emerging in the imbalance relationship between user and the environment, the disconnection of urban services, and the hidden variety of urban experience. The study reflects how these urban patterns informs the ways students define and situate themselves in the context, shifting existing ideas of context and its corresponding methodologies in the architectural education.     
Inscriptions: Narrating the Spatial Dynamics of the Immaterial Interior Wahid, Arif Rahman; Paramita, Kristanti Dewi; Yatmo, Yandi Andri
Interiority Vol 4 No 1 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v4i1.87

Abstract

This paper explores inscription as a projection of the spatial dynamics of a setting, beyond a historical or cultural symbol in a context, and highlights that inscription—a written or carved message on a surface—is an element that immaterially demonstrates a more in-depth narrative of an interior. This paper focuses on exploring inscriptions embedded in various production settings in Jakarta and Central Java, collecting individual and observational accounts on the production of such inscriptions and their meanings. The study suggests that inscriptions demonstrate various roles, from providing information, mediating different spaces and performing as tools to assist activities. Inscriptions may traverse the trajectories of different spaces and exist in different layers of time, creating an interior connection across space and time. These layers and trajectories project the dynamics of material and bodily processes, assembling the immaterial interior.
Investigating the Domestic Layers Adaptation During Pandemic Karimah, Afifah; Paramita, Kristanti Dewi
Interiority Vol 3 No 2 (2020)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/in.v3i2.101

Abstract

This paper expands the theoretical understanding of building layers proposed by Brand (1995) by investigating changes in the domestic environment during the COVID-19 pandemic. Brand’s layer framework breaks a built environment into “shearing layers” to examine its adaptation processes. This paper argues that ways of managing the risk of virus transmission in the built environment redefine the understanding of these layers. This paper takes the perspective of interiority to address these layers as instruments with the spatial qualities required of a resilient domestic environment. The study unpacks the theory of Brand’s layer framework, proposing the principles by which layers adapt to protect the domestic environment during the COVID-19 pandemic. It then offers readings on the occurrence of change in the domestic environment in which such adaptation principles are performed. Such occurrences consist of intensifying layer changes to assist intense uses, merge between layers to assist movements, the construction of new layer forms, and reconfiguration of multiple layers for a prolonged change. Apart from redefining the very understanding of layers, this paper addresses how spatial change is not driven only by physical deterioration, but also by the performative creation of scenarios to protect the domestic environment during the pandemic.
INVESTIGASI DESAIN ARSITEKTUR YANG TIDAK TERKONDISI BERBASIS METODE PARTISIPATIF Rian Faisal Asqhor; Yandi Andri Yatmo; Kristanti Dewi Paramita
Nature : National Academic Journal of Architecture Vol 8 No 2 (2021): Nature
Publisher : Department of Architecture, Faculty of Science and Technology, Alauddin State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/nature.v8i2a9

Abstract

Abstrak_ Artikel ini menginvestigasi mengenai arsitektur yang tidak terkondisi, yakni desain dengan ruang dan elemen arsitektur yang hadir tanpa keteraturan dan tanpa perencanaan sebelumnya.  Pelibatan masyarakat menciptakan potensi variasi dalam membangun ruang dan elemen arsitektur yang bersifat non-conformity (ketidaksesuaian), dan dengan demikian berfungsi memperkaya ruang urban yang terbentuk. Arsitektur tidak lagi berfokus hanya pada estetika sebagai bentuk akhir desain, namun menjadi bagian dari upaya untuk memberikan masyarakat ruang untuk bermanuver dalam merancang ruang urban yang adaptif. Artikel ini membahas lebih lanjut akan metode desain arsitektur yang tidak terkondisi melalui riset kajian (desk research) studi kasus arsitektur berbasis partisipasi pada restorasi Amiriya Complex, pengembangan Kali Code, dan rumah bagi komunitas tradisional di Puebla, Mexico. Analisis studi kasus ini memperlihatkan bagaimana partisipasi masyarakat mengubah fungsi ruang dan menekankan lokalitas material yang tidak terkondisi sehingga menciptakan identitas baru sebagai ruang urban. Pemahaman akan mekanisme terbentuknya desain arsitektur yang tidak terkondisi diharapkan mampu menginisiasi cabang ilmu arsitektur yang melihat arsitektur di luar keteraturan serta melihat kemungkinan masyarakat sebagai aktor utama dalam produksi ruang keseharian pada konteks urban.Kata Kunci :  Arsitektur  yang Tidak Terkondisi; Non-Conformity; Partisipasi; Urban. Abstract_ This article investigates unconditional architecture, which is a form of design with space and architectural elements with disordered characters that arise in an unplanned way. Engagement with the community provides potential variation in developing space and architectural elements that value non-conformity, enriching the urban space. Architecture no longer focuses on aesthetics within the final form of the design but provides maneuvering opportunities for the community to develop an adaptive urban space. This article focuses on the design method of unconditional architecture through case studies of participatory architecture in Amiriya Complex restoration, Code river development, and Puebla traditional dwellings for the community in Mexico. The analysis of these case studies demonstrates how community participation changes function and emphasize material localities that are unconditioned that generate new urban identity. Understanding the mechanism of unconditioned architecture aims to expand architectural knowledge that values architecture beyond its orderliness, and highlights possibilities of the community as the main actor in the production of everyday urban space. Keyword: Uncoditional Architecture; Non- Conformity; Paritipatoru; Urban.
MONTAGE AS SPATIAL RECONSTRUCTION OPERATION METHOD IN DESIGNING CINEMATIC ARCHITECTURE Neneng Rika Lestari; Kristanti Dewi Paramita; Paramita Atmodiwirjo
MODUL Vol 21, No 2 (2021): MODUL vol 21 nomor 2 tahun 2021 (11 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.21.2.2021.142-154

Abstract

This article investigated montage to understand and arrange cinematic architecture through operations of spatial reconstruction to present a sequence of spatial experiences. Montage is a part of discourses related to cinematic, film, and architecture. This article explored the montage approach as the primary basis in the architectural design process through spatial experience. The discussion is based on the idea that montage is emphasized in three things, i.e., sequence, multiple layers of meaning, and movement. These three aspects were further observed through the montage precedent comprising various cinematic precedents based on montage in architecture, i.e., Manhattan Transcripts and Parc de La Villette from Bernard Tschumi, Villa Savoye from Le Corbusier, and Maison Bordeaux from Rem Koolhaas. The finding of this study is a synthesis of some of these precedents that resulted in an understanding of space reconstruction operations, i.e., dismantlement, disappearance, and reassembly, all three of which exist as strategies that will be part of the production process to develop montage-based cinematic architectural design, creating new spatial sequence that provide alternative spatial experience. This article expands the knowledge regarding montages that cinematics and films can be a development in architectural design.
Weaving theory and practice: Design discourses, exchanges, and processes Kristanti Dewi Paramita
ARSNET Vol. 1 No. 1 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (121.769 KB) | DOI: 10.7454/arsnet.v1i1.8

Abstract

Theory and practice are often seen in opposition with one another in some architectural dialogues, despite their significant transformative capabilities. The first issue of ARSNET aims to dissolve such opposing relation by exploring how theory and practice weave and intersect in various architectural design inquiries. The articles in this issue investigate how the entanglements of theory and practice enable a precise reading of the contours of design knowledge, expand the interpretation of architectural spatialities, and drive a reflective awareness towards the progression of design processes.
Telling stories, performing operations as a design method Kristanti Dewi Paramita
ARSNET Vol. 1 No. 2 (2021)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (127.186 KB) | DOI: 10.7454/arsnet.v1i2.26

Abstract

Exploration of stories in architectural discourse has yet to generate a structured discussion in the methods of its operations as part of a design endeavour. This issue of ARSNET presents a collection of articles that demonstrates a variety of everyday stories emerging from the experience of space and objects, and outlines the methodologies of their corresponding spatial operations. Through the stories of occupying, manoeuvring, navigating, dispersing, and sensing, this issue highlights various methods of spatial operations. With operations ranging from tracing as a way of revealing space, reduction as manoeuvring strategy, connecting the virtual and the real as a way of finding new meaning and use of space, and creating a spatial atmosphere based on trajectories of senses; the issue expands the discussion of stories-driven architectural design methods.
A sensorial foray into architecture Kristanti Dewi Paramita
ARSNET Vol. 2 No. 1 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (143.251 KB) | DOI: 10.7454/arsnet.v2i1.52

Abstract

Discussion of a sensory-driven architecture emphasises the need for a deeper and more holistic understanding of space. The collection of articles in this issue of ARSNET presents a variety of methods for engaging with the sensorial experience. These articles explore the process of measuring, interpreting, tracing, and constructing the spatial elements and spatial processes driven by sensorial stimulants, driving different projections of space. From the emergence of architecture that is more responsive to the diverse and subjective body needs in space to architecture that responds towards natural qualities as well as natural processes. Some articles also enable propositions of architectural form and programming with sensory-induced spatialities and temporalities. Through such projections, the issue creates multiple possibilities for sensory-driven design objectives which transcend contexts, practices and users, significantly expanding the sensory architecture discourse.
Architecture as a projection of multiplicities Kristanti Dewi Paramita
ARSNET Vol. 2 No. 2 (2022)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (122.797 KB) | DOI: 10.7454/arsnet.v2i2.63

Abstract

The architectural discussion of multiplicity moves beyond the preoccupation with architecture as a fixed, conclusive, and eternal entity. The collection of articles in this issue of ARSNET investigates the multidimensionality of architecture. The explorations in this issue span from the discussion of multi-layered meaning and temporalities of architecture, to the dynamic representation and spatial operation of multiplicities. Through inquiries on multiplicity-driven design methods, this issue projects the expanded and open field of architecture, appreciating the different forces and processes of society.