Marisa Rianti Sutanto
Program Studi Sastra Jepang, Universitas Kristen Maranatha, Jl. Prof. Drg Suria Sumantri 65, Bandung 40164

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Pengembangan Karakter Ikari Shinji Dalam Anime Neo Genesis Evangeliom Marisa Rianti Sutanto; Adriel Hans Wahyudi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p06

Abstract

This research discusses the character development of the main character Ikari Shinji from the anime Neon Genesis Evangelion. Neon Genesis Evangelion is an anime series directed by Hideaki Anno that tells the story of humanity's struggle against shitos using a giant robot called Evangelion. To interpret the character of the main character, the method used is descriptive analysis, and the analysis refers to Weiland's theory of character development. The results of the research show that Ikari Shinji at the beginning of the story has a ‘lie’ that he believes in, namely running away from problems. However, he has the capability to beat ‘the lie’. Throughout the story he gets the consequences of his ‘lie’, he also finds out the truth and what he actually needs. At one point he had to make a decision between the truth and the ‘lie’. The result was Ikari Shinji's old self becomes 'dead' after he made that decision. He left the ‘lie’ and proved that he had developed into a better person. The story’s ending is the answer to this anime thematic question.
Ecological Metaphor in Shinkai Makoto’s Animated Film Tenki No Ko Marisa Rianti Sutanto; Kemal Yusuf Indrabhaswara; Anton Sutandio
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 22, No 1 (2023)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v22i1.117183

Abstract

This paper discusses a 2019 animated film entitled Tenki no Ko by Shinkai Makoto. This film is Shinkai’s most commercially successful work. Like other Shinkai’s works, Tenki no Ko talks about a romantic story between two teenage characters. The film is not only a work of fantasy or romance, but it also brings up natural elements that are expressed in the plot. Not only do the natural elements expressed in the film send the message of global warming, but they also show the reality of human life. Therefore, the analysis will be carried out with an epistemological method to prove the truth of the reality of life that the film expresses. The explanatory element applied to the object is a metaphorical expression of the scenes with reference to the multimodal metaphor theory through an ecological perspective. The analysis aims to trace ecological metaphorical expressions in the film. The findings show that the dominant metaphorical expression is “human life is like the weather” which can be called an ecological metaphor in connection with the ecological relationship between the human characters and their environment.
PERSONAL CONFLICT IN GOHATTO: BETWEEN LIFE AND DEATH: KONFLIK PERSONAL DALAM GOHATTO: ANTARA HIDUP DAN MATI Marisa Rianti Sutanto; Ethel Deborah Lewerissa
Jurnal Kata Vol. 5 No. 2 (2021): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : LLDIKTI Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (467.083 KB) | DOI: 10.22216/kata.v5i2.424

Abstract

This article discusses the personal conflicts between five characters in the film Gohatto. Gohatto is a film by Japanese director, Oshima Nagisa, released in 1999. Director Oshima is one of the legendary directors in Japan who is famous for his works that elevate the uniqueness of the human personality. Likewise, with Gohatto's work, Oshima raises the fluctuation of human desires that clash with tradition and morals, and in the end meet death. The film is set in the bakumatsu era (1853-1869) and tells of the lives of swordsmen in the Shinsengumi group whose job is to protect the Tokugawa shogunate. The uniqueness of this film is that it does not exploit the heroics of samurai who express themselves under the shackles of bushido morality, but rather presents homosexuality in the lives of the swordsmen in this group. This paper will also discuss personal conflicts in five major characters, through a review of the characters’ actions based on the drive that emerge from both the conscious mind and unconscious minds. The method that will be used is psychoanalysis which refers to the theory of Sigmund Freud. The id drive which is the cause of the conflict appears dominant in the five characters and overcomes the bushido morality which is the sublime characteristic of the samurai.
Perkembangan Kepribadian Karakter Daiba Nana dalam Serial Animasi Shoujo? Kageki Revue Starlight: Tinjauan Psikoanalisis Marisa Rianti Sutanto; Muhammad Rasyid Ridha
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 2 (2023)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2023.v05.i02.p03

Abstract

Penelitian ini dilakukan untuk memahami perkembangan kepribadian Daiba Nana dalam anime Shoujo?Kageki Revue Starlight. Penulis menggunakan metode psikologi sastra dengan acuan teori psikoanalisis Sigmund Freud. Sumber data berasal dari dialog, monolog dan perilaku yang mencerminkan keadaan psikologis Daiba Nana dengan acuan teori dinamika kepribadian dan mekanisme pertahanan ego. Dinamika kepribadian memuat insting dan distribusi energi psikis. Insting dapat terlihat dari cara objek penelitian berperilaku dan dari cara berbicaranya, dan dapat dibagi menjadi insting hidup dengan insting kematian. Distribusi energi psikis berpengaruh atas tindakan yang dilakukan oleh objek penelitian bersumber dari id, ego, atau superego, dan dicerminkan oleh insting yang mendorong perilakunya. Dorongan dari distribusi energi psikis dan insting dapat menimbulkan konflik dalam diri dan menciptakan kecemasan, yang kemudian akan direspon oleh mekanisme pertahanan ego untuk menenangkan kecemasan tersebut. Dalam sejumlah kejadian dalam cerita, memperlihatkan ketidakmampuan objek penelitian dalam menanggapi tegangan yang berasal dari masalah-masalah atau konflik yang dihadapinya, sehingga memutuskan untuk menghindari konflik dan membuat kepribadiannya tidak berkembang karena terus berada dalam keadaan yang selalu sama.
Peningkatan Kinerja Tim Penggerak Pembinaan Kesejahteraan Keluarga dan Usaha Mikro, Kecil, dan Menengah Kelurahan Sukawarna, Bandung Christina Wirawan; Melina Hermawan; Christina Santoso; Indah Victoria; Tiur Gantini; Marisa Rianti Sutanto; Ivonne Averina Setiawan
Jurnal Abdimas Kartika Wijayakusuma Vol 4 No 2 (2023): Jurnal Abdimas Kartika Wijayakusuma
Publisher : LPPM Universitas Jenderal Achmad Yani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26874/jakw.v4i2.311

Abstract

Peningkatan kinerja diharapkan oleh tiap organisasi untuk dapat mencapai tujuan organisasi dengan lebih efisien dan efektif. Tim penggerak Pembinaan Kesejahteraan Keluarga (PKK) dan pelaku usaha mikro, kecil, dan menengah (UMKM) di Kelurahan Sukawarna, Bandung berusaha untuk meningkatkan kinerjanya. Pelaksanaan pengabdian kepada masyarakat (PKM) ini menggunakan metode Community-Based Research untuk membantu PKK dan UMKM untuk meningkatkan kinerja. Berdasarkan teori dan sintesis, kerja tim, kepemimpinan diri yang terdiri dari adversity quotient dan manajemen waktu mempengaruhi kinerja. Kegiatan PKM ini berupa pelatihan tentang adversity quotient, manajemen waktu, dan kerja tim untuk tim penggerak PKK dan pelaku UMKM. Pelatihan juga ditambah dengan narasumber dari luar negeri yang memberikan wawasan tentang kepemimpinan di era digital. Hasil dari PKM ini menunjukkan bahwa peserta pelatihan sudah memiliki pengetahuan dan pengertian mengenai adversity quotient, manajemen waktu, dan kerja tim, dan mendapatkan bekal untuk menerapkannya sehingga bisa meningkatkan kinerja di tempat masing-masing.