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PELATIHAN MENGGAMBAR BERTEMA DI SD N 3 BANJARANGKAN, KABUPATEN KLUNGKUNG I Wayan Arissusila; I Ketut Suwidiarta; I Ketut Gede Rudita
JURNAL SEWAKA BHAKTI Vol 4 No 1 (2020): Sewaka Bhakti
Publisher : UNHI Press

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Education through the drawing method is considered very important because the benchmarks of studentsâ€™ success are not only assessed from general lessons, but studentsâ€™ interest in a particular field is also important, for example drawing. Themed drawing training at SDN 3 Banjarangkan, using dry media in the form of colored pencils and crayons that are sketched on drawing paper, with the theme of daily life, the surrounding environment and others. The purpose of themed drawing training is to liberate imagination and character development. The process that students go through in this themed drawing is: learning theories about basic drawing, for example making lines, shapes, coloring, dark light and others. Then sketching, contouring, coloring and making textures. The results obtained in the form of pictures with natural shapes in the surrounding environment and their contents. The purpose of this themed drawing training is to train students' abilities quickly, creativity, release of imagination and character development.

PENGEMBANGAN TABUH TARI WALI SANGGAR SENI PARI GADING DESA PUPUAN SAWAH, KECAMATAN SELEMADEG, KABUPATEN TABANAN I Ketut Gede Rudita; I Putu Gede Padma Sumardiana; Ida Ayu Putu Sari
WIDYANATYA Vol 1 No 2 (2019): WIDYANATYA
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v1i2.500

In general, what is meant by percussion has to do with sounding the gamelan. Maybe by hitting, blowing, swiping and others. Tet Port or percussion is interpreted by the sound of gamelan music in a performance, as a supporter of a ceremony or accompaniment of a dance. Specifically in Balinese musical meaning, what is meant by percussion is the result of the artist's ability to achieve a balance of the game in realizing a repertoire (reportoar) to match the soul, taste and purpose of the composition. Beating does not mean the origin of hitting the gamelan following a melody, but hitting the gamelan with all the rules or procedures that have been determined so that the sound of the gamelan can be heard beautifully. The beauty arising from the sound of the gamelan, not only depends on one factor, for example, because the composition of the song is played well, but the beauty occurs due to a balance between the song composition factors, the sound of the gamelan itself including the barrel, the procedures or rules for voicing the gamelan, skills and the artist's ability to animate the song's play. The implementation of religious traditions in the Pupuan Sawah Village is always accompanied by percussion or gamelan to show an aesthetic or beauty and contain the full meaning of sacredness.

DHARMAGITA SEBAGAI TERAPI SENI KEAGAMAAN HINDU UNTUK DOSEN DAN MAHASISWA PADA UNIT KEGIATAN MAHASISWA UNIVERSITAS HINDU INDONESIA Ida Ayu Putu Sari; I Ketut Gede Rudita
WIDYANATYA Vol 1 No 2 (2019): WIDYANATYA
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/widyanatya.v1i2.501

Dharmagita in the mental spiritual development of religion and increasing understanding of the values of religious teachings. To explore, appreciate and practice the dharmagita teachings within the Hindu University of Indonesia, it is necessary to the role of lecturers and religious leaders by providing direction, guidance, so that students become the next generation of the nation with the mental ideology of Pancasila who have a firm belief (sraddha). and diligently carrying out religious teachings. Mental guidance is needed for students in forming, maintaining and improving the mental condition of religion to foster devotion to God.

REKONSTRUKSI TARI BARIS MAGPAG YEH DI SUBAK TEGAN DESA ADAT KAPAL KECAMATAN MENGWI KABUPATEN BADUNG Ni Luh Putu Wiwin Astari; I Ketut Gede Rudita; Ni Dewi Septiandriani
WIDYANATYA Vol 4 No 2 (2022): Widyanatya: Jurnal Pendidikan Agama dan Seni
Publisher : UNHI PRESS

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ABSTRACT Reconstruction is the return of something to its original place, the compilation or redrawing of existing materials and rearranged as it was or the original incident. Various arts are deliberately preserved for ceremonial purposes. Dance in Bali is closely related to religious processions. It is even worth believing that the age of dance standards is as old as the establishment of Hinduism. Sacred dances that are preserved for ceremonial purposes in religious processes cause Balinese arts to be preserved, such as: the Magpag Yeh Baris Dance in Kapal Village, Mengwi District, Badung Regency. Sensitivity to external influences needs attention so that the development and survival of the Baris Magpag Yeh Dance in modern times does not deviate from its parent which has a clear identity, namely Hinduism. A.A Bagus Sudarma Magpag Yeh's line dance in Kapal Village is now the result of reconstruction. The Baris Magpag Yeh dance is a sacred dance performed on sasih kapitu in Subak Tegan, Kapal Adat Village, which has existed since the 16th century AD. This is evidenced by the history of the origin of this dance based on the Sri Aji Kresna Kepakisan inscription dated 1667 AD. The Baris Magpag Yeh dance is a dance that is staged as an expression of gratitude for the community for the blessing of water. After every performance of the Baris Magpag Yeh dance, rain or big water from the upstream of Lake Beratan appears in torrents. In general, the Baris Magpag Yeh Dance is usually accompanied by gamelan gong gede, while the Baris Magpag Yeh Dance in Kapal village is accompanied by gamelan gong kebyar or accompanied by gamelan baleganjur. This dance has a symbolic function to illustrate God's activities such as images or illustrated in paintings or statues of Shiva Nataraja. ABSTRAK Rekonstruksi adalah pengembalian sesuatu ketempatnya yang semula, penyusunan atau penggambaran kembali dari bahan-bahan yang ada dan disusun kembali sebagaimana adanya atau kejadian semula. Beraneka ragam kesenian secara sengaja dipelihara untuk kepentingan upacara. Seni Tari di Bali sangat erat kaitannya dengan prosesi keagamaan. Bahkan layak dipercaya bahwa usia pakem tari sama tuanya dengan penetapan Agama Hindu. Tari-tarian sakral yang dipelihara untuk kepentingan upacara dalam psoses keagamaan menyebabkan kesenian Bali tetap dijaga pelestariannya seperti halnya: Tari Baris Magpag Yeh yang ada di Desa Kapal, Kecamatan Mengwi, Kabupaten Badung. Kepekaan terhadap pengaruh-pengaruh luar perlu mendapatkan perhatian agar perkembangan dan kelangsungan hidup Tari Baris Magpag Yeh tersebut dalam jaman modern ini tidak menyimpang dari induknya yang mempunyai identitas yang jelas yaitu Agama Hindu. A.A Bagus Sudarma tari baris Magpag Yeh yang ada di Desa Kapal sekarang merupakan hasil rekonstruksi. Tari Baris Magpag Yeh merupakan tari sakral yang dipetaskan pada sasih kapitu di Subak Tegan Desa Adat Kapal yang sudah ada dari abad ke-16 Masehi. Hal tersebut dibuktikan dengan sejarah asal mula tarian ini berdasarkan prasasti Sri Aji Kresna Kepakisan berangka tahun 1667 Masehi. Tari baris magpag yeh ini merupakan tarian yang dipentaskan sebagai ucapan rasa syukur masyarakat terhadap berkah berupa air.Setiap usai digelar pementasan tari Baris Magpag Yeh, hujan atau air besar dari hulu Danau Beratan muncul dengan deras. Pada umumnya Tari Baris Magpag Yeh biasanya diiringi oleh gamelan gong gede, sementara Tari Baris Magpag Yeh di desa Kapal diiringi oleh gamelan gong kebyar atau diiringi oleh gamelan baleganjur. Tari ini memiliki fungsi simbolik untuk mengilustrasikan aktivitas Tuhan seperti gambaran atau diilustrasikan dalam lukisan atau patung Siwa Nataraja.

BENTUK, FUNGSI DAN NILAI PADA PATUNG MOBIL DI PURA PALUANG, DESA BUNGA MEKAR, NUSA PENIDA I Wayan Aris susila; I Ketut Gede Rudita; I Made Wicakrama
WIDYANATYA Vol 5 No 1 (2023): WIDYANATYA: JURNAL PENDIDIKAN AGAMA DAN SENI
Publisher : UNHI PRESS

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ABSTRAK Patung mobil merupakan patung sakral yang berada di Pura Paluang Desa Bunga Mekar, Nusa Penida. Patung ini memiliki keunikan yakni sebagai simbol Pura Paluang dan sebagai rasa bakti kepada Ratu Gede Sakti Hyang Mami. Setiap masyarakat yang ingin bersembahyang di Pura Paluang, bertujuan untuk memohon keselamatan, kesehatan dan kesuburan ladang pertanian. Berdasarkan hal tersebut adapun permasalahan yang diajukan yaitu: Bagaimana bentuk, fungsi serta nilai-nilai pendidikan seni rupa yang terkandung pada patung mobil di Pura Paluang Desa Bunga Mekar, Nusa Penida. Penelitian ini menggunakan metode observasi, wawancara, kepustakaan dan dokumentasi. Data yang terkumpul dianalisis dengan metode kualitatif melalui langkah-langkah reduksi, penyajian data dan penarikan kesimpulan. Penelitian ini menggunakan teori estetika dan teori nilai. Hasilnya berupa: (1) Bentuk patung mobil di Pura Paluang adalah bentuk patung menyerupai roda empat berupa mobil jimmy dan pw kodok, sebagai wahana kendaraan Ratu Gede Sakti Hyang Mami. Dengan di isi hiasan ornamen tradisional Bali yang diterapkan pada bebaturan patung mobil, berupa hisan keketusan, pepatran dan kekarangan. (2) Fungsi patung mobil di Pura Paluang Desa Bunga Mekar, Nusa Penida dapat dibagi menjadi tiga bagian antara lain: Fungsi patung mobil sebagai objek kronogram, sebagai objek persembahan dan fungsi patung mobil sebagai benda seni. (3) Nilai-nilai pendidikan seni rupa pada patung mobil di Pura Paluang Desa Bunga Mekar Nusa Penida mengacu pada konsep Estetika Hindu antara lain: Nilai pendidikan kesucian (shiwam), nilai Pendidikan kebenaran (Satyam) dan nilai pendidikan keindahan (sundaram). Kata kunci : Bentuk, Fungsi, Nilai, Patung Mobil di Pura Paluang. ABSTRACT The car statue is a sacred statue in Paluang Temple, Bunga Mekar Village, Nusa Penida. This statue is unique, namely as a symbol of Paluang Temple and as a sense of devotion to Queen Gede Sakti Hyang Mami. Everyone who wants to pray at Paluang Temple, aims to ask for safety, health and fertility of agricultural fields. Based on this, the problems posed are: What are the forms, functions and values ??of art education contained in the car statue at Paluang Temple, Bunga Mekar Village, Nusa Penida. This research uses observation, interview, literature and documentation methods. The collected data were analyzed using qualitative methods through reduction steps, data presentation and drawing conclusions. This research uses aesthetic theory and value theory. The results are: (1) The shape of the car statue at Paluang Temple is a statue resembling four wheels in the form of a Jimmy car and a frog, as a vehicle for Ratu Gede Sakti Hyang Mami's vehicle. Filled with traditional Balinese ornaments applied to the car sculptures, in the form of keketus, pepatran and artistry. (2) The function of the car statue at Paluang Temple, Bunga Mekar Village, Nusa Penida can be divided into three parts, namely: The function of the car statue as a chronogram object, as an offering object and the function of the car statue as an art object. (3) The values ??of art education in the car statue at Paluang Temple, Bunga Mekar Village, Nusa Penida refer to the concept of Hindu Aesthetics, including: The educational value of chastity (shiwam), the educational value of truth (Satyam) and the educational value of beauty (sundaram). Keyword : form, function, value, car statue at paluang temple

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