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GUTTA TAMARIND: OLAHAN VISUAL BAHASA RUPA MENGGUNAKAN MATERIAL RAMAH LINGKUNGAN Iman Budiman; Shopia Himatul Alya; Ariesa Pandanwangi
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : LPPM Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.960

Abstract

Painting has undergone many developments. One of them is technical development in terms of materials. One of the unique techniques in painting is the gutta tamarind technique which uses ground tamarind seeds that are ground. This study aims to examine the use of tamarind seeds as an alternative medium in the work. Gutta tamarind is popular because the material used resembles the material for batik. However, in the process of using it, gutta tamarind which is also known as cold wax does not require a heating stove like the hot wax of batik in general. In this study, we will discuss the process of making cold wax from tamarind seed powder. This study uses a qualitative descriptive research method by studying the manufacture of cold wax gutta tamarind in stages. The results of this study indicate that the gutta tamarind technique in the process of making textile paintings or wastra paintings produces characters that are no less unique and beautiful.
Tingkat Kebahagiaan Masyarakat setelah Adanya Mural di Kelurahan Sukawarna Kecamatan Sukajadi Bandung Ariesa Pandanwangi; Ida Ida; Ratnadewi Ratnadewi; Rosida Tiurma Manurung; Iman Budiman; Vincent Vincent
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 7 No 2 (2021): Ideas: Jurnal Pendidikan, Sosial, dan Budaya (Mei)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v7i2.365

Abstract

Abstrak Tujuan penelitian ini yaitu untuk mengukur tingkat kebahagiaan masyarakat Kelurahan Sukawarna setelah dibuatnya mural di lingkungan mereka. Metode yang digunakan adalah metode campuran (mix method). Pertama metode penelitian berbasis komunitas dan kedua menggunakan survei. Hasil penelitian ini menunjukkan pertama, masyarakat berhasil membuat karya mural dengan tema kearifan lokal berupa benda-benda hunian, flora, dan fauna yang diwarnai. Secara estetika, visualisasi dinding menjadi menarik, sehingga lingkungan menjadi menarik dan orang dapat mengambil foto diri di sana. Kedua, berdasarkan survei dengan adanya mural mempengaruhi tingkat kebahagiaan masyarakat sebesar 49,9 % Abstract Environmental problems, one of which is the space for the actuality of citizens. The mural is one of the attractive locations for environmental attraction and can be a marker of an urban area. At present RW 04 Sukawarna Urban Village has not been well organized, so it requires a colorful environment that can be one of the interesting areas in Bandung. This service is guided by the facilitator with the principle of partnership assistance with the Asset Based Community. Development method. The community service servants will complete a 12 meter long wall with a height of 3 m. The wall will be painted on and given color. The result of this service is a mural work with the theme of local wisdom in the form of objects of residential objects, flora and fauna that are colored. Aesthetically, the visualization of the walls becomes interesting, so the environment becomes interesting, and people can take self-photographs there. Economically, the environment can be an attraction and an incentive for tourists who come gradually, so that the community can empower economic growth in the future.
BATIK NASKAH KUNO: TRANSFORMASI ILUMINASI DARI NASKAH KUNO KE DALAM MOTIF BATIK Ariesa Pandanwangi; Sophia Himatul Alya; Iman Budiman; Arleti Mochtar Apin; Tessa Eka Darmayanti
PANGGUNG Vol 32, No 4 (2022): Keragaman Budaya, Kajian Seni, dan Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4621.43 KB) | DOI: 10.26742/panggung.v32i4.2157

Abstract

Ancient manuscripts are artifacts that indicate high intellectual abilities in old civilizations. The content is very valuable as well as a means of communicating and expressing ideas that can provide information about civilization and past life. Javanese society is one of the communities who inherited ancient manuscripts. The manuscript is decorated with beautiful illuminations that signify the aesthetics of the creators. The illumination has a n implied value and becomes a trace of the cultural identity of the society. The values implied in the manuscript will be much more useful if it is disseminated to provide high moral understanding and insight. In addition, ancient manuscripts can be a source of inspiration for creation that can support efforts to perpetuate cultural heritage in the archipelago. This paper discusses the results of research originating from the transformation process of ancient manuscript illumination into batik. The research method used is descriptive qualitative by making batik motifs based on visual manuscript illumination supported by the results of interviews with ancient manuscript experts and batik experts. The results of this study are expected to support batik motifs in Indonesia. Keywords: ancient manuscripts; batik; illumination; motiftransformation
Visualisasi Nilai Spiritual Dewa Ruci dalam Karya Seni Lukis Iman Budiman; Ariesa Pandanwangi; Belinda Sukapura Dewi
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 9 No 2 (2023): Ideas: Pendidikan, Sosial, dan Budaya (Mei)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v9i2.1349

Abstract

The puppet play Dewa Ruci contains many values, including spiritual values. This research aims to discuss the spiritual values of the play as expressed in a two-dimensional work. The works discussed in this research were created using Alma M. Hawkins creation method, which is carried out in three stages: exploration, improvisation, and formation. The works discussed are two two-dimensional artworks entitled “Mati Sajroning Urip” and “Ajeg”. The method of analysis used to discuss the sample works is Feldman s method of analysis, which consists of description, formal analysis, and interpretation. The result of this research shows the presence of dragon objects in the artworks taken from the story of Dewa Ruci, which represent humans with their duality: the nurturing side and the destructive side that are necessary to achieve true perfection. The use of red represents lust, white represents emptiness (suwung), and gold represents the peak of spiritual experience.
Co-Authors Ariesa Pandanwangi Arleti Mochtar Apin Darmayanti, Tessa Eka IDA IDA Ratnadewi . Rosida Tiurma Manurung Shopia Himatul Alya Sophia Himatul Alya Vincent Vincent