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All Journal Ilmu Dakwah: Academic Journal for Homiletic Studies CALL J-Lalite: Journal of English Studies Saksama: Jurnal Sastra
Nurholis Nurholis
UIN Sunan Gunung Djati Bandung
Arts Humanities Languange, Linguistic, Communication & Media

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Conflicts of Social Class in Movies Sopa Marwati; Nurholis Nurholis; Hasbi Assiddiqi
CALL Vol 3, No 2 (2021): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v3i2.14502

Abstract

Social conflict happens due to diversities of opinion, culture, and ideology in the certain society. It can be discovered in every stratum of society level, social conflict can occur in the upper, middle and lower class. This study explained social class conflicts which were taken from two movies: Parasite (2019) and Joker (2019). This study uses a comparative literary theory by Sussan Bassnet. Th study also used focused on the social class conflict theory by Lewis Coser and the classification of people by Karl Max. The method used in this research is descriptive in technique of analyzing the data was obtaining by categorizing, describing and interpreting the data, then making conclusion. The result showed that in the Parasite and the Joker movies contained of social class conflict, it occurred inter classes of people in a society. based on analysis, it concluded that both of the movie has differences in the social class conflict and the causes of the conflict itself. However, both movies have the same consequences of the conflict. In the Parasite movie social class conflict occurred inter the lower class. While, in the Joker movie, the social class conflict occurred between the upper and lower class.Keywords: social class conflcit, comparative literature, Parasite, Joker
THE TRANSLATION METHOD OF PREPOSITION ON J.D SALINGER’S NOVEL OF THE CATCHER IN THE RYE TRANSLATED BY GITA WIDYA LAKSMINI Lisa Nurhanifah; Dewi Kustanti; Nurholis Nurholis
CALL Vol 1, No 1 (2019): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v1i1.8804

Abstract

This research tells about translation method of preposition. Preposition is the word that simple to translated, but it is complicate to find the good word, because there are so many meaning in dictionary. Even the translator does not always get the meaning from dictionary. This purpose of research is analyzing the translation of simple and complex preposition used in “J.D. Salinger’s Novel The Catcher in The Rye. And to find out the kinds of translation methods in translating of simple and complex preposition on it. The method of research uses descriptive qualitative method. Technique of collecting data, the researcher uses documentation. Technique of analyzing data, the researcher uses constant comparative method by Glaser and Strauss with four steps are data reduction, data categorization, data synthetization and hypothesis. The result of research is translator use four translation method of preposition. There are literal translation, semantic translation, free translation and communicative translation. mostly translator uses literal translation. Preposition has many meaning in dictionary, that’s why there are no word-for-word because researcher things that translator is process the translation of preposition. There are many kinds of preposition. The researcher dividing become two parts, are simple and complex (Randolph Quirk,1985). Simple preposition mostly available than complex in the novel. Because simple preposition is easy to find in the novel.Keywords: preposition, literal translation, semantic translation, free translation, communicative translation
Character Development of Estella/Cruella in Cruella (2021) Movie Nisa Meisa Zarawaki; Andang Saehu; Nurholis Nurholis; Toneng Listiani
J-Lalite: Journal of English Studies Vol 3 No 2 (2022): December
Publisher : Program Studi Sastra Inggris Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jes.2022.3.2.5966

Abstract

This research focuses on process of identifying the main character’s character development starts by unravelling (1) the characterizations of the main character; (2) the conflicts experienced by the main character; and (3) the character development of main character. The researcher uses the theory of Petrie & Boggs to define character, conflict, and character development. Qualitative descriptive methods and analysis content are used to analyze deep problems to find the answers. The result showed that the conflicts happened to the main character are coming from internal conflict between Cruella and herself and external conflicts between Cruella and Catherine, Baroness, and the society. Also, the development of Cruella character is triggered by conflict, it is shown by the character's development constantly grew when enter the new act/story
Da'wah Message of Social Stratification in George Orwell's Novel Nineteen Eighty-four (1984) Nurholis Nurholis
Ilmu Dakwah: Academic Journal for Homiletic Studies Vol 16, No 2 (2022): Ilmu Dakwah: Academic Journal for Homiletic Studies
Publisher : Faculty of Da'wah and Communication, UIN Sunan Gunung Djati, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/idajhs.v16i2.15696

Abstract

The research treats the novel as a unity of thought in which the elements are inter-related each other. The objectives of this paper are: identify a novel, through its messages, is potential to persuade and shape public mindset. One of the outstanding novels is Nineteen Eighty-four (1984), it contains of so much religious endeavors.  As a result, this study is conducted to find out the presentation of religious endeavors through social criticism, ethic, moral, behavioral values in the novel. Booker and Barry are used in analysing the novel, and Eagleton is used in understanding of Marxist Literary Criticism. Methods and data collection techniques used are descriptive qualitative. The result is the differences between social classes that cause power struggles have relation of theme. That is the characterization of bourgeois and proletarian in this novel comes up early in the social condition, and it is capable for illustrating the social reality at that time. In the novel, the strongest and weakest appears clearly. The characterization describes how their working conditions, their place, and their live is and how he went down to sees the working conditions down there. The characters and actions in the novel are imaginary in nature, in other words they seem to ‘representative of real life’ which are different, strange, and irrational. Thus, the different between the production and the employment, the owner and the worker, the strongest and the weakest, are subordinate that places as a subject and as an object.
RELIGIOUS DOGMA IN SEBASTIÁN LELIO’S THE WONDER (2022) Anisa Hanifah; Mahi M. Hkikmat; Nurholis Nurholis
Saksama: Jurnal Sastra Vol 2, No 1 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i1.26975

Abstract

Religious issues that are no longer relevant to modern living are represented in The Wonder (2022) film by Sebastián Lelio. This research aims to unravel the Religious Dogma in the film by focusing on examining the religious situation of Irish society in the nineteenth century. Tracing the religious life of the Irish community in the nineteenth century, where the majority adhered to Roman Catholicism, this research uses the sociology of literature method. In more detail, this research applies Max Weber's theory of the sociology of religion approach. The Wonder film entirely is the research data, but specifically, the writer takes the socio-religious context, screenshots from several scenes, and film dialogues as the secondary data. So it can be said that data collection in this research used documentation and literature study techniques. Analysis of the sociology of religion in The Wonder (2022) film by Sebastián Lelio is still rare to find, so this research is essential so that it can add to criticism resources of the sociology of literature. Aside from that, the results of this research are that the modernization and logicalization of religion can occur along with times of development and the relevance of public interest. 
Co-Authors Andang Saehu Anisa Hanifah Dewi Kustanti Hasbi Assiddiqi Lisa Nurhanifah Nisa Meisa Zarawaki Sopa Marwati Toneng Listiani