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All Journal Jantra Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences
Yasin Surya Wijaya
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Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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Cultural Enculturization in the Art of Masks: A Case Study of the Industrial Enterprise of Batik Kayu, Bobung, Patuk, Gunung Kidul, Yogyakarta Slamet Subiyantoro; Pujiyono Pujiyono; Kristiani Kristiani; Dwi Maryono; Yasin Surya Wijaya
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 3, No 4 (2020): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v3i4.1400

Abstract

This study aims to explore the process of enculturation of mask art with a case study in the wooden batik (batik Kayu) enterprise of Bobung Village, Patuk, Gunung Kidul, Yogyakarta. This study method uses a netnographic approach, which in principle is the same as classical ethnography, except that netnography uses the internet as a research media. The data were sourced from informants, places & events, and documents or archives. Data from informants were collected using in-depth online interviews. Place and event data were collected using online participatory observation techniques. In addition, the source documents or archives were collected using data analysis techniques or literature studies on relevant online data. The validity of the data was tested by using informant review techniques and source triangulation. Data were analyzed using flow techniques with data reduction, display, and verification procedures. The results of the study show that the process of enculturation or culture of mask art, both classic masks and creative masks (batik Kayu), is carried out informally (family environment), non-formal (community, UKM, and studio), and formal (learning in schools). This enculturation process is carried out from generation to generation, when the mask is still a classic mask (Panji mask) until the mask develops into a superior product with economic and tourism value as it is today (Creative Mask). The art of batik and classical masks has become the identity of the people of Bobung Village, Gunung Kidul, who have undergone changes in form, function and meaning during the enculturation process from previous generations to the next.
Tracing the Traces of Roman Panji & Its Influence on Mask Art in Bobung, Yogyakarta, Indonesia Slamet Subiyantoro; Susilaningsih Susilaningsih; Favorita Kurwidaria; Dimas Fahrudin; Yasin Surya Wijaya
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 4 (2021): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i4.3117

Abstract

This study aims to explore the history of the journey of the Panji story and find out its influence on mask art in Bobung, Gunung Kidul, Yogyakarta. This study uses a qualitative descriptive approach with a historical perspective. Data sourced from informants, places & events, and documents/archives collected using in-depth interviews, participatory observation, and content analysis techniques. The validity of the data was tested with the technique of reviewing informants and triangulation of data sources. Data were analyzed using an interactive model consisting of data reduction procedures, data display, and verification or drawing conclusions. The results of the study show that Roman Panji became the original hero of the archipelago, especially Java, which experienced a peak of popularity during the golden age of the Majapahit Kingdom, namely the middle of the VIII century. Panji became a novel that spread widely covering the archipelago to Southeast Asia. The end of the VIII century until the XV century Panji Mask became a popular show where King Hayam Wuruk was famous as a mask dancer and the main dancer in racket performances. Wayang Beber is a wayang art which in the show brings the story of Panji. Wayang Beber art is in Pacitan, East Java, but also in Karangmojo, Gunung Kidul Yogyakarta. Mbah Karso was the first mask master who was influenced by the Panji story and created the masks that still exist and thrive in Bobung, Gunung Kidul, Yogyakarta. In the current era, Panji Masks have been commodified into handicraft products with economic and tourism value.
Topeng Panji Profil Satria, Raksasa, Dan Dewi Sebagai Sumber Rekonstruksi Pendidikan Karakter: Kajian Semiotika Rupa Slamet Subiyantoro; Pujiono Pujiono; Kristiani Kristiani; Dwi Maryono; Yasin Surya Wijaya
Jantra. Vol 15 No 1 (2020): Juni
Publisher : Balai Pelestarian Nilai budaya Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/jantra.v15i1.127

Abstract

Panji masks represent faces of figures in the Panji legend. This study is focused on exploring the values of character education in Panji mask structure of knights, giants, and ladies characters from Semiotics perspective as a source of character education reconstruction. The study was conducted descriptively and qualitatively. Data in the from of information were obtained from key informants, places or events, and documents or archives related to Panji Mask. The data were collected through indepth interview techniques, participatory observation, and analysis of documents or archives. The data validity was tested by source triangulation and review informant techniques.The data were analyzed by an interactive analysis model consisting of three stages: data reduction, data presentation, and data verification. The result of the study shows that in the Panji Mask structure of knights, giants, and ladies characters reflect excellent character education values to reconstruct the nation character. This study is important and beneficial as the results suggested by the research might be contributive for the nation character building completing the other researches’ result which mainly focus on Panji Mask in performing arts.
Peranan Perempuan Dibalik Eksistensi Topeng Klasik dan Kreasi Yang Mendunia: Studi Kasus Desa Wisata Budaya Bobung, Gunung Kidul, Yogyakarta Slamet Subiyantoro; Mulyanto Mulyanto; Yasin Surya Wijaya
Jantra. Vol 15 No 2 (2020): Desember
Publisher : Balai Pelestarian Nilai budaya Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/jantra.v15i2.138

Abstract

Tujuan dari penelitian ini adalah untuk menjelaskan peranan perempuan dibalik eksistensi topeng klasik dan topeng kreasi yang mendunia. Kajian ini adalah penelitian kualitatif deskriptif dengan pendekatan studi kasus yang dilakukan di desa wisata budaya Bobung, Gunung Kidul, Yogyakarta. Data bersumber dari informan, tempat & peristiwa, dan dokumen/arsip yang dikumpulkan dengan teknik wawancara mendalam, observasi partisipatif, dan analisis dokumen atau arsip. Keabsahan data diuji dengan teknik triangulasi sumber dan review informan. Analisis data digunakan teknik analisis interaktif dengan prosedur reduksi, display, dan verifikasi. Hasil penelitian menunjukan bahwaperempuan memiliki peranan besar dibalik eksistensi seni topeng klasik dan kreasi yang telah dikenal masyarakatdunia. Peranan ditunjukkan dari kiprah mereka dalam penciptaan topeng dan pertunjukan tari topeng. Peran perempuan lebih pada hal-hal sifatnya lembut dan rumit yang memerlukan tingkat kecermatan, kesabaran, ketelatenan, keuletan, dan rasa yang tinggi.
Co-Authors Dimas Fahrudin Dwi Maryono Favorita Kurwidaria Kristiani Kristiani Mulyanto Mulyanto Pujiono Pujiono Pujiyono Pujiyono Slamet Subiyantoro Susilaningsih Susilaningsih