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All Journal Jurnal Budaya Nusantara
Karsam .
STIKOM Surabaya
Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Pelestarian Dan Ekspansi Pasar Batik Tulis Gedhog Tuban Di Era Globalisasi Karsam .
Jurnal Budaya Nusantara Vol 1 No 1 (2014): BUDAYA ADILUHUNG
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol1.no1.a283

Abstract

Batik Gedhog is a traditional batik in the District Kerek, Tuban. Fabric of batik gedhog has a rough surface because it is made by hand. Motif batik gedhogtends to follow the flow pat-terned geometric rough cloth. Seeing by this condition, the authors worrybatik gedhog will be expire ev- erlasting. On the basis of this research was conducted by reviewing about, first, how the traditional batik ‘batik gedhog Tuban, both how business should be done to preserve the traditional batik Tuban , namely Batik Gedhog in this era of globalization and to address mar-ket expansion. Objectives is to find strategies or ways for traditional batik preservation, namely batik gedhog Tuban in the present and the future , so batik gedhog Tuban can enterthe market competition in today’s global economy era. To answer these problems the authors conducted research using qualitative descriptive methods. Several attempts to preserve batik gedhog Tuban is to improve the quality of fabric, pattern in the current era motif now, promo-tion, exhibition and increase brand emage. This study is expectedto be useful for the readers and the batik gedhog markers Tuban.
TANTANGAN DALAM PENCIPTAAN SENI RUPA TRADISI DI ERA REVOLUSI INDUSTRI 4.0 Karsam .
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1971

Abstract

The industrial revolution 4.0 was an era where all aspects were made, carried out, carried out with tools and facilities that were all modern including the creation of traditional art. The order of human behavior in work that cannot keep up with changes in the digital age will be marginalized. This condition can marginalize and even destroy the existence of traditional art.This research was carried out by using qualitative method in which data are obained from observation, literature review and direct practice in the field, where the author is the actor of the creation of traditional art.The purpose of this study is to preserve and preserve the existence of traditional fine art on this earth, so the creators (Artists, Masters, Kriyawan, Craftsmen, etc.) must be able to use media, tools, materials, facilities that develop in this time. The author hopes that this research can benefit readers, researchers, reviewers and traditional art actors to continue working in this era of industrial revolution 4.0 without abandoning traditional artistic values.
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