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All Journal Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Hardiyati Hardiyati
Sebelas Maret University
Arts Civil Engineering, Building, Construction & Architecture Engineering Environmental Science

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THE IMPLEMENTATION OF THE ORGANIC ARCHITECTURE THEORY IN CONTEMPORARY ART GALLERY DESIGN STRATEGY IN SURAKARTA Alenda Khoirunnisa Wibisono; Hardiyati Hardiyati; Rachmadi Nugroho
ARSITEKTURA Vol 17, No 1 (2019): ARSITEKTURA : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (953.35 KB) | DOI: 10.20961/arst.v17i1.23906

Abstract

Surakarta has various potentials in contemporary art, namely the potential of artists, the intensity of activities, as well as formal and informal art groups and institutions. Unfortunately, those potentials are not equal with the availability of facilities to accommodate them. Therefore, a Contemporary Art Gallery in Surakarta is needed as a place of appreciation, recreation and education. Gallery is a fixed container in the form of a closed building to accommodate visual communication activities through exhibitions and other artistic activities (Webster, 1979). Contemporary art is a developing art that responds to and reflects the situation at the moment (Maria & Belle Bintang Biarezky, 2016). To be able to accommodate contemporary art, Organic Architecture is the right approach to be applied to building design strategies. Organic Architecture is radical, free, flexible, dynamic (Pearson, 2002). Organic Architecture has 8 design principles, namely building as nature, continuous present, form follows flow, of the people, of the hill, of the materials, youthful and unexpected, and living music, which will be studied to determine design strategies. The principles that can be applied will be applied to the analysis process that will result in the design of the Contemporary Art Gallery which can accommodate various contemporary art activities, represent them and accommodate possible changes.
THE APPLICATION OF RESILIENT ARCHITECTURE CONCEPT IN THE OCEANARIUM DESIGN IN PARANGTRITIS Bidari Putri Rosadi; Agung Kumoro Wahyuwibowo; Hardiyati Hardiyati
ARSITEKTURA Vol 17, No 1 (2019): ARSITEKTURA : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (711.778 KB) | DOI: 10.20961/arst.v17i1.23294

Abstract

Indonesia has a huge diversity of marine biota but there is degradation based on IUCN Red List. In this case, the preservation of marine biota is necessary. Besides that, Yogyakarta has a big potential to develop the maritime tourism especially in Parangtritis Beach. However, the location is susceptive with the external interferences like earthquake, windstorm, and tsunami. Therefore, it is necessary to build oceanarium which can protect the marine biota with three functions; recreation, education, and preservation. Furthermore, the design of oceanarium uses the resilient architecture approach that is adaptive towards the external interferences (earthquake, windstorm, and tsunami). The method which is used is descriptive qualitative with case study of resilient architecture literature, physical condition of site and government regulation. The application of resilient architecture is applied to five aspects of design; site (evacuation access, minimum height, and assembly point), form and mass (modification and circle application), building appereance (material that has durability), structural systems (construction system that withstands earthquake and tsunami). The analysis process produces an oceanarium design that accommodates marine biota and adaptive towards the external interferences (earthquake, windstorm, and tsunami).
Co-Authors Agung Kumoro Wahyuwibowo Alenda Khoirunnisa Wibisono Bidari Putri Rosadi Rachmadi Nugroho