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All Journal E-Journal Of Cultural Studies Al-Ulum Gondang: Jurnal Seni dan Budaya Journal of Education, Humaniora and Social Sciences (JEHSS)
Pulumun Peterus Ginting
Universitas Negeri Medan
Religion Arts Humanities Economics, Econometrics & Finance Education Health Professions Public Health Social Sciences

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SPIRITUALITY OF GENDANG RITUAL OF DEATH PERFORMED BY THE KARO ETHNIC PEOPLE IN THE GLOBALISATION ERA Ginting, Pulumun Peterus; Ratna, I Nyoman Kutha; Suastika, I Made Suastika; Dibia, I Wayan Dibia
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

The gendang ritual of death, which is performed by the Karo ethnic people, has changed a lot in regard to its spirituality in the globalization era. Such change, which has caused the gendang ritual of death to be secularized, results from the interaction between the local cultural elements and the global cultural ones; meaning that a new form and meaning have appeared. This present study is intended to identify, analyze and explain what such change is like, the factors contributing to it and its implication. This present study was designed as a qualitative study using the critical interdisciplinary and multidimensional approach of cultural studies. The theory of deconstruction, the theory of comodification, and the theory of semiotics were used to answer such questions. The data were analyzed descriptively, qualitatively, and interpretatively. The data were collected through observation, in-depth interview, documentary study, and library research. Three conclusions were inferred from the present study. First, the form of the change in spirituality of the gendang ritual of death performed by the Karo ethnic people in the globalization era; second, the factors contributing to such change; third, the meaning of such change. The study shows that the interaction between the local culture and global culture has marginalized the local cultural values; as a result, such a ritual has a new meaning, and is becoming degraded and secularized.
“Habonaron Do Bona”: Falsafah Nilai Masyarakat Simalungun dan Inspirasi Bagi Pendidikan anti Korupsi Di Indonesia Yakobus Ndona; Liber Siagian; Pulumun Peterus Ginting
Al-Ulum Vol. 21 No. 2 (2021): Al-Ulum
Publisher : Institut Agama Islam Negeri (IAIN) Sultan Amai Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1412.303 KB) | DOI: 10.30603/au.v21i2.2389

Abstract

The writing aims to reveal the wealth of values in the philosophy of habonaron do bona and find inspiration for anti-corruption education in Indonesia. In order to approach this problem, the research uses Max Scheler's axiological thinking as the primary reference. The study took data through interviews with Simalungun community leaders in the Seribu Dolok area, Simalungun Regency. The collected data were analyzed using philosophical hermeneutics: vertehen, translation, and interpretation. The interpretation movement uses Paul Recouer's hermeneutic circle pattern. The results of data analysis show that habonaron do bona has primary values that are structured like the structure of Max Scheler's values. Habonaron do Bona, both related to primary values and values education patterns, can be implemented for anti-corruption education in Indonesia.
Kolaborasi Alat Musik Tradisional dan Alat Musik Modern dalam Mengiringi Ibadah Minggu di Huria Kristen Batak Protestan Tanjung Sari Medan Bella Cindy Juwita Simanjuntak; Pulumun Peterus Ginting; Wiflihani Wiflihani
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 1, No 3 (2019): Journal of Education, Humaniora and Social Sciences (JEHSS) April
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1068.677 KB) | DOI: 10.34007/jehss.v1i3.35

Abstract

This study discusses the collaboration of traditional musical instruments and modern musical instruments in accompanying Sunday services at HKBP Tanjung Sari Medan. The purpose of this study was to find out the background and process of collaboration of traditional musical instruments and modern musical instruments in the HKBP Tanjung Sari church in Medan. The method used in this study is qualitative descriptive. The location of the study was carried out at the Tanjung Sari HKBP church, Jl. Setia Budi No. 11, Medan. The population of this study is traditional musical instruments and modern musical instruments used in accompanying Sunday services at HKBP Tanjung Sari Medan. While the samples in this study were Taganing, drums, keyboards, acoustic guitars, bass guitars, saxophone which were used to accompany Sunday services at HKBP Tanjung Sari Medan. The data collection technique is through observation, interviews, documentation, and library studies. Based on the results of the study, it can be seen that traditional musical instruments and modern musical instruments used in accompanying Sunday services at HKBP Tanjung Sari Medan, namely: Taganing, drums, keyboards, acoustic guitars, bass guitars, saxophone. The songs used in accompanying Sunday Service at HKBP Tanjung Sari Medan, and the collaboration process of traditional musical instruments and modern musical instruments in the HKBP Tanjung Sari church in Medan.
PENCIPTAAN GITAR ELEKTRIK UKIR BAKAR BERBASIS PENGEMBANGAN DESAIN ORGANOLOGI DAN MOTIF UKIR TRADISI SUMATERA UTARA Panji Suroso; Mukhlis Mukhlis; Inggit Prastiawan; Pulumun Peterus Ginting; Octaviana Br. Tobing
Gondang: Jurnal Seni dan Budaya Vol 5, No 2 (2021): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (683.109 KB) | DOI: 10.24114/gondang.v5i2.30793

Abstract

Penelitian ini bertujuan untuk mengembangkan model instrumen gitar elektrik kedalam bentuk prototipe yang lebih inovatif yaitu model gitar elektrik ukir bakar. Penelitian penciptaan inovasi gitar elektrik ukir bakar ini berbasis pada pengembangan organologi dan motif ukir tradisi Sumatera Utara, dilakukan dengan cara mengeksplorasi secara mendalam unsur-unsur organologi instrumen gitar elektrik yang akan di kolaborasikan dengan unsur motif-motif ukir tradisional Sumatera Utara. Penelitian ini menggunakan pendekatan research and Depelopment atau penelitian pengembangan. Perolehan data-data penelitian yang dikumpulkan berasal dari dua sumber, yaitu data primer dan data sekunder. Data-data primer diperoleh melalui teknik wawancara mendalam (depth interview) dan pengamatan berperanserta (participant observation) yang bertujuan untuk pengumpulan data yang diikuti diskusi kelompok terfokus (focus group discussion). Hasil analisis yang ditemukan dalam penelitian ini adalah: 1) Dalam proses penciptaan model desain Gitar elektrik ukir bakar berbasis motif ukir tradisi Sumatera Utara di lakukan dengan beberapa tahap seperti : tahap persiapan penciptaan Gitar elektrik ukir bakar berbasis motif ukir tradisi Sumatera Utara, tahap pengumpulan data primer dan data skunder, tahap analisis dan perumusan konsep prototype penciptaan gitar elektrik ukir bakar berbasis motif tradisi Sumatera Utara, tahap uji coba dan penyempurnaan rumusan konsep prototype penciptaan Gitar elektrik ukir bakar berbasis motif ukir tradisi Sumatera Utara. tahap finising. 2) Dalam penelitian ini diciptakan desain model Gitar elektrik ukir bakar berbasis motif ukir tradisi Sumatera Utara dengan dua corak yaitu corak gorga dalian natolu dan corak Tapak Sulaiman.
Co-Authors Bella Cindy Juwita Simanjuntak I Made Suastika I Nyoman Kutha Ratna I Wayan Dibia Dibia, I Wayan Dibia Inggit Prastiawan Liber Siagian Mukhlis Mukhlis Octaviana Br. Tobing Panji Suroso Wiflihani Wiflihani Yakobus Ndona