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All Journal IBDA` : Jurnal Kajian Islam dan Budaya KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Jurnal Pendidikan Ilmu Sosial Kajian Linguistik dan Sastra Madaniyah: Terciptanya Insan Akademis Berkualitas Dan Berakhlak Mulia
Bani Sudardi
Universitas Sebelas Maret
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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KONSEP KETUHANAN ISLAM JAWA DIENG (Studi Terhadap Aliran Tunggul Sabda Amungraga) Sudardi, Bani
IBDA` : Jurnal Kajian Islam dan Budaya Vol 11 No 2 (2013): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (94.514 KB) | DOI: 10.24090/ibda.v11i2.75

Abstract

This research reveals the teaching of a religious sect in Diengwhich focuses on theological concept. Clifford Geerts' concept is used todiscuss the social and art area. There are some results on this research; abelief to the invisible nature, the Islamic teaching from Sunan Kalijaga,Mataram teaching with some enculturation, and a statement that Allah isthe only one who is worth to be worshipped.
MIGRASI TRADISI PESANTREN JAWA KE MALAYSIA AWAL ABAD KE-20 Arridzo, Mohd Taufik; Sudardi, Bani
IBDA` : Jurnal Kajian Islam dan Budaya Vol 12 No 2 (2014): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (122.86 KB) | DOI: 10.24090/ibda.v12i2.484

Abstract

This article reveals the Java pesantren tradition in Malaysia, especially ini the main areas where Javanese peole live, such as negeri Selangor, Perak and Johor. The discussion focuses on three kiai who come from Java and got education in Java pesantren and build pesantren in Semenanjung Tanah Melayu. They are a part of outstanding kiai who built pesantren in those three negeri. They represent the three negeri: Kyai Muhammad Ali Qaribun (from Bantul, Yogyakarta) in Selangor, Kyai Salleh(from Purworejo,Jawa Tengah) in Perak dan Dato‘ Kyai Shamsuddin Ridhwan (from Madiun Jawa Timur) in Johor. The result of the research shows that in the end of 19 century until the beginning of 20 there were many Javanese migrated to Semenanjung Melayu. They came from various places in Java and migrated there for some reasons; spreading religion, hate the colonialism, and the need of survive. The kiai continued the Java pesantren tradition in Semenanjung Melayu. They still have good relationship with their ancestral land in Java so they still send their santri to Java to continue the study.
RITUAL DAN NILAI ISLAMI DALAM FOLKLOR JAWA Sudardi, Bani
IBDA` : Jurnal Kajian Islam dan Budaya Vol 13 No 2 (2015): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (108.112 KB) | DOI: 10.24090/ibda.v13i2.665

Abstract

This research is about ritual and Islamic value in Javanese folklore. The research shows that Islamic values are found in many Javanese ritual and mixed with the former ritual. The former ritual is added with Islamic values e.g. reciting Holly Quran, pray, or appeared with Islamic characters such as Nabi Sulaiman, Nabi Khidir and Syaikh Karim. The method is qualitative research method along with observation, in-depth interview, and content analysis. The Islamic rituals have growth rapidly since Islam became the ideology of Mataram Kingdom/ Kasunanan. Islam is legitimated by the story of Brawijaya (latest Majapahit’s king) who believe and convert to Islam and change his name to be Sunan Lawu. The forms of Islamic ritual are sadranan (ritual in cemetery), reciting Yaasin together, praying, marriage ritual, and grebeg in Kasunanan Palace.
NILAI-NILAI KITAB TARJAMAH SABIL AL-‘ABID ‘ALA JAWHARAH AL-TAWHID PADA MASYARAKAT PESANTREN KETURUNAN JAWA DI SELANGOR Mohd Balwi, Mohd Taufik Arridzo bin; Sudardi, Bani
IBDA` : Jurnal Kajian Islam dan Budaya Vol 15 No 2 (2017): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (617.61 KB) | DOI: 10.24090/ibda.v15i2.1336

Abstract

Muhammad Salih Ibn ‘Umar Semarang is one of the scholars from Java who lived during the colonialism of Netherlands in 19 th century un- til the early of 20 th century (1820-1903). He wrote a lot of religious books in Pegon Javanese language. One of his books is the book of Tarjamah Sabil al-‘Abid ‘ala Jawharah al-Tawhid . The book elaborates the principles of one God conception in terms of ahlu Sunnah wa al-Jamaah . Although Muhammad Salih bin ‘Umar Semarang has never been in Malay Peninsula, but his books including Tarjamah Sabil al-‘Abid ‘ala Jawharah al-Tawh id has entered Malay Peninsula and been read as well as been learned by the societies of Malay Peninsula especially the descendants of Javanese society. The book gives sufficient and thoughtful knowledge regarding one God conception. The targeted readers and learners of Tarjamah Sabil al-‘Abid ‘ala Jawharah al-Tawhid are the ordinary Islamic community, especially the Javanese descendants. Therefore, this paper discusses some principles elaborated in the book that influence the faith of Javanese descendants who live in Malay Peninsula based on Ahlu al- Sunnah wa al-Jamaah principles.
BEDHAYA BENGAWAN KARYA DJAROT BUDIDARSONO MENGANDUNG PENDIDIKAN KARAKTER BAGI MASYARAKAT JAWA Sawitri, Sawitri; Sudardi, Bani; Abdullah, Wakid; Chaya, Nyoman
Jurnal Pendidikan Ilmu Sosial Vol 27, No 2 (2017): JURNAL PENDIDIKAN ILMU SOSIAL
Publisher : Department of Accounting Education, Faculty of Teacher Training and Education Universitas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.2317/jpis.v27i2.5722

Abstract

Bedhaya Bengawan is a dance work performed by nine dancers created by a choreographer named Djarot Budidarsono. Bedhaya Bengawan was created in 2010 performed in Wisma Seni Surakarta, Taman Budaya Surakarta Jawa Tengah (Surakarta Cultural Park of Central Java). The dance work was used as a means of delivering message to the spectators, art observers and community. The theme was adjusted with the artist/choreographer’s idea and creativity. Bedhaya Bengawan is a product inspired by the choreographer living around Bengawan Solo River. River water flows into the river for irrigation purpose; adequate water will yield abundant crops. The farmers express their gratitude to Dewi Sri for the abundant crop. In addition, in this nature, there should be integration between water, soil, wind and sun. The values delivered through Bedhaya Bengawan contain character education for the students including: gratitude to the Only One God, belief in the power of Dewi Sri with any rites as the reward to the abundant rice production, reminder that there should be balance between macrocosm and microcosm. Other character educations include: Manunggaling Kawula Gusti (uniting with God), Sangkan Paraning Dumadi (the origin of human beings and to which [Sang Yang Widi] they will return later). The character education above leads the students to have religious ritual awareness to appreciate nature, to believe in God and to be aware that there is a supreme power creating and nullifying human beings. The secular short life should be filled in with good things. Gratitude should always be expressed to God in order to be blessed. The students are expected to imitate what is included into bedhaya bengawan dance work and to apply it in their daily life.
Pragmatic Study of Discourse Hegemony on the Enactment of Dhalang Trah in Ruwatan Ceremony: A Critical Discourse Analysis Approach Efendi, Agus; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 8, No 2 (2016): September 2016
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v8i2.6754

Abstract

This study applies qualitative research with Critical Discourse Analysis (CDA) of Fairclough (1995) and the criticism on the ideological dissection of social opacities. The data collection encompasses the interactive and non-interactive techniques which involve the techniques of in-depth interviewing, observation and content analysis. Results of the analysis reveal that units of language use reflected from the texts and contexts of the ruwat puppeteer based genealogy's enactment can be traced from the use of modalities, the phrase ‘mboten kalilan’ (impermissible, unable) in the decree of dhalang ruwat can be further extend to express the word ‘unable’ and ‘able to’, other aspects such as politeness, metaphors, ethos which is classified into the verbal and non-verbal discourse are the devices of discursive enactment of the elite power of dhalang trah. The findings conclude that there is arising symptoms of social inequality narrowing the role and significance of the non-ruwat puppeteers. The hegemonic practice such as the discursive enactment of dhalang trah (descendent of Ki Lebdajiwa) is determined by certain associations which try to normalize certain condition. The argument which refers to the enactment of Ki Lebdajiwa and his descendants as the holder of power is enacted through transactional form, where power is centered on one point.
Critiques on the Ideologies of Contemporary Bedhayan Dances Sawitri, Sawitri; Sudardi, Bani; Abdullah, Wakit; Chaya, Nyoman
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.7497

Abstract

This present paper provides a descriptive analysis toward a traditional court dance called Bedhaya, one of the cultural products of the Javanese community in Surakarta which evolved into its modern version Bedhayan due to the flow of global culture. By applying the theories of hermeneutics, ideology, aesthetics and Semiotics, the data are inferred according to the purposed questions. The inquiry is directed to infer the factors encompassing Bedhaya dance such as its emergence and the development, relationship with the existence and its role in the society, the relationship with systems within the society or with various interests. The results as inferred from the data obtained views in looking at the development on the classical dance of Bedhaya into Bedhayan left worthy of critical assessments. The reality of Bedhayan dance in the view of art as an ideology, from the outside, appears that the choreograhers/artists can freely express their creative ideas in the context of the fight agains the classical culture which is strongly enacted by the myths and power of the rulling king. However, it should be noted that Bedhayan dance artists which have managed to bring the classical bedhaya dance out of the walls of the Kraton also in essence always work in the confines of the iron curtain of a creativity called ‘ideology’. Whether consciously or not, being forced or sincere in living it, these choreographers actually fall into the life orientation which solely  concerns the fulfillment of material needs.
Social Criticism in the Text Scripture of Dharmasonya Aryanto, Aris; Sudardi, Bani; Purwasito, Andrik; Wakit, Abdullah
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.8340

Abstract

This study took a closer look at the socio-condition of the Javanese people in Surakarta at the time Dharmasonya (Ds) text was produced through a perspective of critical-sociological studies. The present Ds text was read through seeing the historical life of the Islamic religion. The main objective of this study was to probe socio-cultural life of the society in the age the Ds text was produced. The data source used was the translation of Ds text by Suratmin which was issued by the Ministry of Education and Culture. To obtain the objectives, study on the Ds text was compared with other similar ancient texts of the same themes produced in the same time; these texts were Serat Wedhatama by KGPAA Mangkunegara IV (1853-1881) and Serat Tjemporet by R.Ng. Ranggwarsita. The data was analyzed through perspectives of Hermeneutic and Semiotics methods. The result shows that in Ds text, social criticism was an attempt to resist against the dynamic circumstances faced by the society at the time wherein the social status and nobility became people’s life concern. Such circumstance has apparently been used at least by a stream of Islamic group to write religious text in literary form, since religious doctrine was considered as one of the powerful weapons to control the society. Thus, most people would forcefully obey and submit to the teachings of Islam based on the Sharia law.
Between Economic Burden and Cultural Dignity: Belis in the Marital Custom of the NTT Society Rodliyah, Siti; Purwasito, Andrik; Sudardi, Bani; Abdullah, Wakit
Komunitas Vol 9, No 1 (2017): March 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i1.8672

Abstract

The indigenous marital system giving belis ‘bride price’ practiced by the East Nusa Tenggara (NTT), Indonesia, is one of the Nusantara marital custom phenomena that  today has developed and raised issues of both pros and cons which deserves critical scrutiny from Cultural studies and Anthropological perspective. Both perspectives facilitate the critical standpoint of the NTT society’s mindset summarized in the cultural or customary marriage rules requiring a marriage with belis. This study revealed that in the attitude towards belis, the East Nusa Tenggara women agreed and taken for granted the construction of their reality and power production through various discourses. Current practice of belis raises the economic capitalism up to the identity contestations. Lately, the essence and value of belis have changed and are likely to be more commercial. Even some may view it as mere a symbol and customary fixtures, such as in the region of Lamaholot imposing the elephant tusks, and the Allor society with their Moko as the payment methods of belis.  Belis has left biggest challenge for the communities who are not able to afford higher bride-price objects, this consequently lead to a more emerging unlawful marriages as a resistance against the unresolved poverty problems.
Co-Authors Abdullah Wakit, Abdullah Abdullah, Wakid Afiliasi Ilafi, Afiliasi Agus Efendi Andrik Purwanto, Andrik Andrik Purwasito Aris Aryanto Mohd Balwi, Mohd Taufik Arridzo bin Mohd Taufik Arridzo, Mohd Taufik Mugiyatna, Mugiyatna Mulyono, Ana Nyoman Chaya, Nyoman Pradanta, Sukmawan Wisnu Puji Darmoko Sawitri Sawitri Siti Rodliyah, Siti Slamet Subiyantoro Wakit Abdullah, Wakit