Djoko Sulaksono
Universitas Sebelas Maret Surakarta (UNS)

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Ecological Messages In The Ramayana Story Of The Wayang Purwa Shadow-Puppet Play Sulaksono, Djoko; Sadhhono, Kundharu
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol 2 No 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (431.95 KB) | DOI: 10.31091/lekesan.v2i1.747

Abstract

The aim of this research is to describe ecological messages in the Ramayana story of the wayang purwa shadow-puppet play. As a qualitative research, it used descriptive analysis techniques and ecology studies based on data derived from ecological content in the Ramayana story. Results from the analysis show that several ecological forms in the Ramayana story can be described and viewed from the interactions between characters in the story and fellow human beings, water, land, fire, air, plants and animals. These interactions point to a reciprocal relationship between living things and the environment. The results of this study enrich the treasure of knowledge in the field of literature and provide a picture for communities about the relationship between living things and the environment, which should be aligned with guidance within Javanese society. Through this research, communities are invited to respect each other’s existence and living things in their surroundings. This is because everything in the world is believed to have its respective strengths and benefits.
FILOSOFI PERTUNJUKAN WAYANG PURWA Sulaksono, Djoko
IBDA` : Jurnal Kajian Islam dan Budaya Vol 11 No 2 (2013): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (91.772 KB) | DOI: 10.24090/ibda.v11i2.82

Abstract

Purwa Puppet (Wayang Purwa) is one of traditional art which hasexisted for thousand years. It is internalized in man’s life. The puppetshow describes the life cycle of a man; from the first day until he died. Itis showed implicitely by the gunungan, when it is moved by the dalanguntil it is embedded for the last time (tancep kayon).
THE PHILOSOPHICAL MEANING OF WAYANG DAPURA IN SUNAN KUDUS FIGURE Restianto, Javian Inggit; Saddhono, Kundharu; Sulaksono, Djoko
IBDA` : Jurnal Kajian Islam dan Budaya Vol 18 No 2 (2020): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Institut Agama Islam Negeri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v18i2.3745

Abstract

This writing is about the philosophy of Wayang Dupara, The Sunan Kudus. The body structure of Sunan Kudus is categorized as the body structure of Wayang Katongan. The research is assessed through descrip- tively qualitative method by uncovering the outer (physical) and inner (psyche) structure. The top accessories, the kuluk songkok and the garuda mungkur, are also included in the assessed physical and psyche struc- ture. The red colored make-up, kadelen’s eye, and walimiring nose are also examined. The puppet (wayang) is worn a robe with number of ac- cessories, like: rimong, tasbih, cundrik. The puppet’s foot part is worn a traditional foot wear, namely canela or selop. The result for both outer and inner figure is related to Sunan Kudus in Islamic Javanese perspec- tive as the person who had an important role in religion, intellect, reign and economic area