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All Journal Ghurnita: Jurnal Seni Karawitan
Ni Ketut Suryatini
Program Studi Seni Karawitan, Institut Seni Indonesia Denpasar
Arts Humanities Education Social Sciences

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Artikel Karawitan Composition Jujug Luang | Komposisi Karawitan Jujug Luang I Putu Oka Rudiana; Ni Ketut Suryatini; I Gede Mawan
GHURNITA: Jurnal Seni Karawitan Vol 2 No 1 (2022): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

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Abstract

The purpose of the work of Jujug Luang is to be able to become a motivation in a process of creating a musical compositional work of art that can inspire in terms of art as well as being a medium for taste and aesthetic processing in a process of creating musical works of art. This work was motivated by the stylist's desire to transform the procession of melasti, tawur, nyepi and ngembak geni ceremonies into musicals by using the percussion compositions created by the gamelan semarandhana as a form of creating creative works of Balinese music through a process that requires skills and skills as well as motivation to bring about renewal of tradition. The stages of the process in this creative percussion are the exploration stage, the experimental stage (improvisation), the forming stage. This work uses a creative percussion structure including (1) Pengawit which describes the atmosphere of the melasti procession, (2) Gengenderan which describes melasti by actualizing the atmosphere of the waves, (3) Bapang describes the Tawur, and (4) pengcet describes the Ngembak Geni.
Introduction to "Liput Semara" Creative Composition | Pengantar Komposisi Kreasi “Liput Semara” I Putu Wahyu Mahendra Putra Wahyu; Ni Ketut Suryatini; I Gede Mawan
GHURNITA: Jurnal Seni Karawitan Vol 1 No 4 (2021): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

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Abstract

Liput Semara's artwork was motivated by a love that the stylist had experienced. Where this love occurs because of a first meeting with a woman which causes mutual liking, to end in a romantic relationship and tie a promise of love that is never broken. The expression of love is used as the basic footing for the stylist to work on the composition of Liput Semara's musical composition. The definition of liput can be interpreted as a mood when carried away by a feeling, and semara which is taken from Hindu mythology as a symbol of love. From this composition, Liput Semara was inspired by the form of the stylist's love for a woman who the stylist once loved. Liput Semara's artwork is a traditional artwork by taking the form of creative compositions using the medium of the gamelan Semar Pegulingan Saih Pitu. Regarding the structure, the stylist uses the Tri Angga structure which consists of Kawitan, Pengawak and Pengcet as the main structure. The stages of the process of this work go through a process of elaboration of stages, where the stages are taken from the concept of Bambang Sunarto in the book Methodology of Art Creation and Wayan Senen's book entitled Wayan Beratha – Gamelan Kebyar Reformer. So that from the elaboration it produces stages of reasoning, creation, menahin and ngelesin.
Co-Authors I Gede Mawan I Putu Oka Rudiana I Putu Wahyu Mahendra Putra Wahyu