JOKO TRI LAKSONO
Institut Seni Indonesia Yogyakarta

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Menelusuri Karya dan Karsa Manthou’s Sebagai Seniman dan Pencipta Campursari JOKO TRI LAKSONO
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 9, No 2 (2008): Desember 2008
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v9i2.458

Abstract

Manthous as Campursari Musician and Composer. The study reveals that in his early age Manthous wasnurtured in a highly disciplined environment, and he had a strong determination to become a reliable fi gure in theart-world. Before composing Campursari Manthous had dealt with Pop Krontjong which was well-recognizedworldwide. In addition, Manthou’s also served as a recording programmer in several well-known recording studios.Through years Manthous has developed his musical skills as music player, singer, composer and artist manager. Hiscompositions contain simple lyric, diction, and rhyme. They have been composed in accordance to his personalmoods, marketing strategies and orders. By composing Campursari, he expects all groups of people, especially theyoung generation, can accept and enjoy Javanese musical performance (karawitan) in different form
PERSPEKTIF HISTORIS CAMPURSARI DAN CAMPURSARI ALA MANTHOU’S Joko Tri Laksono
Imaji Vol 8, No 1 (2010): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (322.708 KB) | DOI: 10.21831/imaji.v8i1.6654

Abstract

Campursari is an ensemble of a highly and aesthetically musical taste of various musical instruments, each of wich has distinctive characteristics and playing patterns. The problems arising from the difference in the system of notation and harmony can be overcome in so far each, musician is aware of the importance of togetherness needed in the musical performance. In history instrumentation of campursari cannot leave karawitan and music keroncong which represents beginning at first merger from bath the ensembles. Manthou’s as originators campursari tries to alli the instrumentation becames one fully unity especially about its tune. Kata kunci: musik campursari, perspektif historis
Pelatihan Iringan dan Teknik Garap Gejog Lesung pada Grup Seni Gejog Lesung “Kumandhang” Joko Tri Laksono
Jurnal Pengabdian Seni Vol 1, No 1 (2020): MEI 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jas.v1i1.4701

Abstract

Gejog Lesung “Kumandhang” merupakan kelompok kesenian di masyarakat padukuhan Karanganom I– Ngawis–Karangmojo–Gunungkidul, yakni merupakan masyarakat yang percaya bahwa kesenian yang dimilikinya yakni Gejog Lesung tersebut telah ada sejak zaman nenek moyang mereka yang selalu difungsikan setiap upacara ulang tahun Desa maupun Rasulan. Namun, belum tersedianya instruktur profesional sesuai kompetensinya dalam kesenian Grup Seni Gejog Lesung “Kumandhang” sehingga gerak penyanyinya, iringan, maupun teknik garap penyajian terlihat sekedarnya sehingga perlu mendapat sentuhan akademisi untuk menggarap Grup Seni Gejog Lesung “Kumandhang”, agar tidak monoton dan terkesan membosankan. Penyuluhan dilakukan pada 11 Maret sampai dengan 21 Agustus 2020. Peserta penyuluhan Seni Gejoglesung “Kumandhang” berjumlah 20 (duapuluh) orang peserta. Materi penyuluhan berupa modifikasi motif pukulan dan teknik garap Gejog Lesung dengan lagu Kuwi Apa Kuwi, Suwe Ora Jamu, dan Swara Suling dengan metode ceramah, demonstrasi, dan latihan. Hasil penyuluhan adalah peserta paham bagian-bagian dalam sajian motif pukulan untuk Introduksi, Interlude dan Coda pada sebuah lagu, mengerti pentingnya aransemen dalam sebuah lagu, mengenal dinamika dan permainan tempo dalam garap pada sebuah ansambel Selain itu, pementasan jauh lebih hidup dan dinamis terutama lagu-lagu yang disajikan telah diaransemen, karena adanya tekhnik penggarapan dalam beberapa komposisi lagu sehingga tidak monoton dan membosankan. Pemahaman pentingnya manajemen terbuka dalam sebuah kelompok juga didapatkan dari penyuluhan ini. Gejog Lesung "Kumandhang" is an art group in the Karanganom I Ngawis Karangmojo Gunungkidul community, namely people who believe that the art they have, namely Gejog Lesung, has existed since the time of their ancestors, which has always been used every Village and Rasulan birthday ceremony. However, the unavailability of professional instructors according to their competence in the art of the Gejog Lesung Art Group "Kumandhang" so that the movements of the singers, accompaniments, and presentation techniques look modest, so it is necessary to get a touch from academics to work on the Gejog Lesung Art Group "Kumandhang", so as not to be monotonous and seem boring. The counseling was held on March 11 to August 21, 2020. There were 20 (twenty) participants of the "Kumandhang" Gejoglesung art extension. The counseling material was in the form of modification of the punch motif and the technique of working on Gejog Lesung with the songs Kuwi Apa Kuwi, Suwe Ora Jamu, and Swara Suling using lecture, demonstration, and exercise methods. The result of the counseling is that the participants understand the parts of the punch motive presentation for the Introductions, Interlude and Coda in a song, understood the importance of arrangements in a song, recognized the dynamics and tempo play in working on an ensemble. , the performance is much more lively and dynamic, especially the songs presented have been arranged, because of the cultivation techniques in several song compositions so that they are not monotonous and boring. An understanding of the importance of open management in a group was also obtained from this counseling.
Eksistensi Reog Singo Mangku Joyo di Surabaya Anbie Haldini; Joko Tri Laksono; Haryanto Haryanto
IRAMA Vol 1, No 2 (2019): IRAMA: JURNAL SENI DESAIN DAN PEMBELAJARANNYA
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (344.798 KB) | DOI: 10.17509/irama.v1i2.22262

Abstract

Eksistensi Reog Singo Mangku Joyo di Surabaya tidak terlepas dari peranan figur pemimpin yang mengayomi dan managamen Reog Singo Mangku Joyo. Keberadaan visualisasi patung Reog juga mendukung agar Reog dapat eksis sampai menciptakan karakter tersendiri dalam bermainnya. Terlepas dari itu semua peranan kerjasama dengan pihak luar sangat mendukung agar kesenian ini dapat teringankan dengan adanya kerjasama. Musik Reog Singo Mangku Joyo dari waktu ke waktu mengembangkan dari yang ada menjadi berkembang bentuk penyajiannya serta musiknya. Bentuk peranan yang terdapat dari Reog Singo Mangku Joyo sampai bentuk kekompakan serta kreatifitas penyajian atau musik membuat Reog Singo Mangku Joyo mendapatkan prestasi tingkat Nasional maupun Mancanegara.