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All Journal Humaniora Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Pendhapa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT
Tri Prasetyo Utomo
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Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences

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Estetika Arsitektur Dalam Perspektif Teknologi Dan Seni Utomo, Tri Prasetyo
Pendhapa Vol 1, No 1 (2009)
Publisher : Pendhapa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB)

Abstract

Philosophical Aesthetics here is considered to center on these latter-day developments. Some aesthetic effects available in architecture, technology, and visual arts include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movements, rhythm, unity, and proportion. An aesthetic experience is just the experience of aesthetic properties and formal relations of a work. But this leads to problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reasons to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual; beauty and perfection that we find in works of art do not consist of concepts but sense impressions. Key words : aesthetics, architecture, technology, art.
NILAI KEARIFAN LOKAL RUMAH TRADISIONAL JAWA Djono Djono; Tri Prasetyo Utomo; Slamet Subiyantoro
Humaniora Vol 24, No 3 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (130.563 KB) | DOI: 10.22146/jh.1369

Abstract

Java has the values that can be taken in relation to the value of the benefits of ethics and aesthetics. One farm of those values are joglo art that have the local knowledge of Javanese culture. Model approach in this research is leading to a descriptive qualitative ethnographic, in which the empirical reality a result, demanding researchers go directly to the location of the study, to be able to live up to their tradition, and the symptoms of everyday life that is full of social phenomena local culture. This research firms a single case study stuck. In the context of this case study, a traditional Javanese home visits as a sub unit of analysis, but its existence still viewed/reviewed as a place that is part of the social system of the larger society around Surakarta. Java house building structure is one that reflects the composition of space like typical building pendhapa, pringgitan, dalem, kitchen, or gadri gandhok. The relation between this structure is a structure which is strongly influenced by the manifestation process mythology and cosmology Java). This means that the traditional Javanese house is not just a place to shelter (practical function), but also understood as a manifestation of the ideals and outlook on life or a symbolic function. In this case the traditional Javanese houses are not only placed as an autonomous element, a separate stand alone, but being seen in context, particularly relevant to the context of allied Javanese cosmology that underlie the view that the Javanese philosophy of Iife.
TIPOLOGI DAN PELESTARIAN BANGUNAN BERSEJARAH; Sebuah Pemahaman melalui Proses Komunikasi Tri Prasetyo Utomo
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2385.898 KB) | DOI: 10.33153/ornamen.v2i1.817

Abstract

The historic building forms are a facility for communication media in architecture. In architecture, the building forms have mean a sentence for a message and an expression. The building form are form elements, there are door, window, wall, roof, and floor, then to unite with form that a total architecture design. The building form element can’t explain a message if it’s a single building. Whatever, if it are unite, then the elements can become a communication media for to explain a message to observer.Keyword: architecture, building, elemen, communication
Perkembangan Arsitektur Kolonial Di Indonesia Tri Prasetyo Utomo
Ornamen Vol 4, No 2 (2007)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1084.296 KB) | DOI: 10.33153/ornamen.v4i2.885

Abstract

The presence of Dutch in Indonesia resulted in the acculturation between two different cultures. Colonial culture (European) and Indonesian culture, each of them is supported by different ethnic has also different social structure and encounters the long assimilation process. The convergence of two cultures leads indigenous culture (Indonesian) to encounter a significant cultural transformation, this occurs because there is colonial (European) culture’s influence entering Indonesia. The influence gradually becomes greater and the effect is widespread reaching various sectors and cultural elements. Among colonial effects evolving in Indonesia there is the effect in architecture development.Key word : architecture, Colonial
Transformasi Nilai Estetika Rumah "Joglo" Di Kawasan Kotagede Yogyakarta Tri Prasetyo Utomo
Ornamen Vol 3, No 2 (2006)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1097.289 KB) | DOI: 10.33153/ornamen.v3i2.865

Abstract

Rumah Tradisional Jawa, khususnya Rumah Joglo merupakan cermin nilai budaya Jawa yang masih amat jelas nampak dalam perwujudan bentuk, struktur, tata ruang dan ragam hiasnya. Bentuk fisik Rumah Joglo, selain memiliki rasa keindahan (estetika), ia juga terikat nilai-nilai budaya yang berlaku dalam masyarakat khususnya masyarakat Jawa. Pembagian ruang pada Rumah Tradisional Jawa, amat jelas dikerjakan sesuai dengan nilai-nilai budaya yang berlaku. Sementara itu bentuk dan pola ragam hias rumah juga tidak bebas dari pengaruh nilai budaya dan keyakinan yang mendominasi masyarakat. Kenyataan ini menunjukkan betapa penting artinya rumah tradisional sebagai salah satu cermin kebudayaan, sekurang-kurangnya mengandung nilai yang berlaku dalam masyarakat. Pada masa sekarang nilainilai yang berkembang dalam masyarakat semakin beragam dan terbuka (open society). Pada masyarakat demikian, beragamnya nilai-nilai yang berkembang disebabkan oleh kebutuhankebutuhan dari anggota masyarakatnya yang semakin beragam pula. Nilai-nilai budaya masyarakat yang beragam ini memberi peluang pada berubahnya nilai-nilai budaya Jawa. Demikian juga nilai-nilai estetika Rumah Tradisional Jawa, khususnya Rumah Joglo yang berkembang pada masyarakat beragam dan terbuka seperti ini, besar kemungkinan akan mengalami perubahan dan perkembangan. Oleh karena itu, berdasarkan pada perkembangan dan perubahan kebutuhan masyarakat pada masa sekarang, terjadi pula perubahan pada arsitektur bangunan Rumah Joglo. Perubahan-perubahan itu antara lain meliputi perubahan fungsi dan status, proporsi dan skala/dimensi, sifat dan ciri khas, sistem struktur dan bahan, penampilan serta setting.Key Word : Aesthetic, Rumah Joglo, transformation
Estetika : Antara Desain, Teknologi Dan Arsitektur Tri Prasetyo Utomo
Ornamen Vol 5, No 2 (2008)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1265.7 KB) | DOI: 10.33153/ornamen.v5i2.919

Abstract

Aesthetic experience just is experience of a work’s aesthetic properties and formal relations. But this leads into problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reason to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual, beauty and perfection that we find in works of art do not consist of concepts but sense impressions. Some aesthetic effects available in design, technology and architectural include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movement, rhythm, unity and proportion.key word : aesthetic, design, technology, architecture.
PEMBERDAYAAN INDUSTRI KERAJINAN SUVENIR KAYU TERDAMPAK PANDEMI DI KECAMATAN PEDAN KABUPATEN KLATEN Eko Sri Haryanto; Tri Prasetyo Utomo
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 4 No 1 (2021): Seni, Tenologi, dan Masyarakat #6
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v4i1.146

Abstract

ABSTRACT The Covid-19 pandemic has caused Micro, Small and Medium Enterprises (MSMEs) to experience a drastic decline in income, especially in tourist souvenirs. The impact is a reduction in the workforce and a decrease in people's income. The partner of this activity is a Luphy Craft souvenir belonging to Mr. Sriyanto. Souvenirs from Micro, Small and Medium Enterprises, among others; tourist souvenirs, wedding souvenirs and other event souvenirs. The purpose of this activity is so that partners can develop their businesses even though they are still in the midst of the Covid-19 Pandemic. The methods used include discussion, design training, making promotional media, making online media, creating marketplace accounts, making video profiles, simple management training and online sales training. The results of this community service activity are in accordance with the output that has been set at the beginning. This activity is not only beneficial for partners, but is also an implementation of the Tri Dharma Perguruan Tinggi, especially in the field of community service.
Co-Authors Djono Djono Eko Sri Haryanto Slamet Subiyantoro