Articles
<![CDATA[Tracing the Progression of Inhabitation through Interior Surface in Semarang Old Town ]]>
<![CDATA[Warakanyaka, AA Ayu Suci]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol 1 No 1 (2018) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/in.v1i1.9
<![CDATA[The capacity of the interior to adapt and transform through time has made the interior space bears the consequences from its past occupancies. The trails of the past are imprinted within the layers of interior surfaces. This paper argues that by utilising the idea of Anthropocene, these surfaces could become the medium to trace the inhabitation processes that happen throughout the life of the building, whether it was in the past, in the present or to predict the future. In particular, this paper attempts to explore and speculate on the progression of inhabitations through the interior surfaces of the buildings in Semarang Old Town, Central Java, Indonesia. The investigations are presented through the stories of the facades, the paints and the tiles, to reveal how these interior layers narrate the idea of the deep time in which the past inhabitation is embedded. These layers of interior surfaces suggest the role of time and continuous transformation in affecting and producing the current interior spaces. An understanding of deep time, as reflected in the layers of interior surfaces, also suggests the agency of human inhabitation within the transformation of interior space and highlights the ability of interior space to manoeuvre in time.]]>
<![CDATA[Editorial: Interiority as Relations ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol 1 No 2 (2018) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/in.v1i2.40
<![CDATA[Understanding the relations between human being and its environment is critical in our attempt to create an appropriate built environment. Interior as a discipline has a privilege to be in the intersection between subjective experience of human users and the physical manifestation of environment occupied by the human. Looking at interiority as a relational construct that occurs between the users and environment should be an essential basis for design practice. This issue of Interiority intends to explore various forms of relational construct that emerge in the interaction between space and the users and to identify possible challenges posed by such relations for spatial design practice.]]>
<![CDATA[Interiority in Everyday Space: A Dialogue between Materiality and Occupation ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol 2 No 1 (2019) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/in.v2i1.56
<![CDATA[Everyday space is a setting where ordinary acts, activities and events take place. It is interesting to examine closely how interiority is defined, understood and manifested in everyday space as a way to understand the inhabitation of the interior. The interiority of everyday space is defined not only by occupation but also through materiality. This issue of Interiority presents articles that address the relationships between interior materiality and different perceptual constructs and experiences of architectural space as inherent in the occupation of the everyday space.]]>
<![CDATA[Interiority: At the Threshold ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol 2 No 2 (2019) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/in.v2i2.66
<![CDATA[Being at the threshold offers an ambiguous spatial experience. The idea of threshold is relevant to the discourse of interiority, as it expands our understanding of the opposing condition of inside-outside, or interior-exterior, which have become the recurring themes in many discussions on interiority. This issue of Interiority attempts to address what actually occurs at the threshold – the occupation and the experience of the threshold. The contributors in this issue address the emergence of spatial ideas that define the new relationship between inside and outside, between interior and architecture.]]>
<![CDATA[Reading Between the Lines: Revealing Interiority ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol 3 No 1 (2020) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/in.v3i1.77
<![CDATA[Words, texts and narratives have the potential to reveal the complexity of interiority; they can tell stories beyond the physical materiality of space to reveal spatial occupation, address social and cultural issues embedded in space and capture the trajectories of inhabitation over time. This issue of Interiority addresses writing and reading as a form of inquiry towards the idea of interiority being embedded within the represented forms of architecture and interior. The articles in this issue demonstrate various forms of inquiry concerning the idea of interiority through various media of ‘writing,’ then explore how their reading becomes a way of revealing interiority.]]>
<![CDATA[CONTEXT LEARNING TRANSFORMATION IN ARCHITECTURAL DESIGN STUDIO ]]>
<![CDATA[Paramita, Kristanti Dewi]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ MODUL Vol 20, No 2 (2020): MODUL vol 20 nomor 2 tahun 2020 (9 articles) ]]>
Publisher : <![CDATA[architecture department, Engineering faculty, Universitas Diponegoro ]]>
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DOI: 10.14710/mdl.20.2.2020.157-166
<![CDATA[This paper reflects the shifting understanding of context in a data-based architectural studio. With the school closure in the beginning of the COVID pandemic, the overall learning process is largely conducted online. Big Data becomes an important discourse that provides some benefits and opportunities which transform the design and learning process in an architectural studio, particularly on how students may explore and understand their context. Exploring the works of third-year architectural students in Department of Architecture, Faculty of Engineering Universitas Indonesia, this paper highlights the ways students capture and organise urban information and construct their intervention contexts. The study points out that time, flow and narrative are key in transforming understanding of context. Based on such three aspects, the data reveals the unseen urban patterns, emerging in the imbalance relationship between user and the environment, the disconnection of urban services, and the hidden variety of urban experience. The study reflects how these urban patterns informs the ways students define and situate themselves in the context, shifting existing ideas of context and its corresponding methodologies in the architectural education. Â Â Â Â ]]>
<![CDATA[INVISIBLE PLAYGROUND: KONSTRUKSI HUBUNGAN RUANG-PERGERAKAN-KEJADIAN ]]>
<![CDATA[Ardianta, Defry Agatha]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ MODUL Vol 21, No 1 (2021): MODUL vol 21 nomor 1 tahun 2021 (article in press) ]]>
Publisher : <![CDATA[architecture department, Engineering faculty, Universitas Diponegoro ]]>
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DOI: 10.14710/mdl.21.1.2021.29-36
<![CDATA[Tulisan ini menginvestigasi terciptanya ruang bermain tak kasat mata dan bagaimana elemen pada ruang tak kasat mata tersebut terkonstruksi. Secara khusus tulisan ini membahas hubungan ruang-pergerakan-kejadian berlandaskan teori yang dikemukakan oleh Bernard Tschumi. Melalui observasi dan analisis terhadap aktivitas anak-anak di kampung Keputran Pasar Surabaya, studi difokuskan terhadap area ruang sirkulasi kampung yang selama ini multi fungsi: selain sebagai jalur penghubung namun juga sebagai ruang sosial masyarakat. Analisis dilakukan terhadap pembentukan ruang bermain yang kemudian mengungkapkan kehadiran ruang tak kasat mata. Tulisan ini kemudian menempatkan elemen-elemen konstruksi ruang tak kasat mata tersebut dalam hubungan ruang-pergerakan-kejadian.]]>
<![CDATA[Inscriptions: Narrating the Spatial Dynamics of the Immaterial Interior ]]>
<![CDATA[Wahid, Arif Rahman]]>;
<![CDATA[Paramita, Kristanti Dewi]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol 4 No 1 (2021) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/in.v4i1.87
<![CDATA[This paper explores inscription as a projection of the spatial dynamics of a setting, beyond a historical or cultural symbol in a context, and highlights that inscription—a written or carved message on a surface—is an element that immaterially demonstrates a more in-depth narrative of an interior. This paper focuses on exploring inscriptions embedded in various production settings in Jakarta and Central Java, collecting individual and observational accounts on the production of such inscriptions and their meanings. The study suggests that inscriptions demonstrate various roles, from providing information, mediating different spaces and performing as tools to assist activities. Inscriptions may traverse the trajectories of different spaces and exist in different layers of time, creating an interior connection across space and time. These layers and trajectories project the dynamics of material and bodily processes, assembling the immaterial interior.]]>
<![CDATA[Shifting Interiority: Changing Encounters With Our Environment ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol 3 No 2 (2020) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/in.v3i2.106
<![CDATA[During COVID-19 pandemic, the whole world has witnessed and experienced dramatic changes in all aspects of life. As we adapt our everyday lives to restrictions and limitations to fight the pandemic, it also has become a trigger for us to rethink and re-position knowledge on spatial design disciplines. This Interiority issue compiles contributions that respond to a special call for papers that address these questions: How does the pandemic, including its impacts from lockdowns and physical distancing, affect how we think about interior and architecture? What lessons can we learn from this situation that we can use in future interior and architectural spaces and practices? How does the idea of interiority shift in this challenging situation?]]>
<![CDATA[Urban Interiority: Emerging Cultural and Spatial Practices ]]>
<![CDATA[Atmodiwirjo, Paramita]]>;
<![CDATA[Yatmo, Yandi Andri]]>
<![CDATA[ Interiority Vol 4 No 1 (2021) ]]>
Publisher : <![CDATA[Department of Architecture Faculty of Engineering Universitas Indonesia ]]>
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DOI: 10.7454/in.v4i1.131
<![CDATA[Discourses on the urban interior recently have emerged as a series of provocations and experimentations that highlight the critical understanding of the urban realm from the interiority perspective. In the fast-moving development of modern global cities, the urban interior concept becomes increasingly important. Cities are fast becoming containers for contemporary spatial practice, with urban spaces becoming melting pots of diverse cultures and communities. Viewing urban settings from the interiority perspective allows us to comprehend unique local characters in particular contexts. This issue of Interiority presents a collection of works that illustrate the expanded understanding of the urban interior, especially in relation to cultural and spatial practice in urban contexts. This issue presents multiple perspectives on understanding the urban interior, raising arguments on how its spatial condition could perform as a container of cultural practice, while simultaneously offering possibilities on manoeuvring within the urban interior context through various ways of reading, interpretation and intervention. These perspectives and approaches promise further possibilities to expand our interior architectural practice in responding not only to current contemporary practice, but also to the future of urban inhabitation.]]>
