Article Per Year (5 Year)
p-Index From 2019 - 2024
3.51
P-Index
This Author published in this journals
All Journal Parole: Journal of Linguistics and Education Bahtera Sastra: Antologi Bahasa dan Sastra Indonesia BAHASA DAN SASTRA Lingua Cultura Semantik : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia KEMBARA MIMBAR PENDIDIKAN Jurnal Penelitian Pendidikan LOKABASA IJoLE: International Journal of Language Education METASASTRA: Jurnal Penelitian Sastra LEKSIKA Semiotika Adabiyyat: Jurnal Bahasa dan Sastra Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Journal of General Education and Humanities DIMASATRA Journal of Korean Applied Linguistics @Artikulasi
Yulianeta Yulianeta
Universitas Pendidikan Indonesia
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

Published : 33 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search
Journal : LEKSIKA

 1 
RONGGENG: CULTURAL ARTIFACTS AND ITS REPRESENTATION IN INDONESIAN'S FICTION Yulianeta Yulianeta
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 7, No 2 (2013)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v7i2.118

Abstract

This paper is based on the phenomenon of dancer or tayub which is celebrated as a very popular cultural artifact in public life, particularly in Java. This tradition is originally part of a sacred ritual, which ultimately became a performing art, but tends to be viewed negatively. In a historical context, the dancer was originally seen based on cultural concept and evolves into culturally sacred profane. Negative reception of ronggeng is not only uttered orally but also embodied in the written tradition. It is found in the genre of literary fiction such as in Tayuban’s Notosusanto Nugroho (1959), Sri Sumarah and Bawuk by Umar Kayam (1975), Trilogy Ronggeng Dukuh Paruk written Ahmad Tohari (1982), and Ronggeng works Dewi Lingga Sari (2007). The results of this study illustrate that the figure of dancer who is represented in Indonesian fiction are various. Although there are similarities, but the authors tend to have different reception levels regarding ronggeng. Ronggeng as cultural artifacts is the manifestation of the ability of local communities to respond and adapt to the environment actively. Similarly, what is represented in fiction about ronggeng is a mirror of the society where the work was born. Keywords: prose fiction, reception, representation, ronggeng, tayub
Co-Authors Adhea Tsabitah Sulistiyo Agustiningsih, Dheka Dwi Amandangi, Dewi Prajnaparamitha Ari Kartini Aries Widiasturi Dadang Sunendar Dadang Sunendar Deni Abdul Ghoni Desrina Nuraffifah Dewi Prajnaparamita Amandangi Dheka Dwi Agustiningsih Didin Samsudin Dwi Budiyanto Else Liliani H. Halimah Halimah Halimah Halimah Halimah Hernawan Hernawan Hernawan Hernawan Iwan Ridwan Juliasih Kusharyanto Juliasih Kusharyanto Karina Diah Rahmawati Khaerudin Kurniawan Kusmarwanti Kusmarwanti Lia Amelia Nurkhazanah Lubis, Arif Husein Mahmud Fasya Mala Nurkamila Maretta Dwi Anjani Meisa Arya Putri Gunawan Nenden Lilis Aisyah Noor Harini Nor Hasimah Ismail Nuny Sulistiany Idris Nur Syafitri Pitra Ramadhani Poppy Mega Karina Rahayudianti, Suci Noor Anisa Putri Rahmah Fauziyah Rama Kurnia Santosa Siti Chamamah Soeratno Siti Chamamah Soeratno Suci Sundusiah Sumiyadi Sumiyadi Sunendar, Dadang Syahril Sugianto Tasya Isarina Maghfira Tevi Septyani Putri Tri Indri Hardini Velayeti Nurfitriana Ansas Wasniah Wasniah Wiyatmi Wiyatmi Yaacob, Aizan Yayat Sudaryat