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Konsep Pembelajaran Design Thinking dan Business Model Canvas Pada Perancangan Produk Furnitur P Utomo, Tri Noviyanto
Dimensi Interior Vol 13, No 1 (2015): JUNE 2015
Publisher : Institute of Research and Community Outreach - Petra Christian University

KonsepÂ pendidikanÂ berbasisÂ desain,Â khususnyaÂ desainÂ produkÂ interiorÂ yangÂ dalamÂ beberapaÂ tahunÂ belakanganÂ iniÂ sudahÂ banyak mengalami perubahan-perubahan metode pembelajaran. Banyak metode pembelajaran sudah diterapkan, mulai pembelajaran dengan pemecahan masalah (based on problem) maupun metode berbasis kompetensi (based on competency). Cara pandang dan pendekatan yang mendasari konsep mendesain produk dengan metode yang ada memang tidak ada yang salah. Mendesain produk untuk industri ataupun interior tidak hanya sebatas dan berhenti pada tataran konsep semata, namun juga perlu pemikiran bagaimana produk tersebut di buat dan dipakai oleh penggunanya dan bahkan sampai menjadi sebuah unit usaha berbasis desain produk. Untuk itu diperlukan sebuah konsep pembelajaran yang holistik dengan mengintergrasikan metode perancangan produk dan perencanaan bisnis yang tepat. Kebutuhan akan sebuah model studi pembelajaran dalam perancangan desain produk yang bisa mengintegrasikan proses berpikir desainÂ danÂ perencanaanÂ modelÂ bisnisÂ yangÂ mudahÂ dipahamiÂ olehÂ mahasiswaÂ menjadiÂ landasanÂ penulisanÂ ilmiahÂ ini.Â Model perancangan dengan pendekatan konsep Design Thinking dipilih karena memiliki beberapa tahapan dan alur pikir yang sistematis dan salingÂ berkesinambungan.Â SedangkanÂ konsepÂ pembelajaranÂ perencanaanÂ modelÂ bisnisÂ dilakukanÂ melaluiÂ metodeÂ BusinessÂ model CanvasÂ (BMC).Â KonsepÂ IntegrasiÂ modelÂ perancanganÂ produkÂ denganÂ pendekatanÂ designÂ thinkingÂ danÂ perencanaanÂ modelÂ bisnis dengan BMC ini diaplikasikan pada mata kuliah perancangan desain produk furnitur di kelas Entrepreneurial Interior Architecture Studio 4Â (EINAS 4) Universitas Ciputra.

Reparameterizing Tectonics Perception on Planar Material-Design Stephanus Evert Indrawan; Gervasius Herry Purwoko; Tri Noviyanto P. Utomo
IJCAS (International Journal of Creative and Arts Studies) Vol 6, No 1 (2019): June 2019
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v6i1.3276

Indonesia is known as a country rich in types of building materials and technologies inherited from generation to generation. Along with the passage oftime appears the computer as a human tools. However during the materialsprocessing this computational approach is still separated. Computers are still usedas tools for drawing and not used as design tools in the design thinking process.Computational design has an ability to integrating the design focus from thematerial side, structure, and formation associated with digital fabrication. Thispaper focuses to divide concepts of tectonics as general and relate them to theunderstanding of digital perception. This paper also presents the results of a studythat has involved digital perception in the study of planar materials and wafflestructure systems from the early stages to the model of construction. Plywood isthe only material used, made with milling machines and built by students. Thisprocess introduces students to different experience of the design process.Computational design makes possibilities to integrating the design focus from thematerial side, structure, and formation associated with digital fabrication.

Konsep Desain Kamar Mandi Bertema ”Accessible Restroom” 2007 Analisis Penerapan Konsep ’Desain Universal’ pada Sayembara Perancangan Yusita Kusumarini; Tri Noviyanto Puji Utomo
Journal of Visual Art and Design Vol. 2 No. 1 (2008): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2008.2.1.6

Universal design is a design approach which considering that all products, building, exterior and interior spaces be usable to the greatest possible extent by all, regardless of ages and abilities. Given its importance, this approach needs to be promoted and socialized, especially for the design of public facilities (including interior and its complement) in Indonesia. BILiC (Bandung Independent Living Centre) started the assessment for the importance of universal design on public facilities with the 2007 ”Accessible Restroom” international design competition. The presented paper discusses universal design and accessibility in lieu for the evaluation of entry design works of the competition.

Nilai-nilai Desain Dalam Praktik dan Berpikir Desainer: Filosofi "Jalan Kayu" Barata Sena Tri Noviyanto P Utomo; Yusita Kusumarini
Jurnal Strategi Desain dan Inovasi Sosial Vol 1, No 2 (2020): Melihat Kemungkinan Desain Sebagai Strategi dan atau Pendorong Inovasi Sosial
Publisher : School of Design Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37312/jsdis.v1i2.1829

Dalam paradigma baru tentang peran dan tanggungjawab desainer menyatakan bahwa tidaklah cukup bagi desainer hanya membuat gambar dan memproduksi karya desain saja. Desainer juga perlu memproduksi, membangun serta menciptakan nilai-nilai desain di dalam setiap karya yang diciptakannya. Bagaimana membangun tanggungjawab dan memproduksi nilai-nilai desain secara kongkrit bagi desainer saat ini menjadi topik bahasan yang penting untuk dielaborasi lebih lanjut. Melalui studi kasus yang dilakukan terhadap salah satu desainer produk interior/furnitur yang cukup unik di kota Solo, penelitian ini akan menggambarkan dan menganalisa secara deskriptif bagaimana seorang Barata Sena dengan kerangka berpikir filosofisnya yang dikenal sebagai “Jalan Kayu” membangun serta memproduksi nilai-nilai desain melalui perancangan produk Art Furniture. Nilai-nilai desain yang tertanam dari filosofi “Jalan Kayu” yaitu “menerima, memberi dan melepaskan” ternyata sejalan dengan pemikiran Papanek tentang nilai sosial dan moral desainer dalam praktik-praktik perancangan yang menekankan fungsi produk dan tanggungjawab desainer terhadap kesejahteraan dan kemanusiaan. Nilai-nilai desain ini juga beririsan serta bermuara pada konsep besar dari Triple Botton Line of Design (Planet, People, Profit) sebagai tujuan besar sustainable development global.

The use of minimal surface principles and multiplex joinery system for designing post-disaster construction systems Stephanus Evert Indrawan; Gervasius Herry Purwoko; Tri Noviyanto P. Utomo
ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 3 (2020): ARTEKS : Jurnal Teknik Arsitektur | September 2020 ~ Desember 2020
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v5i3.488

Indonesia is located in a geographic area that is prone to disasters; thus, it is necessary to raise awareness about the science of disaster mitigation, including the provision of safe/suitable temporary shelter/building facilities for victims. In a number of disasters, it can be seen that confusion and access to the affected transportation will lead to difficulties in delivering disaster relief and supporting equipment to build post-disaster facilities. Therefore, we need a construction system that is easily assembled, stable, and easy to carry. In this case, the designer uses one type of shell structure, i.e. Minimum Surface principle which is the basis of the Inflatable Structure or Pneumatic Structure. By developing lightweight structures that refer to this principle, the designer can process architectural forms that are lighter and more stable. In this paper, the discussion is limited to the use of materials made from plywood based on the principle of Minimal Surface structure because this material is easily obtained and processed. The research questions of this study are how to create a fast raft construction system for post-disaster needs with plywood base material and how to process the connection system or plywood construction to have structural capability. © 2020 Stephanus Evert Indrawan, Gervasius Herry Purwoko, Tri Noviyanto P. Utomo

Eksplorasi kreatifitas desain melalui konsep upcycle material produk furnitur paska pakai Tri Noviyanto P Utomo; Yusita Kusumarini; Stephanus Evert Sindrawan
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 4, No 1 (2021)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/productum.v4i1.4106

The number of post-use or damaged furniture products before their time becomes a problem especially for ecological problems in the work environment. This research tries to explore the creativity of product design based on the principles derived from the concept of green design. One of the principles of green design derived is the upcycle concept. Through the upcycle concept approach, this research tries to construct ex office material into an explorative and ecological new design. This research uses a case study of ex office / campus furniture products that are no longer in use due to damage. The design model based on upcycle concept and formalistic design is used as a basis for design and to analyze design results. The results of this study in addition to creating explorative design products, also explain the principles of ecological regenerative design values, namely optimizing the use of waste materials, durability of product life that can be extended, as well as supporting environmental protection and increasing product values and aesthetics.

Implementation of Green Architectural Rules in the Design of The Griya Samadhi Vincentius Hall In Prigen Village, Pasuruan Regency, East Java Province Stephanus Evert Indrawan; Gervasius Herry Purwoko; Tri Noviyanto P. Utomo
Devotion Journal of Community Service Vol. 3 No. 9 (2022): Devotion: Journal of Research and Community Service
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36418/dev.v3i9.185

Griya Samadi Vincent is located in a cool highland, the temperature ranges from 20-24c. A beautiful and quiet area of approximately 6-7 hectares. There is a chapel room and a special indoor room that is usually used for meditation. The entire garden area can be used for outdoor meditation. In addition to the facilities for meditation, there are also several waste processing sites, organic plant nurseries, animal husbandry and the use of biogas as an energy source for the complex. So far, the Griya Samadi Vincentius complex has been managed by the Parish of the Church of the Nativity of the Blessed Virgin Mary, which is a partner of the contributors. So far, Parish, apart from being the manager of financing and maintenance, has also carried out complex developments in terms of the legality of licensing. Where one aspect of licensing is a Building Permit or IMB, in this case the environmental aspect is an important point in regional planning. Therefore, the contributors and the team will plan the building using the Green Architecture method in accordance with the Indonesian Green Building Council standards, namely: Appropriate Site Development, Indoor Air Health and Comfort, Water Conservation, Material Resources and Cycle and Buiding Environment Management.

Perancangan Arsitektur Interior Butik La Signature De Felicia dengan Konsep Tradisional Modern di Semarang Felicia Yoanita Nugroho; Tri Noviyanto Utomo; Maria Yohana Susan
Aksen : Journal of Design and Creative Industry Vol 1 No 1 (2015)
Publisher : Universitas Ciputra Surabaya

Fashion becomes more important nowadays so that most women willing to spend their money in order to maintain their appearance. For that reason, most women like shopping especially fashion products. Women’s needs and desires to shop fashion products make a good opportunity to open a fashion business. Nowadays, many Indonesian people interested in batik clothing since the enactment of the 2nd of October as a national batik day, however many batik clothing models are outdated that makes teenagers and young adults not interested. Therefore modern batik clothing is the right choice for modern teenage girls and young adults because more varieties in patterns, colors, and models. La Signature De Felicia offers exclusive modern batik clothing ready-to-wear suitable for women. Based on modern batik products which are containing the traditional and modern, thus become the interior concept for La Signature De Felicia. The interior concept is ‘Transition’ which in interior means a blend of traditional and modern that uses traditional element umpak (base of a column in traditional Javanese house) which has been simplified so it looks more modern. Minimum of ornamentations and decorations keep the focus on the simplicity of the design. The colors are used the neutrals and warm tones to evoke clean look and as neutrals background colors for the products. This interior design is created to provide comfort for both customers and employees.

IDENTIFIKASI POTENSI PENGEMBANGAN PRODUK UNTUK ARSITEKTUR INTERIOR BERBASIS KARAKTERISTIK MATERIAL SENI KERAJINAN TROWULAN Tri Noviyanto P Utomo; Stephanus Evert Indrawan
Aksen : Journal of Design and Creative Industry Vol 2 No 1 (2016)
Publisher : Universitas Ciputra Surabaya

Patung batu, tembaga dan terakota kerajinan biasanya ditemukan di wilayah Trowulan-Jawa Timur. Penemuan ini membuktikan bahwa masyarakat Indonesia di zaman kuno adalah pengrajin. Teknologi juga menjadi bagian budaya kerajaan Majapahit. Hal ini terbukti dengan penggunaan cetakan logam untuk menghasilkan kerajinan terakota. Artefak yang ditemukan oleh orang-orang dari Trowulan sedang digandakan dan dijual sebagai souvenir, aksesoris dan elemen lanskap. Masalah yang terjadi dan kenyataan yang dihadapi saat ini adalah produk sejenis banyak ditiru dan kurangnya inovasi. Akibatnya, pasar menjadi jenuh dan persaingan ketat antara penjual. Artis atau pengrajin cenderung mengubah profesi mereka dan memilih untuk bekerja di kota daripada menjadi pengrajin. Keragaman bahan dengan karakteristik yang unik di Trowulan memiliki potensi yang besar untuk dikembangkan menjadi produk yang lebih beragam yang kaya fungsi, bentuk dan ornamen. Studi ini akan mengeksplorasi jenis bahan dari Trowulan untuk memetakan potensinya yang dapat dikembangkan menjadi penggunaan produk lainnya. Langkah selanjutnya menggambarkan dan menganalisis karakteristik untuk mengidentifikasi peluang untuk pengembangan fungsi dan bentuk produk baru jika bahan sebagai elemen interior dan arsitektur.

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