Dede Burhanudin, Dede
Puslitbang Lektur Dan Khazanah Keagamaan

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Tembang dalam Tradisi Orang Sunda: Kajian Naskah Guguritan Haji Hasan Mustapa Dede Burhanudin
Jurnal Lektur Keagamaan Vol 11 No 1 (2013): Jurnal Lektur Keagamaan Vol. 11 No. 1 Tahun 2013
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (198.834 KB) | DOI: 10.31291/jlk.v11i1.67

Abstract

The content of Guguritan Haji Hasan Mustapa deals with the dynamic of religious life of Sundanese. Through,  Guguritan,  members of community communicate each other  by means of dialog. From the guguritan as a culture, it is manifestly that Sunda is an open cultural identity. Sunda and Sundanese also, have become the meeting point of their cultural identity. It was shown here by their pattern of reciprocal interaction and adaptation—both in group communication (makalangan) and  adaptation to the change of the world (ngigelan zaman dan ngigelkeun zaman).Keywords: Tembang,  Tradition, Guguritan Haji Hasan Mustapa
Carios Babad Sumedang Dede Burhanudin
Jurnal Lektur Keagamaan Vol 10 No 1 (2012): Jurnal Lektur Keagamaan Vol. 10 No. 1 Tahun 2012
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (388.595 KB) | DOI: 10.31291/jlk.v10i1.173

Abstract

This article deals with Prince Gesan Ulun of Sumedang Larang kingdom. It is said that in his journey of seeking knowledge in Demak and Cirebon, the prince felt in love with Haris Baya, the queen of Girilaya Kingdom of Cirebon. This led to bloody conflicts between Cirebon and Sumedang Larang. Thanks to the advice of Mataram ruler, the conflict eventually came to an end. The advice was based on Islamic teachings. Gesan Ulum married Haris Baya. But he had to relinguish some of his territory to Cirebon
Inskripsi Keagamaan Nusantara di Palu Sulawesi Tengah Dede Burhanudin
Jurnal Lektur Keagamaan Vol 14 No 1 (2016)
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1799.859 KB) | DOI: 10.31291/jlk.v14i1.476

Abstract

Religious inscriptions often cannot be separated from religious doctrines developed by the local communities in relation to their level of understanding of religion. In Central Sulawesi, religious teachings acquired from the teachers, scholars and religious leaders of Islam have colored the form and content of religious inscriptions. This article discusses the history and development of some religious inscriptions in Central Sulawesi, primarily in the cities of Palu, Donggala, and Banggai. The study focuses on four areas, namely (1) The family cemetery of Tanga Banggo (Kings of Palu), (2) the Mosque of Kampung Baru in Kota Palu, (3) the Al-Amin Mosque in Wani, Donggala, and (4) The Grand Mosque of Donggala in Donggala. From these areas, the research found 46 inscriptions. The inscription on the tombstone consists of identity and titles of the deceased, prayers, verses of the Qur’an, and the name of the Prophet's family and Companions. Meanwhile, the inscription on the mosques consists of the mosque names, the year of construction, and Hadith. Calligraphy is used generally in the styles of Tsulutsi, and Naskhi. The materials used consisted of wood, river rock, stone and marble temples. The existing conditions of inscriptions on tombstones, generally have suffered damage (wear). Headstone size generally between 20-120 centimeters. Headstone for men mostly spherical (phallus) and for women are usually flat. At the cemetery, the inscription contains the pilgrimage to the cemetery or graves, especially the graves Islamic leaders generally have similarities with other regions in Indonesia. While encryption in mosques suggests the words of prayers five times a day, away from God’s prohibition, hoping to worship for Allah's pleasure, advice, obedience, and others. Keywords: Religious Inscription, Mosques, Tombs, Islam, History, Central Sulawesi Inskripsi kegamaan seringkali tidak dapat dipisahkan dari kepercayaan masyarakat setempat dalam hubungannya dengan tingkat pemahaman mereka terhadap agamanya. Di Sulawesi Tengah, ajaran agama yang diperoleh dari para guru, ulama dan pimpinan agama Islam sedari awal mewarnai bentuk dan isi inskripsi keagamaan. Artikel ini membahas sejarah dan perkembangan beberapa inskripsi keagamaan di provinsi Sulawesi Tengah, tepatnya di kota yaitu Palu, Donggala, dan Banggai. Penelitian di fokuskan pada empat lingkungan, yaitu (1) Makam Situs Pekuburan Keluarga Tanga Banggo (Raja-Raja Palu), (2) Masjid Jami Kampung Baru Kota Palu, (3) Masjid Al Amin Wani di Donggala, dan (4) Masjid Raya Donggala di Donggala. Penelitian ini menemukan 46 inskripsi. Inskripsi pada nisan terdiri dari identitas dan gelar orang yang meninggal, doa, ayat al-Qur’an, dan nama keluarga dan sahabat Nabi. Sementara itu, inskripsi di Masjid terdiri dari nama masjid, tahun pembangunannya, dan hadis. Kaligrafi yang digunakan umumnya memakai Arab tsulutsi, dan naskhi. Adapun bahan yang digunakan terdiri dari kayu, batu sungai, batu candi dan marmer. Keadaan inskripsi yang ada pada nisan, umumnya telah mengalami kerusakan (aus). Ukuran nisan pada umumnya antara 20 - 120 cm. Nisan untuk laki-laki kebanyakan berbentuk bulat (lingga) dan untuk perempuan pipih. Di pekuburan, inskripsi berisikan ziarah ke pemakaman atau kuburan, terutama kuburan pemuka-pemuka Islam yang banyak kesamaan dengan daerah lainnya di Indonesia. Sementara inkripsi yang ada di masjid banyak menjelaskan masalah salat lima waktu, menjauhi larangannya, ibadah untuk mengharap rida Allah, nasehat, ketaatan, dan lain-lain. Kata kunci: Prasasti Keagamaan, Masjid, Kuburan, Islam, Sejarah, Sulawesi Tengah
Vihara Dhanagun dan Komunikasi Budaya di Kota Bogor, Jawa Barat Dede Burhanudin
Jurnal Lektur Keagamaan Vol 16 No 1 (2018)
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1645.177 KB) | DOI: 10.31291/jlk.v16i1.485

Abstract

This article discusses the Dhanagun Temple, one of the Confucian worship houses in Bogor. Through the study of places of worship, the theme of cultural communication was raised, especially Confucians with the surrounding environment, by revealing the context of the historical setting, which includes the time, founders, and conditions of the community around that time, the architectural model of buildings, and the following philosophical meanings contained in it. Furthermore, it was also revealed that the use of this place of worship in the socio-cultural context from its inception to the present. Dhanagun Temple has dominant characteristics of Chinese architecture. The frame uses a multilevel beam structure system and a beam bond structure system. The shape of the roof stands out with a frame structure system made of wood. This monastery is decorated with ornaments that can be grouped into five categories, namely animals (fauna), plants (flora), nature (universes such as fire, water, and sun), geometrics, and legends, especially about gods. The results of this study are expected to enrich the archipelago's religious treasures, explore the values of local wisdom and conserve and preserve historical heritage, including historic places of worship.Keywords: Dhanagun Temple, culture, history, architecture, ornament.Artikel ini membahas Vihara Dhanagun, salah satu rumah ibadah Konghucu di Bogor. Melalui kajian rumah ibadah ini diangkat tema komuni¬kasi budaya, khususnya penganut Konghucu dengan lingkungan sekitarnya, dengan mengungkap konteks latar sejarah berdirinya, yang meliputi waktu, pendiri, serta kondisi masyarakat di sekitar saat itu, model aristektur bangunan, dan benda-benda berikut makna filosofis yang terkandung di dalamnya. Selin itu, diungkap pula pemanfaatan rumah ibadah ini dalam konteks sosial budaya sejak awal berdirinya sampai saat ini. Vihara Dhanagun memiliki karekteristik arsitektur Tionghoa. Rangkanya menggunakan sistem struktur balok bertingkat dan sistem struktur ikatan balok. Bentuk atapnya menonjol dengan sistem struktur rangka yang ter¬buat dari kayu. Vihara ini dihiasi dengan ornamen yang dapat dikelompokkan menjadi lima kategori, yaitu hewan (fauna), tumbuhan (flora), nature (alam semesta seperti api, air, dan matahari), geometrik, dan legenda, terutama tentang dewa-dewa. Dari hasil kajian ini diharapkan dapat menambah khazanah keagamaan Nusantara, menggali nilai-nilai kearifan lokal dan mengkonservasi serta melestarikan peninggalan bersejarah, termasuk rumah ibadah bersejarah.Kata Kunci: Vihara Dhanagun, budaya, sejarah, Arsitektur, ornamen
Klenteng Kuno Boen Bio di Surabaya (Nilai dan Makna Ajaran Khonghucu) Dede Burhanudin
Jurnal Lektur Keagamaan Vol 15 No 1 (2017)
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1000.833 KB) | DOI: 10.31291/jlk.v15i1.519

Abstract

Boen Bioyang Temple, located in Surabaya City, is one of the houses of worship in Indonesia that still cling to the purity of Confucian religious teachings. Especially, it still maintains the pure values of Confucian teachings that do not go through syncretism like other temples. Temples in Indonesia are mostly Tridharma temples used by three religions, namely Confucianism, Buddhism and Taoism. This article wishes to reveal (1) the context and historical back-ground of the founders of Boen Bio Temple, which includes the time, the founding figures, and the conditions of the community around that time; (2) data on the architectural model of the building, and the objects as well as the philosophical meanings contained therein and (3) the role of religious spreading and the social and cultural use since its inception to date. The expected benefits of this research can add to the religious treasures of the Indonesian archipelago, exploring the values of local wisdom. These also conserve and preserve historical religious places of worship in Indonesia, especially the Confucian Chinese people who are Confucians in Surabaya and generally the people of Indonesia. Basically, the research method used here is descriptive and quali-tative, related to history. The use of such methods may present evidence of evidence and facts contained in the temple through the stages of historical studies. A historical approach is made to describe the historical background of the existence of a historic place of worship, while the archaeological approach is done to describe the ancient objects and the symbols within them.Keywords: Temple, Confucianism, Chinese, Surabaya, Indonesia. Latar belakangPenelitian Klenteng Boen Bio yang ada di Kota Surabaya ini, adalah salah satu satu tempat ibadah di Indonesia yang masih berpegang teguh pada kemurnian ajaran agama Khonghucu. Teru-tama masih mempertahankan nilai-nilai murni ajaran Khonghucu yang tidak mengalami sinkretisme seperti kelenteng-kelenteng lainnya. Jika Kelenteng-kelenteng di Indonesia kebanyakan merupakan kelenteng Tri-dharma yang digunakan oleh tiga agama, yakni Khonghucu, Budha dan Tao. Adapun tujuan dan manfaat dari penelitian ini diantaranya (1) untuk mengungkapkan konteks latar sejarah berdirinya Klenteng Boen Bio, yang meliputi waktu, pendiri, serta kondisi masyarakat di sekitar saat itu. (2) Didapatnya data tentang model aristektur bangunan, dan benda-benda berikut makna filosofis yang terkandung di dalamnya serta (3) mengetahui peran penyebaran agama serta pemanfaatan sosial budaya sejak awal berdirinya sampai saat ini. Manfaat yang diharapkan dari penelitian ini dapat menambah khazanah keagamaan Nusantara, menggali nilai-nilai kearifan lokal dan mengkonservasi dan melestarikan tempat-tempat ibadah keagamaan bersejarah di Indonesia. khususnya masyarakat Tionghoa yang beragama Khonghucu di Surabaya dan umumnya masyarakat Indonesia. Secara mendasar metode penelitian ini deskriptif kualitatif yang terkait dengan sejarah dan kekunoan.Penggunaan metode tersebut diharapkan dapat memaparkan bukti temuan dan fakta yang terdapat pada Klenteng tersebut melalui tahapan kajian sejarah. Pendekatan yang dilakukan disesuaikan dengan sifat penelitian yang akan dilakukan yaitu historis dan arkeologis. Pendekatan historis dilakukan untuk men-deskripsikan latar belakang sejarah keberadaan rumah ibadah bersejarah, sedangkan pendekatan arkeologis dilakukan untuk mendeskripsikan benda-benda kuno serta simbol yang ada didalamnya.Karena keterbatasan waktu dan teknis, maka dalam penelitian ini hanya di analisis melalui pendekatan sejarah.Kata Kunci: Klenteng, Khonghucu, Tionghoa, Kota Surabaya, Indonesia.