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All Journal Ghurnita: Jurnal Seni Karawitan
I Ketut Sudhana
Program Studi Seni Karawitan, ISI Denpasar
Arts Humanities Education Social Sciences

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Marma: A New Musical Experimental | Marma: Sebuah Karya Baru Musik Eksperimental I Dewa Gede Bayu Agastya; I Ketut Sudhana
GHURNITA: Jurnal Seni Karawitan Vol 2 No 4 (2022): Desember
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

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Abstract

The sensitivity of each human being in capturing cosmic vibrations through the subconscious mind of each is different. Some catch it with full awareness and some with half awareness. The combination of the two is what in Balinese is called "Marma". A person's condition while in a marma situation will allow his five senses to pick up vibrations outside of himself in a different state from reality. The creation of a musical composition is often faced with the abstract and can take ideas from the story of life, nature, objects and so on. The creation of this musical composition takes the idea of Balinese social life in carrying out religious obligations. This work is realized on the basis of the creator who has a passion for a challenge that is able to process the mind, and dares to try to make something a little different through unconventional work. This is what then encourages the creator to make it into the form of experimental musical works, by searching and experimenting with various elements that can be arranged so as to form the originality of an aesthetic work. The creation of this work is as a personal expression to express the thoughts of the creator which is realized through the medium of expressing gamelan.
Pancer: A Music Interpretation of the Chronicle of Panjer | Pancer: Sebuah Musik Interpretasi Babad Panjer I Gusti Agung Kresna Bayu Kepakisan; I Ketut Sudhana
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

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Abstract

This article discusses the percussion of the "Pancer" pepanggulan, which is an interpretation of the certia of the origin of the Panjer traditional village. Pancer is another word for panjer which is the name of a village located in south Denpasar. Pancer means to stick, where what is meant in this case is sticking a spear. Panjer traditional village story, then implemented into a percussion creation pepanggulan with gamelan gong kebyar media entitled "Pancer". The writing of this article aims to provide information about how the shape and description of the composition of the "Pancer" percussion creations pepanggulan, where it is expected to be a motivation and reference in the cultivation of perpanggulan percussion creations in the future. In cultivating the creation of the "Pancer" percussion, the stylist uses the creation method from Alma M. Hawkins including the exploration stage, the improvisation stage and the formation stage. The results obtained are the formation of the full "Pancer" pepanggulan percussion which consists of three parts including the pengawit section which is a final part of the work, the crew section which describes the love story of a king, and the pusher section which describes the king's journey in performing prayers, which in this journey is also the origin of the founding of the traditional village of Panjer.
Co-Authors I Dewa Gede Bayu Agastya I Gusti Agung Kresna Bayu Kepakisan